Tokyo Denki University: 11 people
Hiroki Arai (新井大輝, Arai Hiroki; born 2 August 1993) is a Japanese rally driver.
Takuma Oikawa (及川 拓馬, Oikawa Takuma; born May 6, 1987) is a Japanese professional shogi player ranked 7-dan.
Kantoku (カントク; born March 26, 1985) is a Japanese illustrator and character designer. He was born in Hyogo Prefecture…
Kantoku (カントク; born March 26, 1985) is a Japanese illustrator and character designer. He was born in Hyogo Prefecture and lives in Saitama Prefecture.
Jun'ya Ōta (太田 順也, Ōta Jun'ya) (born March 18, 1977), known professionally as ZUN, is a Japanese independent video game…
Jun'ya Ōta (太田 順也, Ōta Jun'ya) (born March 18, 1977), known professionally as ZUN, is a Japanese independent video game developer and composer, known for creating the Touhou Project bullet hell shoot 'em up video game series through his one-man doujin group Team Shanghai Alice (上海アリス幻樂団, Shanhai Arisu Gengakudan; lit. "Shanghai Alice Fantasy Ensemble"). ZUN developed the first five Touhou games for the Japanese NEC PC-9800 computer series, with the first, Highly Responsive to Prayers, released in August 1997; the series' signature danmaku mechanics were introduced in the second game, Story of Eastern Wonderland (also 1997). The release of Embodiment of Scarlet Devil in August 2002 marked a shift to Microsoft Windows. Numerous sequels followed, including several spin-offs departing from the traditional bullet hell format. He has also collaborated with other circles to produce related print works and music albums. His Touhou series has become more particularly notable as a prominent source of Japanese dōjin content, with the series spawning a vast amount of fan-made works such as artwork, music, print works, video games, and Internet memes. Because of this, it has gained a large cult following outside of Japan. In 2010, the Guinness World Records called Touhou "the most prolific fan-based shooter series" ever created. The popularity of the series and its derivative works has been attributed in part to the few restrictions placed by ZUN on the use of his content. ZUN is also known as the Hakurei Kannushi (博麗神主), which is also the name he uses for his Twitter account.
Wataru Inoue (井上 亘, Inoue Wataru; born July 27, 1973) is a Japanese retired professional wrestler working for New Japan…
Wataru Inoue (井上 亘, Inoue Wataru; born July 27, 1973) is a Japanese retired professional wrestler working for New Japan Pro-Wrestling (NJPW).
Tetsuji Isozaki (born April 7, 1969 in Tokyo) is a Japanese politician who has served as a member of the House of…
Tetsuji Isozaki (born April 7, 1969 in Tokyo) is a Japanese politician who has served as a member of the House of Councillors of Japan since 2013. He represents the National proportional representation block and is a member of the Democratic Party For the People.
Tomohiro Nishikado (西角 友宏, Nishikado Tomohiro; born March 31, 1944) is a Japanese video game designer and engineer. He…
Tomohiro Nishikado (西角 友宏, Nishikado Tomohiro; born March 31, 1944) is a Japanese video game designer and engineer. He is the creator of Taito's arcade video game Space Invaders, released in 1978, often credited as the first shoot 'em up and for beginning the golden age of arcade video games. Prior to Space Invaders, he also designed other earlier Taito arcade games, including the shooting electro-mechanical games Sky Fighter (1971) and Sky Fighter II, the sports video game TV Basketball in 1974, the vertical scrolling racing video game Speed Race (also known as Wheels) in 1974, the multi-directional shooter Western Gun (also known as Gun Fight) in 1975, and the first-person combat flight simulator Interceptor (1975).
Eiji Kanie (蟹江 栄司, Kanie Eiji; November 21, 1941 – October 13, 1985) was a Japanese actor and voice actor born in…
Eiji Kanie (蟹江 栄司, Kanie Eiji; November 21, 1941 – October 13, 1985) was a Japanese actor and voice actor born in Tokyo. He is most remembered for being the first voice of Ramenman in Kinnikuman and for playing Vrlitwhai Kridanik in Super Dimension Fortress Macross. He died in 1985 of a subarachnoid hemorrhage. After his death, Banjō Ginga replaced him as Ramenman. Years later, Ryūzaburō Ōtomo would play Vrlitwhai Kridanik in the Macross and Super Robot Wars video games.
