Chihiro Minato (港 千尋, Minato Chihiro; born 1960) is a Japanese photographer, filmmaker, arts curator and art theorist.…Chihiro Minato (港 千尋, Minato Chihiro; born 1960) is a Japanese photographer, filmmaker, arts curator and art theorist. He is also Professor at the Tama Art University since 1995. In 2000, Minato served as curator of the arts exhibition Serendipity: Photography, Video, Experimental Film and Multimedia Installation from Asia. Among his other major curatorial works is the Japanese Pavilion at the Venezia Biennale (Venice, Italy) in 2007.
Baku Yumemakura (夢枕 獏, Yumemakura Baku; born 1951 in Odawara, Kanagawa) (real name: Yoneyama Mineo (米山峰夫)) is a…Baku Yumemakura (夢枕 獏, Yumemakura Baku; born 1951 in Odawara, Kanagawa) (real name: Yoneyama Mineo (米山峰夫)) is a Japanese science fiction and adventure writer whose penname translates to Dream Pillow (Yumemakura) Tapir (Baku). His works have sold more than 20 million copies in Japan spread across more than 280 titles and adapted into a variety of formats including feature films, television shows, movies and comic books. His works are influenced by outdoor interests such as fishing, particularly Ayu fishing, mountain climbing, canoeing as well as manga, photography, pottery, art, calligraphy, martial arts. He has published a number of photo collections of his journeys through Nepalese mountains. He is best known for writing Jōgen no Tsuki wo Taberu Shishi (The Lion that Ate the Crescent Moon), which won both the Seiun Award and the Nihon SF Taisho Award. He also has written film scripts, including the one to Onmyōji. One of his popular martial arts serials that has been adapted into manga is Garōden (餓狼伝), which has also been adapted to two video games and a movie. His novel series Majūgari (also known as Demon Hunters) has been adapted into an anime OVA Psycho Diver: Soul Siren and three manga series. He's been nicknamed "the artisan of violence" due to one of his popular martial arts novel series, Shishi no Mon (獅子の門, Gate of Fierce Lions). As of 2014, he has been working on the scripts for the manga series Shin Garōden with renowned manga artist Masami Nobe. He is also a past president of the Science Fiction and Fantasy Writers of Japan organization.
Bishin Jumonji (十文字 美信, Jūmonji Bishin) is a Japanese photographer known for advertising, portrait, and architectural…Bishin Jumonji (十文字 美信, Jūmonji Bishin) is a Japanese photographer known for advertising, portrait, and architectural work. Jumonji was born in Yokohama on 4 March 1947. After studying at the Tokyo College of Photography he worked as an assistant to Kishin Shinoyama and went freelance in 1971, working as the photographer for advertisements for Matsushita Electric and Shiseido products. The association with Matsushita would later bring awards from the Art Directors Club every year from 1975 to 1979. Jumonji has continued to do editorial and commercial work (notably for Hayashibara Biochemical Laboratories). In 1972, with nine other photographers, he participated in an exhibition of portraits of Simon Yotsuya at the Kinokuniya Gallery in Shinjuku. Jumonji had started taking his "Untitled" series of portraits of people framed to exclude their heads in 1971. In 1972, these appeared in the magazine Camera Mainichi and were shown in the Neikrug gallery in New York; a year later they were included in "New Japanese Photography", at the New York MoMA. Up to 1980, Jumonji made nineteen trips to Hawaii, photographing the islands and photographing and interviewing elderly first-generation Japanese immigrants. The series juxtaposes photographs of Hawaiʻi and black-and-white portraits of the people living there. Installments were published in Camera Mainichi in 1979 and the set was exhibited in 1980, when it won the Ina Nobuo Award. It was published, as Orchid Boat, in 1981. Jumonji's second published collection was Kéntauros, a large-format booklet of black-and-white photographs of the members of the motorbike organization Kéntauros striking poses with switchblades and other props. In 1981, Jumonji went to Indochina to photograph the religious customs of the Yao people. In 1983–84 he visited Thailand, Burma and Laos. The result was published as Sumitōtta yami in 1987. Jumonji had started photographing gold works of art in 1981. The first exhibition of the results was in Matsuya department store (Ginza), in 1987. This work culminated in the book Ōgon fūtenjin, published in 1990. This won the Domon Ken Award the following year. Some of these works would also be shown in two of a set of four volumes of stereoscopes, all photographed by Jumonji and published in 1993–4. Jumonji started photographing architecture and gardens in 1988, and the Katsura Detached Palace in particular in 1991. Jumonji photographed Matsumoto Kōshirō IX for a collection of black-and-white portraits; in 2005 he published a second volume, Nippon Geki-gan, of monochrome portraits of actors taken with a large-format camera shortly before or after performance. In 1998, Jumonji started work on Wabi, his attempt to depict (in color) the Japanese aesthetic ideal of wabi. The project started with cha-no-yu but branched out into everyday scenes. Jumonji exhibited composite photographs of four Japanese waterfalls at the Shiseido Gallery (Ginza) in June and July 2004. Jumonji's photographs have appeared in Zoom and Stern.
Shigeo Anzai (安斎 重男, Anzai Shigeo; born 1939, died August 13th, 2020) was a Japanese photographer. A self-professed…Shigeo Anzai (安斎 重男, Anzai Shigeo; born 1939, died August 13th, 2020) was a Japanese photographer. A self-professed "art documentarist", Anzai is well-known for his prolific photographic documentation of artworks, exhibitions, and events of his time. He is also known for intimate portraits of popular modern and contemporary artists, which cast their subjects in an unexpected, unposed, and humanizing light. As Anzai noted for Artforum, he was interested in the "humanity" of his subjects, or the human being within the artist, rather than the artist within the human being. Anzai's style of portraiture stands in contrast to the popular modes of portrait photography of the time which monumentalized their subjects, as in the work of Hans Namuth. Anzai is known for his snapshots of artists such as Shuzo Takiguchi, Atsuko Tanaka, Yayoi Kusama, Tetsumi Kudo, Joseph Beuys, and Isamu Noguchi, among others.