Taksu Cheon (全 卓樹, Zen Tasuku; born 1958) is a Japanese physicist notable for his work on quantum game theory and the…Taksu Cheon (全 卓樹, Zen Tasuku; born 1958) is a Japanese physicist notable for his work on quantum game theory and the foundations of quantum mechanics.
Ryō Ikebe (池部 良, Ikebe Ryō; 11 February 1918 – 8 October 2010) was a Japanese actor. He graduated from Rikkyō…Ryō Ikebe (池部 良, Ikebe Ryō; 11 February 1918 – 8 October 2010) was a Japanese actor. He graduated from Rikkyō University and originally wanted to be a director, but ended up debuting as an actor at Tōhō in 1941. He did not achieve popularity until starring in a series of youth films in the late 1940s. He expanded his acting range in the 1950s, while still frequently appearing in genre films, such as Tōhō tokusatsu films and yakuza films at Tōei. One key role of his was in the 1964 film noir Pale Flower. Apparently, he was cast by Masahiro Shinoda despite saying that he was a "ham actor". Shinoda stated that he cast him because of his sleek features present in films such as Early Spring (1956) and wanted to feel the "quality of a man down on his luck." (at the time of production, Ikebe happened to be at home because of a bad experience he had acting in a play where he couldn't remember his lines). He was also known as an essayist. On 8 October 2010, he died of blood poisoning. He was 92 years old.
Kansuke Naka (中 勘助, Naka Kansuke; 22 May 1885 – 3 May 1965) was a Japanese novelist and essayist. Naka was born in…Kansuke Naka (中 勘助, Naka Kansuke; 22 May 1885 – 3 May 1965) was a Japanese novelist and essayist. Naka was born in Tokyo. He lived in Hiratsuka from 1926 to 1932, and he was evacuated to Shizuoka Prefecture during World War II, but otherwise he spent most of his life in Tokyo. He married Kazuko Shimada in 1942. Naka was one of the students taught by Natsume Sōseki at the University of Tokyo before Sōseki gave up teaching to write for the newspaper Asahi Shimbun. It was Sōseki who arranged the serial publication in that paper of Naka's first novel Gin no saji ("The Silver Spoon"), a nostalgic depiction of his childhood and teens. The novel was published from 1911 to 1913 and translated in 1976 by Etsuko Terasaki. It is popular in Japan and is an account of life in Tokyo at the beginning of the 20th century during the Meiji era, replete with historical details as well as a contemporary sense of isolation; it follows Naka's psychological journey from childhood to adulthood. Naka also wrote Inu ("The Dog", 1922) and Rōkan (a collection of poems, 1935). Naka was praised by Tetsurō Watsuji, a leading critic, and also by Zhou Zuoren, for his rare willingness to criticize Japanese nationalists.
Kiyokata Kaburaki (鏑木 清方, Kaburaki Kiyokata; August 31, 1878 – March 2, 1972) was the art-name of a Nihonga artist and…Kiyokata Kaburaki (鏑木 清方, Kaburaki Kiyokata; August 31, 1878 – March 2, 1972) was the art-name of a Nihonga artist and the leading master of the bijin-ga genre in the Taishō and Shōwa eras. His legal name was Kaburaki Ken'ichi. The artist himself used the reading "Kaburaki", but many Western (and some Japanese) sources transliterate it as "Kaburagi".
Katayama Hiroko (片山広子 born 10 February 1878 in Tokyo, died 19 March 1957) was a Japanese poet and translator. She did…Katayama Hiroko (片山広子 born 10 February 1878 in Tokyo, died 19 March 1957) was a Japanese poet and translator. She did many translations of Irish writers under the pseudonym Matsumura Mineko. Her husband was a noted bureaucrat. She reportedly took her pseudonym from a name she saw on a child's umbrella. She maintained a friendship with Ryūnosuke Akutagawa and he reportedly said of her "Finally I have met a woman who can be called my equal in the arena of words." She also acted as a mentor to Muraoka Hanako who is known in Japan for translating Anne of Green Gables.
Yoshiharu Tsuge (つげ義春, Tsuge Yoshiharu; 30 October 1937 – 3 March 2026) was a Japanese cartoonist and essayist. He was…Yoshiharu Tsuge (つげ義春, Tsuge Yoshiharu; 30 October 1937 – 3 March 2026) was a Japanese cartoonist and essayist. He was active in comics between 1955 and 1987. His works ranged from tales of ordinary life to dream-like surrealism, and often show his interest in traveling about Japan. Tsuge garnered the most attention from the surrealistic works he published in the late 1960s in the avant-garde magazine Garo. Tsuge began producing comics in 1955 for the rental comics industry that flourished in impoverished post-War Japan. Initially, he made comics in the hard-boiled gekiga style–dark, realistic tales with negative endings. When rental comics ceased to be viable employment in the mid-1960s, Tsuge was in dire straits until he was picked up by the publishers of the avant garde comics magazine Garo. From 1965 to 1970, he entered his most widely known phase when he produced often surrealistic and introspective works for Garo. The June 1968 issue saw the most famous of these: the dream-based Neji-shiki (most commonly rendered Screw Style in English). Following his success in Garo, Tsuge became withdrawn, and from the 1970s no longer had his works published in that magazine. His works became alternately autobiographical and erotically fantastic, until health and psychological problems drove him from comics after 1987. He has become a cult figure in Japan. In the West, his status is often compared to that of American cartoonist Robert Crumb. He has had a long-lasting influence, and his works have been adapted to film and television numerous times. His works have rarely been translated–in English, only five short works have appeared. From 1987, he stopped producing comics, and lived a quiet life with his son in Tokyo following his wife's death in 1999, occasionally cooperating with adaptations and reproductions of his past work.
Shion Miura (三浦 しをん, Miura Shion; born 1976) is a Japanese writer. She has won the Naoki Prize, the Oda Sakunosuke…Shion Miura (三浦 しをん, Miura Shion; born 1976) is a Japanese writer. She has won the Naoki Prize, the Oda Sakunosuke Prize, and the Japan Booksellers' Award. Her work has been adapted for film and television, and her books have been translated into Indonesian, Chinese, Korean, Vietnamese, English, German and Italian.