Yoshihiro Nakamura (中村義洋, Nakamura Yoshihiro) is a Japanese film director and screenwriter, known for his 2009 film…Yoshihiro Nakamura (中村義洋, Nakamura Yoshihiro) is a Japanese film director and screenwriter, known for his 2009 film Fish Story, which premiered at the New York Asian Film Festival, and A Boy and His Samurai, which won the Audience Award at the 2011 New York Asian Film Festival.
Seiichi Hishikawa (菱川 勢一, Hishikawa Seiichi; born in 1969 in Tokyo) is a Japanese film maker, art director, and…Seiichi Hishikawa (菱川 勢一, Hishikawa Seiichi; born in 1969 in Tokyo) is a Japanese film maker, art director, and photographer who began his career in the music industry. He entered CBS/Sony Group in the General Affairs section, General Affairs division, and eventually moved on to the Sony Corporation. PR/Advertising division, overseeing a great number of events at the Ginza Sony Building etc. as an assistant producer. This was also the time that he began producing exhibitions for creators of contemporary art as well as artists. In 1991, Hishikawa moved to New York and moved from music to film, as an editing engineer as well as a cinematographer, gaining experience in media including TV and movies. After returning to Japan, he gained experience as a freelance set director, cinematographer, and theatre director before establishing Drawing and Manual, a company that does graphic design and film. That same year, he hosted a motion graphics exhibition at the Axis Gallery in Roppongi, leading the motion graphics movement and attracting a total of 45,000 visitors despite being self-hosted. Known as the founder of that movement, Hishikawa established his own design studio in 2003, Standard Series, Inc. Expanding on the cinema, web, and graphic design work he has done up until now, the company also provides brand design and design consultation services. In 2009, Hishikawa joined Drawing and Manual again, and he accepted a position to teach in the Department of Science of Design, Musashino Art University. He achieved the triple crown in 2011 after taking top honors in the Cannes Lions International Advertising Festival for directing the NTT Docomo commercial “Xylophone.”
Kinji Fukasaku (Japanese: 深作 欣二, Hepburn: Fukasaku Kinji; 3 July 1930 – 12 January 2003) was a Japanese filmmaker.…Kinji Fukasaku (Japanese: 深作 欣二, Hepburn: Fukasaku Kinji; 3 July 1930 – 12 January 2003) was a Japanese filmmaker. Known for his "broad range and innovative filmmaking", he worked in many different genres and styles, but was best known for his gritty yakuza films, typified by the Battles Without Honor and Humanity series (1973–1976). According to the Berkeley Art Museum and Pacific Film Archive, his "turbulent energy and at times extreme violence express a cynical critique of social conditions and genuine sympathy for those left out of Japan's postwar prosperity". He used a cinema verite-inspired shaky camera technique in many of his films from the early 1970s. Fukasaku wrote and directed over 60 films between 1961 and 2003. Some Western sources have associated him with the Japanese New Wave movement of the 1960s and 1970s, but this belies his commercial success. His works include the Japanese portion of the Hollywood war film Tora! Tora! Tora! (1970), jidaigeki such as Shogun's Samurai (1978), the space opera film Message from Space (1978), the science fiction film Virus (1980), the fantasy film Samurai Reincarnation (1981), and the highly influential dystopian thriller film Battle Royale (2000). Fukasaku won the Japan Academy Film Prize for Director of the Year three times from nine nominations. He served as the sixth president of the Directors Guild of Japan from 1996 until his death from prostate cancer in 2003. He received the Purple Medal of Honor from the Japanese government for his work in 1997. His films have inspired directors such as Quentin Tarantino, William Friedkin, and John Woo.