Keiko Minami (南 桂子, Minami Keiko; 12 February 1911 – 1 December 2004) was a Japanese artist, aquatint engraver, and…Keiko Minami (南 桂子, Minami Keiko; 12 February 1911 – 1 December 2004) was a Japanese artist, aquatint engraver, and poet. She is best known for her pictograph-like aquatints with a whimsical, childlike aesthetic.
Shūzō Takiguchi (瀧口 修造, Takiguchi Shūzō; December 7, 1903 – July 1, 1979) was a Japanese poet, art critic, and artist.…Shūzō Takiguchi (瀧口 修造, Takiguchi Shūzō; December 7, 1903 – July 1, 1979) was a Japanese poet, art critic, and artist. He was a central figure in prewar and postwar Japanese Surrealism, helping introduce the movement through his 1930 translation of André Breton's Surrealism and Painting and through direct correspondence with Breton. He also published a 1940 monograph on Joan Miró that museum sources describe as the world's earliest monograph on the artist. He was also a key figure in the history of wartime repression directed at Japanese Surrealism: in 1941, he was arrested on suspicion of violating the Peace Preservation Law, and museum accounts note that he remained under police surveillance until the end of the war. Starting in the 1950s, he also supported younger postwar avant-garde artists through his work at Takemiya Gallery in Tokyo, where he was responsible for selecting artists and coordinating exhibitions from 1951 to 1957. In 1958, he served as commissioner for the Japan Pavilion at the 29th Venice Biennale and as a member of the international jury. Around 1960, he increasingly turned to his own visual practice, producing drawings, watercolors, decalcomanias, and other experimental works. He was also recognized in international Surrealist circles: according to the Dalí Foundation, Takiguchi and Chirū Yamanaka were named in the 1938 Dictionnaire abrégé du surréalisme as "promoters of the surrealist movement in Japan". His writings, artist books, and works have since entered the holdings of major international institutions including the Museum of Modern Art, the Metropolitan Museum of Art, the British Museum, and the Art Institute of Chicago. His posthumous reception has also included presentation in major international exhibition contexts, including Surrealism Beyond Borders, organized by The Met and Tate Modern, and a 1986–1987 programme at the Centre Pompidou in Paris.
Katsundo Kosaka (1901 – 1953) was a Japanese painter. His work was part of the painting event in the art competition at…Katsundo Kosaka (1901 – 1953) was a Japanese painter. His work was part of the painting event in the art competition at the 1932 Summer Olympics.
Otake Kazue (1893–1966), best known by her pen name, Otake Kokichi (尾竹紅吉), was a feminist writer and activist in early…Otake Kazue (1893–1966), best known by her pen name, Otake Kokichi (尾竹紅吉), was a feminist writer and activist in early 20th century Japan. She was an artist, and she received higher education at Japan Women's College. She joined the Japanese Bluestocking Society (青鞜社, Seitō-sha) and started contributing to the Bluestocking magazine (青鞜, Seitō) in 1911. She became a controversial member because she instigated the "Five-colored sake" and Yoshiwara incidents and because of her lesbian affair with Hiratsuka Raicho. She left the group in 1912, and after dealing with her declining mental and physical health, she went on to marry Tomimoto Kenkichi, change her name to Tomimoto Kazue, and have two children. Otake lived separately from Kenkichi for many years, and she started going by her pen name again during this time. The couple divorced following World War II because of their extreme political differences. In her writing career post-Bluestocking, she incorporated first-wave feminist, Marxist, and anti-imperialist ideas into her fiction works. While she is regarded as a pioneer for queer feminism in Japan, her extended breaks from writing to raise her children and protest the Second Sino-Japanese War led to her having a whitewashed legacy.