Kazuyoshi Nomachi (野町 和嘉, Nomachi Kazuyoshi; born 1946) is a Japanese photographer. He embraced Islam as his religion…
Kazuyoshi Nomachi (野町 和嘉, Nomachi Kazuyoshi; born 1946) is a Japanese photographer. He embraced Islam as his religion in 1994
Japanese people database × places of origin
Famous People from Kochi Prefecture
Kochi Prefecture: 4 people
Seiryū Inoue (井上 青龍, Inoue Seiryū; 1931 – 18 August 1988) was a Japanese photographer. Born in 1931 in Tosa, Kōchi…
Seiryū Inoue (井上 青龍, Inoue Seiryū; 1931 – 18 August 1988) was a Japanese photographer. Born in 1931 in Tosa, Kōchi Prefecture, Inoue became the first apprentice to Takeji Iwamiya in Osaka in 1951. While continuing to work with Iwamiya in 1954, he started work as temporary cameraman for Asahi Broadcasting Corporation in Osaka. Iwamiya recognized his talent and from 1958 encouraged the young Inoue to roam the streets of Kamagasaki in Nishinari-ku, Osaka, permitting him to develop his private work in the studio darkroom. During the 1950s, Inoue developed a reputation as a young documentary photographer. In 1959 he was a prizewinner in the Fuji Photo Film Contest Professional Section. In Tokyo, during May 1960, he held his first solo exhibition, "The Hundred Faces of Kamagasaki", which was awarded Newcomer Prize by Camera Geijutsu magazine. In 1961 he also received the Newcomer's Award from the Japan Photography Critics' Association. In 1959, Daidō Moriyama joined Iwamiya's studio before moving to Tokyo in 1961. Moriyama credits Inoue with setting him on the road to photography and as being highly influential in developing his photographic style. Writing for Inoue's Retrospective exhibition in 2005, Moriyama wrote: "his words - 'You coming, Mori?' - calling me to accompany him to Kamagasaki set me on the road to becoming a photographer" and "without the pioneering Inoue I would not have set out upon the long road of photography that I have followed". Inoue continued to work in Osaka, becoming a teacher of documentary photography at Osaka Geijutsu (Art) University and eventually a full professor in 1987. Following his work in Kamagasaki, Inoue photographed ethnic Koreans emigrating from Japan to North Korea and the festivals and city of Kyoto, among other subjects. He was engaged in photographing daily life on the Amami Islands in Kagoshima Prefecture when he met an accidental death in Tokunoshima in 1988.
Toshiko Okanoue (岡上 淑子, Okanoue Toshiko; born 3 January 1928) is a Japanese artist associated with the Japanese…
Toshiko Okanoue (岡上 淑子, Okanoue Toshiko; born 3 January 1928) is a Japanese artist associated with the Japanese avant-garde art world of the 1950s and best known for her Surrealist photo collages.
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Yasuhiro Ishimoto (石元 泰博, Ishimoto Yasuhiro; June 14, 1921 – February 6, 2012) was a Japanese-American photographer.…
Yasuhiro Ishimoto (石元 泰博, Ishimoto Yasuhiro; June 14, 1921 – February 6, 2012) was a Japanese-American photographer. His decades-long career explored expressions of modernist design in traditional architecture, the quiet anxieties of urban life in Tokyo and Chicago, and the camera's capacity to bring out the abstract in the everyday and seemingly concrete fixtures of the world around him. Born in the United States and raised in Japan, Ishimoto returned to the States as a young adult as the Second World War began to escalate, and was soon after sent to the Amache Internment Camp in Colorado after the signing of Executive Order 9066. After the war, he studied photography at the Bauhaus-inspired Institute of Design (ID) at the Illinois Institute of Technology, and established a robust photographic practice between the United States and Japan. As a transnational interlocutor between Japanese and American art and architecture circles, Ishimoto played a prominent role in bringing visions of Japanese architectural modernism to audiences abroad. His photographs of the Katsura Imperial Villa, taken in 1953-54 and published in 1960 as Katsura: Tradition and Creation in Japanese Architecture, were widely celebrated in architecture and design circles for evoking the formal, geometric purity of the villa’s structural details with a deep sensitivity towards the atmospheric qualities of the space. The book, which features accompanying essays by Kenzō Tange and Walter Gropius, was instrumental in stimulating the discourse surrounding modernism’s relationship to tradition in Japanese architecture. Ishimoto’s work was exhibited widely in the United States and Japan during his lifetime, and two of his photographs were featured in the monumental 1955 Museum of Modern Art exhibition The Family of Man. He maintained close ties to Chicago and published a series titled Chicago, Chicago in 1969. In tandem with his architectural photographs, Ishimoto was a prolific recorder of everyday life. His photographs of streetscapes and ordinary people captured the candor, anxiety, paradoxes, and joy of modern urban life through a sensitive and deliberate lens.