Takuzo Nagano (長野 拓造 (Nagano Takuzō), born June 1, 1979) is a Japanese video game artist and character designer best…Takuzo Nagano (長野 拓造 (Nagano Takuzō), born June 1, 1979) is a Japanese video game artist and character designer best known for his work at Level-5 Inc.. He is recognized as one of the company's principal character designers, having created the distinctive visual identities for several of Level-5's most successful multimedia franchises, including Professor Layton, Inazuma Eleven, and Yo-kai Watch.
Keita Takahashi (高橋 慶太, Takahashi Keita; born 1975) is a Japanese game developer and artist. He is best known for…Keita Takahashi (高橋 慶太, Takahashi Keita; born 1975) is a Japanese game developer and artist. He is best known for creating the Katamari game franchise and working as director and lead designer on Katamari Damacy as well as its sequel, We Love Katamari. The original game was a surprise hit and soon garnered a cult following. After leaving Namco, Takahashi co-founded the indie game studio Uvula in 2010 with his wife Asuka Sakai.
Takahiro Kimura (木村 貴宏, Kimura Takahiro; May 19, 1964 – March 5, 2023) was a Japanese animator, illustrator and…Takahiro Kimura (木村 貴宏, Kimura Takahiro; May 19, 1964 – March 5, 2023) was a Japanese animator, illustrator and character designer. He died of amyloidosis on March 5, 2023.
Mahiro Maeda (前田 真宏 Maeda Mahiro; born March 14, 1963) is a Japanese anime director, character designer, and animator.…Mahiro Maeda (前田 真宏 Maeda Mahiro; born March 14, 1963) is a Japanese anime director, character designer, and animator. Helen McCarthy in 500 Essential Anime Movies called him "one of the most imaginative visualists in anime". He also worked on Concept Art and Design for Mad Max: Fury Road (2015), which won six Academy Awards. He has been one of the top contributors at the anime studio GONZO for many years, having directed Blue Submarine No. 6, Final Fantasy: Unlimited and Gankutsuou: The Count of Monte Cristo. His design work ranges from 2 of the "Angels" in Neon Genesis Evangelion to production and mechanical design for such series as Magic User's Club (魔法使いTai!, Mahō Tsukai Tai!), The Vision of Escaflowne and Last Exile. He was also one of the designers for Gate Keepers 21. His earlier years were spent mostly at the famed Studio Ghibli, where he helped animate classics such as Nausicaä of the Valley of the Wind, Castle in the Sky, and Porco Rosso. Maeda is one of the select Japanese directors to actively collaborate with the international film media on various projects. He provided key animation for the animation sequence in Quentin Tarantino's Kill Bill Vol. 1. His directorial work has also been featured in such exclusive package films as The Animatrix (segment: "The Second Renaissance Parts I and II"), Genius Party Beyond (segment: "Gala"), and Ani*Kuri15 (segment: "Princess Onmitsu"). He has also visited the American Anime Expo convention in 2000 and 2003.
Shinji Aramaki (荒牧 伸志, Aramaki Shinji; born 2 October 1960) is a Japanese anime director and mechanical designer from…Shinji Aramaki (荒牧 伸志, Aramaki Shinji; born 2 October 1960) is a Japanese anime director and mechanical designer from Fukuoka Prefecture. He graduated from Fukuoka Prefectural Fukuoka High School and Okayama University. He was a member of Artmic and is currently the Chief Creative Officer (CCO) at Sola Digital Arts. He is a leading figure in 3DCG animation in Japan.
Makoto Saitō (サイトウ マコト; born 21 December 1952) is a Japanese graphic designer, self-described "poster designer", and…Makoto Saitō (サイトウ マコト; born 21 December 1952) is a Japanese graphic designer, self-described "poster designer", and artist. Saitō was born in Fukuoka, Japan. He attended Kokura technical high school and started his career after he graduated. His early work as a printmaker was successful, shown internationally, and is part of the collection of the Museum of Modern Art in New York. Saitō worked from 1974 to 1980 at Nippon Design Center before starting his own firm, Makoto Saitō Design. During his time at Nippon Design, he focused mainly on commercial work, where he wanted the poster to reach as many people as possible. early work as a printmaker was successful, shown internationally, and is part of the collection of the Museum of Modern Art in New York. Saitō worked from 1974 to 1980 at Nippon Design Center before starting his own firm, Makoto Saitō Design. His posters are typified by text-free imagery in dense inks printed on thick, high quality papers. His wide-ranging creative activities explore perpetual theme of “seeing.” That was reflected in an interview with Saitō featured in Spring 2000 issue of Eye magazine, where he was quoted thus: I don't trust words. You can say anything with words. I prefer a visual means of communication because it allows the message to be more direct.Saitō has been a member of the Alliance Graphique Internationale since 1994.