Fuyuko Matsui (松井冬子, Matsui Fuyuko; born January 20, 1974) is a contemporary Japanese artist, specialized in Nihonga…Fuyuko Matsui (松井冬子, Matsui Fuyuko; born January 20, 1974) is a contemporary Japanese artist, specialized in Nihonga paintings. She is known for her "new Kusozu" series. Matsui has been making her works based on her psychoanalysis results, putting heavy weight on her feelings and interests in violence, experience of loss, repression, stress, and trauma. Through the process of self-investigation, she found her works common to all living beings—life and death, sex, self-love, self-mutilation, self and the other, this world and the next, desire and passions.
Tetsuya Ishida (石田 徹也, Ishida Tetsuya, June 16, 1973 – May 23, 2005) was a contemporary Japanese painter known for his…Tetsuya Ishida (石田 徹也, Ishida Tetsuya, June 16, 1973 – May 23, 2005) was a contemporary Japanese painter known for his surrealist portrayal of late-20th and early-21st century Japanese city life. His works typically depict hyperrealistic boys and men whose bodies are integrated into everyday appliances, industrial machinery, civic architecture, and animal forms. Ishida's paintings address the themes of isolation, consumerism, academic & professional workplace anxieties, and urban banality. Ishida quickly ascended the ranks of Japan's contemporary art scene after several of his paintings were exhibited at multiple galleries in the cultural hub of Ginza, and his works were featured in Christie's first ever auction on East Asian avant-garde art (alongside the works of a young Takashi Murakami) in 1998. As a member of Japan's "Lost Generation" (1991–2001), Ishida was a firsthand witness to the country's economic decline that began in the 1990s and extended into the 2000s. Subsequently, the angst that characterized his age group affected his perceptions of Japan's near-future where he viewed it as a bleak, urbanized atmosphere dominated by technocratic occupations that drain the life from its recent university graduate and middle-aged salarymen employees. With mental illness as a crucial attribute of his work, Ishida's conflicted views of Japan's outlook took a toll on his personal life and has been considered a contributing factor in his death after he was struck by a train in 2005.
Hiroshi Nakamura (中村 宏, Nakamura Hiroshi; 20 September 1932 – 8 January 2026) was a Japanese artist who worked in…Hiroshi Nakamura (中村 宏, Nakamura Hiroshi; 20 September 1932 – 8 January 2026) was a Japanese artist who worked in 'reportage' and surrealist styles. Nakamura attended Nihon University and was involved in many artist groups and social movements such as the Zen'ei Bijutsu-kai (Avant-garde Art Society) and the Seinen Bijutsuka Rengō. He is often associated with Reportage Painting, the movement that sought to report on the social issues that arose out of the postwar context by engaging first-hand with the local peoples and their struggles. His Suganaga No. 4 of 1955 exemplifies the concern and style of Reportage that is considered significant. As postwar reconstruction of Japan progressed, Nakamura's interest in Reportage evolved into an interrogation of the artist's role in "viewing" the fundamentals of the political and social realms. Into the 1960s, in collaboration with Kōichi Tateishi, Nakamura devised the concept of Kankō geijutsu (sightseeing art) and, as an extension, he individually developed a painting style centering around trains and female students in uniform situated in an eerie surrealistic dream-like world. Among other influences, he was inspired by Sergei Eisenstein's montage theory and Akira Kurosawa's films which contributed to his signature distortion of perspective that he developed through his career.
Kihachiro Ueda (上田毅八郎) was a Japanese painter. His primary subject matter is Japanese ships. During the Second World…Kihachiro Ueda (上田毅八郎) was a Japanese painter. His primary subject matter is Japanese ships. During the Second World War, Ueda was an anti-aircraft gunner assigned to several merchant ships. He served on about 28 merchant ships, and 6 of those were attacked and destroyed while he was aboard. During his spare time, he would draw ships. On 13 November 1944, while assigned to Kinka Maru, he was severely injured during a U.S. air raid on Manila Bay. He lost the use of his right hand, but subsequently was able to draw and paint with his left hand. His painting of the Ōryoku Maru (sunk 15 December 1944) is part of the Hell Ship Memorial Project's display at the Subic Bay Historical Center, Philippines. Ueda started working with the model company Tamiya Corporation in the early 1960s. Ueda illustrated most of the package artwork for Tamiya's Waterline Series (which consists of about 150 models). Ueda died on 26 June 2016.
Fuku Akino (秋野 不矩, Akino Fuku; July 25, 1908 - October 11, 2001) was a Japanese painter. She was born in Futamata…Fuku Akino (秋野 不矩, Akino Fuku; July 25, 1908 - October 11, 2001) was a Japanese painter. She was born in Futamata, Iwata-gun, Shizuoka Prefecture (currently, Nimata Town, Tenryu Ward, Hamamatsu City). She became known by her paintings of Indian themes, landscapes and peoples.
Gakuryō Nakamura (中村岳陵, Nakamura Gakuryō) (1890–1969) was a Japanese Nihonga painter and designer. He received a…Gakuryō Nakamura (中村岳陵, Nakamura Gakuryō) (1890–1969) was a Japanese Nihonga painter and designer. He received a commission to decorate the Hōmei-den state banquet hall of the Tokyo Imperial Palace. He designed the tapestry works for the decorations of the wall called “Toyohata-gumo (A Pretty Bank of Clouds)”. He was also commissioned to decorate the Ume-no-Ma audience room, a hall that has an area of 152 square meters or 46 tsubo. His “Kouhaku-bai” drawing is at the centre of the wall.
Shimooka Renjō (下岡 蓮杖; March 24, 1823 – March 3, 1914) was a Japanese photographer and was one of the first…Shimooka Renjō (下岡 蓮杖; March 24, 1823 – March 3, 1914) was a Japanese photographer and was one of the first professional photographers in Japan. He opened the first commercial photography studio in Yokohama, and in Japan he is widely considered the father of Japanese photography.
Yoshitaka Amano (天野 喜孝, Amano Yoshitaka; born March 26, 1952) is a Japanese visual artist, character designer…Yoshitaka Amano (天野 喜孝, Amano Yoshitaka; born March 26, 1952) is a Japanese visual artist, character designer, illustrator, scenic designer for theatre and film, and costume designer. He began his career in 1967 at Tatsunoko Production, working on anime such as Speed Racer, and later created characters for anime like Gatchaman, Tekkaman, Honeybee Hutch, and Casshern. In 1982, he went independent and became a freelance artist, finding success as an illustrator for numerous authors and working on best-selling novel series, like The Guin Saga and Vampire Hunter D. He is also known for his commissioned illustrations for the Final Fantasy video game franchise. Since the 1990s, Amano has created and exhibited paintings in galleries around the world, primarily using acrylic and automotive paint on aluminium box panels to depict his iconic retro pop icons. He is a five-time winner of the Seiun Award, and also won the 1999 Bram Stoker Award for The Sandman: The Dream Hunters, a collaboration with Neil Gaiman. Amano's influences include early Western comic books, Orientalism, Art Nouveau, and Japanese woodblock prints. In early 2010, he established Studio Devaloka, a film production company.