Emiko Raika (来家 恵美子, born January 24, 1975, in Kyoto, Japan) is a Japanese female professional boxer and mixed martial…
Emiko Raika (来家 恵美子, born January 24, 1975, in Kyoto, Japan) is a Japanese female professional boxer and mixed martial artist. Although more Japanese women have taken up traditionally male sports such as karate, kickboxing and wrestling in recent years, many in Japan still believe that women should not box, because of the injury risk. Raika, who has suffered a broken nose and an eye socket fracture in fights, shrugs off the possibility of injuries. "When I told friends that I want to become a boxer, they were surprised and put down my decision because I am a woman," said Raika. "But I had to resist. I like boxing and I wanted to do it. In fact, I am expressing myself through boxing. I am fighting not to beat the opponent, but for myself."
Famous Alumni of Ogaki Women's College
Ogaki Women's College: 2 people
Fujiko Fujio (藤子 不二雄) was a manga writing duo formed by Japanese manga artists Hiroshi Fujimoto (藤本 弘, Fujimoto…
Fujiko Fujio (藤子 不二雄) was a manga writing duo formed by Japanese manga artists Hiroshi Fujimoto (藤本 弘, Fujimoto Hiroshi; December 1, 1933 – September 23, 1996) and Motoo Abiko (安孫子 素雄, Abiko Motoo; March 10, 1934 – April 6, 2022). They debuted in 1951 as a duo under their real names. The Fujiko Fujio name was used for their respective works from 1953 until 1987, when Fujimoto became too ill to work consistently. The pair was best known for their popular children's manga series, including Obake no Q-Tarō, Ninja Hattori-kun, Kaibutsu-kun, Perman, Kiteretsu Daihyakka and Doraemon. Some of their influences include Osamu Tezuka as well as international cartoons and comic books. Both artists base their writing style on a mix of morals with a subversive and wry sense of humor; their styles would evolve to the point of diversion, where Fujimoto focused on speculative science fiction in addition to children's works, while Abiko leaned towards the surreal and black comedy. Their work received critical acclaim and, on Fujimoto's part, universal recognition, with Doraemon being officially recognized as a cultural icon of modern Japan.