Jin Katagiri (片桐 仁, Katagiri Jin; born November 27, 1973) is a comedian, actor, sculptor, and potter from Saitama…Jin Katagiri (片桐 仁, Katagiri Jin; born November 27, 1973) is a comedian, actor, sculptor, and potter from Saitama Prefecture, Japan. He graduated from Kasukabe High School and Tama Art University. Outside Japan, he is most well known for playing the PC (opposite Kentarō Kobayashi who plays the Mac) in the "Get A Mac" advertising campaign in Japan. He is a member of the Rahmens owarai comedy duo.
Nobuo Sekine (関根 伸夫, Sekine Nobuo; September 19, 1942 – May 13, 2019) was a Japanese sculptor who resided in both…Nobuo Sekine (関根 伸夫, Sekine Nobuo; September 19, 1942 – May 13, 2019) was a Japanese sculptor who resided in both Tokyo, Japan, and Los Angeles, California. A graduate of Tama Art University, he was one of the key members of Mono-ha, a group of artists who became prominent in the late 1960s and early 1970s. The Mono-ha artists explored the encounter between natural and industrial materials, arranging them or interacting with them in mostly unaltered, ephemeral states. Sekine’s signature materials included earth, water, stone, oilclay, sponge, steel plates, among others. His Phase—Mother Earth, consisting of a hole dug into the ground, 2.7 meters deep and 2.2 meters in diameter, with the excavated earth compacted into a cylinder of exactly the same dimensions, is considered to have initiated the Mono-ha movement. Later credited as the "big bang" of the movement, the work not only attracted the attention of fellow Tama students but also Lee Ufan, who was senior to Sekine and in search of a theoretical framework for new art. This work led to an intense intellectual exchange between Sekine and Lee, involving other Tama students, that served as a foundational theory of Mono-ha, that combined Sekine’s principle of “not making” (tsukuranai koto) and Lee’s idea of “the world as-it-is” (arugamama no sekai), setting a stage for themselves and their peers to embark on a full-fledged exploration of mono (things), which became the name for their movement. Sekine’s own work rapidly progressed from Phase—Mother Earth to Phase-Sponge (1968) and Phase of Nothingness - Oil Clay (1969), with all of these works receiving top awards at major competitions. By 1970, Sekine established himself as a young but rising figure of contemporary art, being invited, along with Shusaku Arakawa, to exhibit in the Japanese pavilion at the Venice Biennale in 1970, by the critic Yoshiaki Tōno. While Arakawa filled the pavilion’s interior, Sekine erected a large-scale outdoor sculpture, Phase of Nothingness. Despite these attentions, the artist departed the Mono-ha practice and established Kankyō Bijutsu Kenkyūjo (Environment Art Studio) in 1973 to focus primarily on public sculpture.
Hidetoshi Nagasawa (長澤 英俊, Nagasawa Hidetoshi; 30 October 1940 – 24 March 2018) was a Japanese sculptor and architect…Hidetoshi Nagasawa (長澤 英俊, Nagasawa Hidetoshi; 30 October 1940 – 24 March 2018) was a Japanese sculptor and architect, who lived and worked in Italy from 1967 until his death in 2018. Nagasawa was born in Tonei, Manchuria. He graduated in architecture in Tokyo in 1963. In 1966 he embarked on a long bicycle trip across Asia and Europe, eventually reaching Milan where he decided to permanently settle in 1968. In 1979 he founded the Casa degli Artisti in Milan together with Luciano Fabro and Jole De Sanna. Nagasawa's sculptures were made of materials such as paper, wood, stone and metal, and incorporated Eastern and Western cultural and religious elements. In the 1980s, he started creating his first environments, exploring the relationship between sculpture and architecture. Nagasawa was a lecturer at the Nuova Accademia di Belle Arti in Milan. He participated to the Venice Biennale in 1972, 1976, 1982 and 1988. He was invited to Documenta 9 in Kassel in 1992 and in 2006 he participated in the XII Biennale of Sculpture in Carrara. He has also held solo shows at the Padiglione d'Arte Contemporanea in Milan (1988), the Galleria Comunale in Bologna (1993), and the Fundació Pilar i Joan Miró in Mallorca (1996).