Yonesaburo Tsukiji (Japanese: 築地 米三郎, Hepburn: Tsukiji Yonesaburō; September 5, 1923 – March 30, 2012) was a Japanese…
Yonesaburo Tsukiji (Japanese: 築地 米三郎, Hepburn: Tsukiji Yonesaburō; September 5, 1923 – March 30, 2012) was a Japanese special effects director who worked on eleven films in a career spanning twenty-one years. Tsukiji co-designed Gamera with Masao Yagi, Noriaki Yuasa, and Akira Inoue.
Tony Tani (トニー谷) (14 October 1917 – 16 July 1987) was a popular Japanese entertainer of the 1950s. His flamboyant stage…
Tony Tani (トニー谷) (14 October 1917 – 16 July 1987) was a popular Japanese entertainer of the 1950s. His flamboyant stage persona satirized American stereotypes of the Japanese as well as the influence of the U.S. occupation on Japanese culture.
Eiji Tsuburaya (Japanese: 円谷 英二, Hepburn: Tsuburaya Eiji; July 7, 1901 – January 25, 1970) was a Japanese special…
Eiji Tsuburaya (Japanese: 円谷 英二, Hepburn: Tsuburaya Eiji; July 7, 1901 – January 25, 1970) was a Japanese special effects director, filmmaker, and cinematographer. A co-creator of the Godzilla and Ultraman franchises, he is considered one of the most important and influential figures in the history of cinema. Tsuburaya is known as the "Father of Tokusatsu", having pioneered Japan's special effects industry and introduced several technological developments in film productions. In a career spanning five decades, Tsuburaya worked on approximately 250 films—including globally renowned features directed by Ishirō Honda, Hiroshi Inagaki, and Akira Kurosawa—and earned six Japan Technical Awards. Following a brief stint as an inventor, Tsuburaya was employed by Japanese cinema pioneer Yoshirō Edamasa in 1919 and began his career working as an assistant cinematographer on Edamasa's A Tune of Pity. Thereafter, he worked as an assistant cinematographer on several films, including Teinosuke Kinugasa's A Page of Madness (1926). At the age of thirty-two, Tsuburaya watched King Kong, which greatly influenced him to work in special effects. Tsuburaya completed the first iron shooting crane in October 1934, and an adaptation of the crane is still in use across the globe today. After filming his directorial debut on the cruiser Asama in the Pacific Ocean, he worked on Princess Kaguya (1935), one of Japan's first major films to incorporate special effects. His first majorly successful film in effects, The Daughter of the Samurai (1937), remarkably featured the first full-scale rear projection. In 1937, Tsuburaya was employed by Toho and established the company's effects department. Tsuburaya directed the effects for The War at Sea from Hawaii to Malaya in 1942, which became the highest-grossing Japanese film in history upon its release. His elaborate effects were believed to be behind the film's major success, and he won an award for his work from the Japan Motion Picture Cinematographers Association. In 1948, however, Tsuburaya was purged from Toho by the Supreme Commander for the Allied Powers because of his involvement in propaganda films during World War II. Thus, he founded Tsuburaya Special Technology Laboratory with his eldest son Hajime and worked without credit at major Japanese studios outside Toho, creating effects for films such as Daiei's The Invisible Man Appears (1949), widely regarded as the first Japanese science fiction film. In 1950, Tsuburaya returned to Toho alongside his effects crew from Tsuburaya Special Technology Laboratory. At age fifty-three, he gained international recognition and won his first Japan Technical Award for Special Skill for directing the effects in Ishirō Honda's kaiju film Godzilla (1954). He served as the effects director for Toho's string of financially successful tokusatsu films that followed, including, Rodan (1956), The Mysterians (1957), The Three Treasures (1959), Mothra, The Last War (both 1961), and King Kong vs. Godzilla (1962). In April 1963, Tsuburaya founded Tsuburaya Special Effects Productions; his company would go onto produce the television shows Ultra Q, Ultraman (both 1966), Ultraseven (1967–1968), and Mighty Jack (1968). Ultra Q and Ultraman were extremely successful upon their 1966 broadcast, with Ultra Q making him a household name in Japan and gaining him more attention from the media who dubbed him the "God of Tokusatsu". While he spent his late years working on several Toho films and operating his company, Tsuburaya's health began to decline, and he died in 1970.