Tetsushi Suwa (諏訪哲史, Suwa Tetsuhi; born 1969) is a Japanese writer from Nagoya, Aichi. He was awarded the 137th…Tetsushi Suwa (諏訪哲史, Suwa Tetsuhi; born 1969) is a Japanese writer from Nagoya, Aichi. He was awarded the 137th Akutagawa Prize in 2007 for Asatte no Hito (アサッテの人, "The person of the day after tomorrow").
Hiroshi Mori (森 博嗣, Mori Hiroshi; born December 7, 1957) is a Japanese writer and engineer. He is known for writing…Hiroshi Mori (森 博嗣, Mori Hiroshi; born December 7, 1957) is a Japanese writer and engineer. He is known for writing mystery novels – particularly his debut work The Perfect Insider, which won him the first Mephisto Prize in 1996 – but he considers himself to be a researcher as well as a craftsman. He writes his name as "MORI Hiroshi," family name first and uppercased, regardless of the language when romanized.
Kosakai Mitsuji (Japanese: 小酒井 光次, 8 October 1890 – 1 April 1929), better known by the pen name Kosakai Fuboku…Kosakai Mitsuji (Japanese: 小酒井 光次, 8 October 1890 – 1 April 1929), better known by the pen name Kosakai Fuboku (Japanese: 小酒井 不木), was a Japanese medical scientist and crime writer. A variant of the family name Kosakai is Kozakai.
Yoshio Markino (牧野 義雄, Makino Yoshio; 25 December 1869 – 18 October 1956) was a Japanese artist and author who from…Yoshio Markino (牧野 義雄, Makino Yoshio; 25 December 1869 – 18 October 1956) was a Japanese artist and author who from 1897 – 1942 was based in London. During the Edwardian years of 1903 – 1915 he was the most well known Japanese person living in London, and was widely praised for bridging the Japanese and Western artistic aesthetic in his artwork, particularly in his depiction of London's fog, gaslights and wet streets, which became his hallmark. Like his contemporaries Whistler and Monet, he viewed the London fog from an outsider's point of view and marvelled at the effect it had on light, both natural and artificial. Markino became known affectionately as Heiji of London Fog, and wrote: 'I think London without mists would be like a bride without a trousseau'. His autobiography A Japanese Artist in London, published in 1910 and written in an eccentric style, described his years of extreme poverty in London while trying to establish himself as an illustrator and artist. From his early years he was fascinated by Western culture and remained a committed Anglophile all his life.