Kishio Suga (菅 木志雄, Suga Kishio) (born 1944), is a Japanese sculptor and installation artist currently living in Itō…Kishio Suga (菅 木志雄, Suga Kishio) (born 1944), is a Japanese sculptor and installation artist currently living in Itō, Shizuoka, Japan. He is one of the key members of Mono-ha, a group of artists who became prominent in the late 1960s and 1970s. The Mono-ha artists explored the encounter between natural and industrial materials, such as stone, steel plates, glass, light bulbs, cotton, sponge, paper, wood, wire, rope, leather, oil, and water, arranging them in mostly unaltered, ephemeral states. The works focus as much on the interdependency of these various elements and the surrounding space as on the materials themselves.
Hiroyuki Sonoda (園田 博之, Sonoda Hiroyuki; 19 February 1942 – 11 November 2018) was a Japanese politician who served in…Hiroyuki Sonoda (園田 博之, Sonoda Hiroyuki; 19 February 1942 – 11 November 2018) was a Japanese politician who served in the Diet (national legislature) as a member of the House of Representatives for Kumamoto 4th district; following the 2017 general election when Kumamoto lost one seat due to reapportionment, he moved to the Kyūshū proportional representation block. He was a member of the Liberal Democratic Party (LDP), previous party affiliations have been independent→LDP→New Party Sakigake→Independent→LDP→Sunrise Party of Japan→Sunrise Party→Japan Restoration Party→Party for Future Generations→Sunrise Party→Party for Future Generations→LDP.
Takashi Mitsukuri (三栗 崇, Mitsukuri Takashi; born February 19, 1939) is a Japanese gymnast and Olympic champion.…Takashi Mitsukuri (三栗 崇, Mitsukuri Takashi; born February 19, 1939) is a Japanese gymnast and Olympic champion. Mitsukuri competed at the 1960 Summer Olympics in Rome where he received a gold medal in team combined exercises. At the 1964 Summer Olympics in Tokyo he again received a gold medal in team combined exercises with the Japanese team. Individually, he performed best on the pommel horse, finishing in fourth and sixth place in 1960 and 1964, respectively. Mitsukuri received a bronze medal in pommel horse at the 1962 World Artistic Gymnastics Championships, and Japan won the team competition. He received a bronze medal in horizontal bar at the 1966 World Artistic Gymnastics Championships, and Japan won the team competition again. His wife Taniko Nakamura-Mitsukuri is also a retired Olympic gymnast.
Jun Ebina (蝦名 純, Ebina Jun; born 19 February 1939) is a Japanese athlete. He competed in the men's long jump at the…Jun Ebina (蝦名 純, Ebina Jun; born 19 February 1939) is a Japanese athlete. He competed in the men's long jump at the 1960 Summer Olympics.
Noboru Okamoto (岡本 登, Okamoto Noboru; born 19 February 1937) is a Japanese former hammer thrower who competed in the…Noboru Okamoto (岡本 登, Okamoto Noboru; born 19 February 1937) is a Japanese former hammer thrower who competed in the 1960 Summer Olympics and in the 1964 Summer Olympics. Okamoto won the British AAA Championships title in the hammer throw event at the 1962 AAA Championships.
Hirofumi Yamashita (山下 弘文, Yamashita Hirofumi) (died 2000) was a Japanese ichthyologist and environmentalist. For 25…Hirofumi Yamashita (山下 弘文, Yamashita Hirofumi) (died 2000) was a Japanese ichthyologist and environmentalist. For 25 years, he opposed the reclamation project in Isahaya Bay, one of the world's largest wetlands, compelling the Japanese government to scale back the massive dike project and reevaluate the environmental costs of reclamation. He was awarded the Goldman Environmental Prize in 1998 for his efforts on marine protection.
Kiyoshi Awazu (Japanese: 粟津 潔, romanized: Awazu Kiyoshi, February 19, 1929 – April 28, 2009) was a Japanese graphic…Kiyoshi Awazu (Japanese: 粟津 潔, romanized: Awazu Kiyoshi, February 19, 1929 – April 28, 2009) was a Japanese graphic designer, active in the post-WWII era in the fields of poster design, architecture design, set design, filmmaking, and illustration. A self-taught artist, Awazu possessed an eclectic and variegated graphic style that employed vibrant color palettes, appropriated and subverted motifs from both traditional Japanese art and design as well as contemporary pop culture, and incorporated supergraphics and expressive typography across a range of scales and spatial contexts. Believing that design was a basic function of human life, and that it was the social role of the designer "to extend the rural into the city, foreground the folklore, reawaken the past, summon back the outdated," Awazu worked with collaborators across genres and culled references from a vast array of sources to produce works that were intensely transdisciplinary and expressive, all while resisting the essentializing and universalizing tendencies of the modernist tradition. Beginning with his award-winning 1955 poster Umi o kaese [Give Back Our Oceans], an expression of solidarity with disenfranchised fishermen who were banned from conducting their activities by American Occupation forces, Awazu's work also displays a keen engagement with political activism and an emphasis on the capacity of visual communications to reveal injustices and expand awareness through affective means. Awazu worked with diverse collaborators across the fields of film, performance, and the visual arts to produce promotional posters, book designs, illustrations, and other graphic materials. Awazu also worked with numerous modern architects—notably as a member of the Metabolism movement—to integrate structural design with other applied arts and foreground the role of design as a conduit for promoting civic engagement in urban contexts. Within the field of architecture, he is best known for producing the bold supergraphics on the exterior of the Nibankan building, which was famously featured on the cover of Charles Jencks' The Language of Modern Architecture (1977).
