Masakane Yonekura (Japanese: 米倉 斉加年; 7 October 1934 – 26 August 2014) was a Japanese stage director, actor, author, and…Masakane Yonekura (Japanese: 米倉 斉加年; 7 October 1934 – 26 August 2014) was a Japanese stage director, actor, author, and illustrator who was one of the central members of the Gekidan Mingei theatre company.
Hironobu Kaneko (5 June 1898 – 17 August 1988) was a Japanese painter. His work was part of the painting event in the…Hironobu Kaneko (5 June 1898 – 17 August 1988) was a Japanese painter. His work was part of the painting event in the art competition at the 1936 Summer Olympics.
Harue Koga (古賀 春江, Koga Harue; June 18, 1895 – September 10, 1933) was a Japanese avant-garde painter active from the…Harue Koga (古賀 春江, Koga Harue; June 18, 1895 – September 10, 1933) was a Japanese avant-garde painter active from the 1910s to the early 1930s. He is considered to be one of the first and one of the most representative Japanese surrealist painters.
Sakubei Yamamoto (山本作兵衛, 17 May 1892 – 19 December 1984) was a Japanese coal miner and artist. His sumi-e and…Sakubei Yamamoto (山本作兵衛, 17 May 1892 – 19 December 1984) was a Japanese coal miner and artist. His sumi-e and watercolour work, which was heavily annotated, depicted the life he had experienced as a miner, and a collection of his paintings and diaries formed the first Japanese entry in the UNESCO Memory of the World Register, inscribed in 2011.
Fujimori Shizuo (藤森 静雄; August 1, 1891 – May 28, 1943) was a Japanese woodblock artist associated with the sōsaku-hanga…Fujimori Shizuo (藤森 静雄; August 1, 1891 – May 28, 1943) was a Japanese woodblock artist associated with the sōsaku-hanga (creative prints) movement. His style was strongly influenced by Expressionism. Fujimori was born in 1891 in Kurume, Fukuoka prefecture. He studied Western-style art (yōga) with the Hakuba-kai ("White Horse Society") in 1910, and the next year enrolled in the Tokyo School of Fine Arts from where he graduated in 1916. At the school he met Onchi Kōshirō with whom he collaborated on Tsukuhae ("Moonglow"), a print and poetry magazine, producing 37 prints. He studied yōga with the Hakuba-kai ("White Horse Society") in 1910, where he met Kyokichi Tanaka, and the next year enrolled in the Tokyo School of Fine Arts from where he graduated in 1916. Fujimori also studied with the yōga painters Kuroda and Fujishima, but drew his inspiration from Aoki. In March 1916, during his formative years, he made a self-portrait in the yōga manner that shows a competent mastery of the academic style taught at the school, a figurative realism markedly different from the radical expressionist designs he was exploring alongside Onchi and Tanaka for Tsukuhae. At the school he met Kōshirō Onchi with whom he collaborated on Tsukuhae, a print and poetry magazine, producing 37 prints. In 1919 he contributed to the first exhibition of the Japan Creative Print Association (Nihon Sosaku-Hanga Kyokai). After a period teaching in Fukuoka and Taiwan, in 1922 he moved to Tokyo to pursue a career as a professional artist in the fields of painting, printmaking and illustration. He worked as editor of Shi to hanga, was a contributor to many other publications, and was a founding member of the Nihon Hanga Kyōkai in 1931. Working once more with Onchi, and with Ōtsuki Kenji, he also founded the art magazine Naizai in 1921. After a period teaching in Fukuoka and Taiwan, in 1922 he moved to Tokyo to pursue a career as a professional artist in the fields of painting, printmaking and illustration. Throughout his career Fujimori contributed to several dōjin zasshi (coterie magazines), including Shi to Hanga (1922–25), Kaze (1927–28), Bijutsu-han (1932–34), Han Geijutsu (1932–36) and Kasuri (1934–36), and was a founding member of the Nihon Hanga Kyōkai in 1931. He provided thirteen prints for the seminal sōsaku hanga series One Hundred Views of New Tokyo (Shin Tokyo hyakkei) of 1929–32, and produced his own series, Twelve Views of Great Tokyo (Dai Tokyo Junikei), in 1933–34. He returned to live in Iizuka in 1939, and died on 28 May 1943, the year after the sudden death of his eldest son.
Shigeru Aoki (青木 繁, Aoki Shigeru; July 13, 1882 – March 25, 1911) was a Japanese painter, noted for his work in…Shigeru Aoki (青木 繁, Aoki Shigeru; July 13, 1882 – March 25, 1911) was a Japanese painter, noted for his work in combining Japanese legends and religious subjects with the yōga (Western-style) art movement in late 19th- and early 20th-century Japanese painting. He painted numerous works with themes from Japanese mythology and ancient Indian tales, enchanting the people of the time with rich expressiveness and creativity.
Hiroshi Yoshida (吉田 博, Yoshida Hiroshi; September 19, 1876 – April 5, 1950) was a 20th-century Japanese painter and…Hiroshi Yoshida (吉田 博, Yoshida Hiroshi; September 19, 1876 – April 5, 1950) was a 20th-century Japanese painter and woodblock printmaker. Along with Hasui Kawase, he is regarded as one of the greatest artists of the shin-hanga style, and is noted especially for his landscape prints. Yoshida made numerous trips around the world, with the aim of getting to know different artistic expressions and making works of different landscapes. He traveled widely, and was particularly known for his images of non-Japanese subjects done in traditional Japanese woodblock style, including the Taj Mahal, the Swiss Alps, the Grand Canyon, and other National Parks in the United States. He was known as a mountain painter (山岳画家) in Japan and spent about half of the year on sketching travels. He was particularly fond of mountain landscapes and painted many of them, founding the Nihon Sangakugaka Kyōkai (Japan Mountain Painting Society, 日本山岳画家協会) in his later years. As a mountaineer, he climbed the mountains of the Japanese Alps every summer and created his large paintings and woodblock prints after returning home.