Yukinori Yanagi (柳幸典, Yanagi Yukinori; born 1959) is a contemporary Japanese artist. Yukinori Yanagi is a contemporary Japanese artist who has addressed themes of national and transnational sovereignty, globalization and borders, as well as Japan’s imperial history and nationalism. He is considered one of the first postwar Japanese artists that is openly critical of Japanese society and governmental policy. Many of Yanagi’s artworks consists of large-scale, site-specific installations that engage with movement and symbols of nationalism. Yukinori Yanagi achieved a major international breakthrough in 1993 when he was awarded the Aperto Award at the 45th Venice Biennale.Following this recognition, his work entered major international collections, including the Museum of Modern Art (New York) and Tate Modern (London). In 2000, he was among the first foreign artists invited to exhibit at the Whitney Biennial, alongside Cai Guo-Qiang. He is widely recognized for his role in regional revitalization, most notably for the Inujima Seirensho Art Museum. This long-term project began in 1995and culminated in the 2008 opening of a permanent art complex created by revamping a long-defunct copper refinery on the island of Inujima, which has become an integral location of the Setouchi International Art Triennale. His global profile remains prominent through recent contributions to major biennials including the Busan Biennale 2016 in Busan, South Korea, the 21st Biennale of Sydney, Australia (2018), and the Ad-Diriyah Biennale in Diriyah, Saudi Arabia (2021), as well as significant solo exhibitions including ICARUS at Pirelli HangarBicocca in Milan, Italy (2025) and El Mare Pacificum at Estación MAZ in Guadalajara, Mexico (2026). Following the completion of the Inujima Seirensho Art Museum, Yanagi established the collaborative team YANAGI + ART BASE. Working alongside architects and designers, he has focused on revitalizing industrial ruins and abandoned structures. His primary ongoing initiative is ART BASE MOMOSHIMA, a non-profit art project established in 2012. His current work continues to expand into the study of international history and territories from a sea perspective, including the Anjwa Island Project / Floating Museum in South Korea, where he continues to explore the reclamation of neglected landscapes through site-specific art.
Source: “Yukinori Yanagi”, English Wikipedia (CC BY-SA 4.0), excerpt