Heihachirō Fukuda (福田平八郎, Fukuda Heihachirō; February 28, 1892 – March 22, 1974) was a Japanese Nihonga painter and…Heihachirō Fukuda (福田平八郎, Fukuda Heihachirō; February 28, 1892 – March 22, 1974) was a Japanese Nihonga painter and designer. He received a commission to decorate the Take-no-ma audience room of the Tokyo Imperial Palace, a hall that has an area of 182 square meters, or 55 tsubo. The piece “Take” depicts bamboo. The hall also features works by Tatsuaki Kuroda and Hajime Kato. His work is a part of the collection of the Menard Art Museum, the Osaka City Museum of Modern Art, and the National Museum of Modern Art, Kyoto.
Shintarō Hirase (平瀬 信太郎, Hirase Shintarō; February 28, 1884 – September 9, 1939) was a Japanese malacologist. His…Shintarō Hirase (平瀬 信太郎, Hirase Shintarō; February 28, 1884 – September 9, 1939) was a Japanese malacologist. His father, Yoichirō Hirase, (1859–1925) was also a malacologist. With his father, he collected shells and helped formalize malacology in Japan. Due to their contributions to malacology, numerous species bear the Hirase name, such as Conus hirasei, . Hirase was born at Hukura on Awaji Island on February 28, 1884, and was the eldest son of Yoichirō Hirase. Growing up surrounded by his father's business and collection, he developed a lifelong love of malacology. He graduated from Third College and afterward took courses on psychology at the Faculty of Literature at Kyoto Imperial University (1910). In 1914 he matriculated to the faculty of Science, Tōkyō Imperial University, having passed an examination for the science courses at the First College. He received his master's degree from Tōkyō Imperial University in 1917 and continued post graduate work from 1917 to 1922. He was elected a member of the Malacological Society of London, of America, and of Germany. He was a founding member of the Malacological Society of Japan, alongside Tokubei Kuroda. He went on to teach natural sciences and zoology at Hōsei University, Meiji University, Seikei University, and Senshū University from 1920 until shortly before his death. In his obituary from the Proceedings of the Malacological Society of London, he was noted to be “without political interests and enthusiastically devoted to the study of mollusks.” His publications of note included a review of Japanese oysters, scaphopods, and a catalogue of Japanese shells with hand illustrated plates. Shintaro died on September 9, 1939, at age 55 at his home in Tōkyō after a short period of kidney failure. At its largest, the Hirase collection grew to 15,000 pieces. Prior to WWII, the collection was split to ensure its survival. One third was donated to various museums, including the Smithsonian, one third was kept at the house of Shintaro in Tokyo, and the last third was stored in the Research Institute for Natural Resources in Tokyo. The majority of the collection was destroyed during incendiary bombing of Tokyo during the war. Only 5000 pieces, mostly consisting of the minute marine specimens, the land specimens, and fresh water specimens, survived the war. The surviving pieces of the collection have been stored in the Research Institute for Natural Resources in Tokyo since 1948.
Takayama Chogyū (高山 樗牛; Saitō Rinjirō (斎藤 林次郎) 28 February 1871 – 24 December 1902) was a Japanese writer and literary…Takayama Chogyū (高山 樗牛; Saitō Rinjirō (斎藤 林次郎) 28 February 1871 – 24 December 1902) was a Japanese writer and literary critic. He influenced Japanese literature in the late Meiji period with his blend of romantic individualism, concepts of self-realization, aesthetics, and nationalism. However, many of Chogyū's works seem cryptic to readers today, due to the archaic style he employed.
Hōgetsu Shimamura (島村 抱月, Shimamura Hōgetsu; February 28, 1871 - November 5, 1918)) was a Japanese critic, novelist and…Hōgetsu Shimamura (島村 抱月, Shimamura Hōgetsu; February 28, 1871 - November 5, 1918)) was a Japanese critic, novelist and leader of Shingeki. His real name is Takitaro (滝太郎). He was born in Shimane Prefecture. He graduated from Tōkyō Senmon Gakkō. In 1902 he studied abroad in the United Kingdom and Germany. In 1906, he founded the Bungei Kyōkai (文芸協会) with Tsubouchi Shoyo. He presided over Waseda Bungaku (早稲田文学) and was active in the naturalistic literary movement. In 1913, he established the Geijutsu-za theatre troupe with Sumako Matsui. His main works are Shinbijigaku (新美辞学), Kindai Bungei no Kenkyu (近代文芸之研究) and so on. Shimamura was also a key figure in Henrik Ibsen becoming a key influence in Japanese drama and the Shingeki movement; following a three and a half year stay in Europe and having attended many performances of Ibsen plays, Shimamura returned to Japan in 1905 and declared an "Age of Ibsen" to coincide with increased interest in Ibsen plays within Japan, including Shimamura's own translation of A Doll's House.
Motoda Hajime (元田 肇; 28 February 1858 – 1 October 1938) was a Japanese politician and cabinet minister in the Meiji…Motoda Hajime (元田 肇; 28 February 1858 – 1 October 1938) was a Japanese politician and cabinet minister in the Meiji, Taishō and early Shōwa periods of the Japan.