Tatsuro Matsumae (Japanese: 松前達郎 Matsumae Tatsurō; 19 February 1927 – 8 September 2024) was a Japanese academic and…Tatsuro Matsumae (Japanese: 松前達郎 Matsumae Tatsurō; 19 February 1927 – 8 September 2024) was a Japanese academic and politician. A member of the Japan Socialist Party and the Democratic Party, he served in the House of Councillors from 1977 to 2001. Matsumae died of pneumonia in Hachiōji, on 8 September 2024, at the age of 97.
Sankichi Tōge (峠 三吉, Tōge Sankichi; 19 February 1917 – 10 March 1953), born Mitsuyoshi Tōge, was a Japanese poet…Sankichi Tōge (峠 三吉, Tōge Sankichi; 19 February 1917 – 10 March 1953), born Mitsuyoshi Tōge, was a Japanese poet, activist, and survivor of the atomic bombing of Hiroshima. He is best known for his collection of poems Genbaku Shishu ("Poems of the Atomic Bomb"), published in 1951.
Eiichi Kazama (風間 栄一, Kazama Eiichi; 19 February 1916 – 8 May 2001) was a Japanese wrestler. He competed in the men's…Eiichi Kazama (風間 栄一, Kazama Eiichi; 19 February 1916 – 8 May 2001) was a Japanese wrestler. He competed in the men's freestyle lightweight at the 1936 Summer Olympics.
Tetsuji Fukushima (Japanese: 福島 鉄次, romanized: Fukushima Tetsuji ; February 19 1914-1992) was a Japanese manga artist.…Tetsuji Fukushima (Japanese: 福島 鉄次, romanized: Fukushima Tetsuji ; February 19 1914-1992) was a Japanese manga artist. Fukushima was born in the Fukushima Prefecture. From January 1949 to February 1956, his science fiction comic series Sabaku no Maō ( Japanese: 砂漠の魔王, lit. 'Demon King of the Desert' ) appeared in the Bōken Ō magazine by Akita Shoten. He was inspired for this manga by the Middle Eastern tale of Aladdin and the Magic Lamp. Sabaku no Maō was also published in nine anthologies after the magazine publication. The manga's drawing style was influenced by American comics, which the editor of magazine had bought from the occupation army and given to Fukushima as a reference. Hayao Miyazaki cited an episode in Sabaku no Maō as a great inspiration for his film The Castle in the Sky: "As a student, I read it [Sabaku no Maō] over and over again with a pounding heart. There was an episode about a gemstone that gave you the power to fly. I was so moved by it that I wanted to make a film about a magic stone." Fukushima's other works include Inazuma Dōji (いなずま童子; 1954), Kaijin Z (怪人Z) and Shippū Kenshi (疾風剣士; 1956–1957).
Senkichi Taniguchi (谷口 千吉, Taniguchi Senkichi) (February 19, 1912 – October 29, 2007) was a Japanese film director and…Senkichi Taniguchi (谷口 千吉, Taniguchi Senkichi) (February 19, 1912 – October 29, 2007) was a Japanese film director and screenwriter.
Hisahito Yonekura (米倉壽仁, Yonekura Hisahito) (19 February 1905 – 18 March 1994) was a Japanese Surrealist painter and…Hisahito Yonekura (米倉壽仁, Yonekura Hisahito) (19 February 1905 – 18 March 1994) was a Japanese Surrealist painter and poet. He was a founding member of the Sōki Bijutsu Kyōkai in 1938 and the Bijutsu Bunka Kyōkai in 1939. The Yamanashi Prefectural Museum of Art regards his 1936 painting The Crisis of Europe as a representative work of both his prewar career and Japanese Surrealist painting.
Eiko Yamazawa (山沢 栄子, Yamazawa Eiko; February 19, 1899–July 16, 1995) was a renowned Japanese photographer. She is…Eiko Yamazawa (山沢 栄子, Yamazawa Eiko; February 19, 1899–July 16, 1995) was a renowned Japanese photographer. She is considered one of Japan's earliest women photographers and is among the few women photographers in Japan who were active both before and after World War II. First trained in Nihonga, she later studied photography in the U.S. under the mentorship of Consuelo Kanaga, and also exposed to the work of Kanaga's contemporaries such as Paul Strand and Edward Weston. After coming back to Japan in 1929, she established herself as a professional photographer. In 1931 she opened a portrait studio in Osaka, and in 1950 she established the Yamazawa Institute of Photography also in Osaka. In the early half of her career, Yamazawa was engaged in portraiture and commercial photography, having produced work for major Osaka department stores. In 1960 she shifted abstraction away from realism. Her work in this latter half of her career is characterized by her photographing art materials in distortion and reflection. Yamazawa's photographs were unique at the time for their use of vibrant color, which was in stark contrast to black and white photography championed by other Japanese photographers.
Nishinoumi Kajirō I (西ノ海 嘉治郎; February 19, 1855 – November 30, 1908) was a Japanese professional sumo wrestler from…Nishinoumi Kajirō I (西ノ海 嘉治郎; February 19, 1855 – November 30, 1908) was a Japanese professional sumo wrestler from Sendai, Satsuma Province. He was the sport's 16th yokozuna, and the first to be officially listed as such on the banzuke ranking sheets, an act which strengthened the prestige of yokozuna as the highest level of achievement in professional sumo.