Shigeru Joshima (城島 茂, Jōshima Shigeru; born November 17, 1970) is a Japanese musician, actor and agricultural…Shigeru Joshima (城島 茂, Jōshima Shigeru; born November 17, 1970) is a Japanese musician, actor and agricultural entrepreneur. He was the leader and main guitarist of Tokio, a musical group of Starto Entertainment, formerly from Johnny & Associates, until its disbandment in 2025.
Yuji Ijiri (Japanese: 井尻 雄士, romanized: Ijiri Yūji) (24 February 1935 – 18 January 2017) was a Japanese economist…Yuji Ijiri (Japanese: 井尻 雄士, romanized: Ijiri Yūji) (24 February 1935 – 18 January 2017) was a Japanese economist, accounting researcher and educator. He was the Robert M. Trueblood University Professor of Accounting and Economics at Carnegie Mellon University until his retirement on June 30, 2011. He is noted in economics and finance for his contributions to research on firm growth and the general field of mathematical economics, and in particular power laws in economics. In accounting, he is known for his proposal of triple-entry accounting. At the age of 21 he became a Certified Public Accountant in Japan, and remains the youngest person to do so. He died of natural causes on 18 January 2017.
Ikko Tanaka (田中 一光, Tanaka Ikkō; January 13, 1930 – January 10, 2002) was a Japanese graphic designer. Tanaka is widely…Ikko Tanaka (田中 一光, Tanaka Ikkō; January 13, 1930 – January 10, 2002) was a Japanese graphic designer. Tanaka is widely recognized for his prolific body of interdisciplinary work, which includes graphic identity and visual matter for brands and corporations including Seibu Department Stores, Mazda, Issey Miyake, Hanae Mori, and Expo 85. He is credited with developing the foundational graphic identity for lifestyle brand Muji, emphasizing the "no brand" quality of their products through unadorned, charming line drawings paired with straightforward slogans. His use of bold, polychromatic geometries and his harnessing of the dynamic visual potential of typography are undergirded by a sensitivity towards traditional Japanese aesthetics. Though keenly sensitive to historical precedents and established conventions, Tanaka nevertheless maintained a degree of playfulness in his work, manipulating color, scale, and form to reconfigure familiar iconographies into fresh and accessible visual representations. Tanaka is also widely recognized for his posters designs for Noh productions and other performances and exhibitions staged in Japan and beyond. He was active in realms of typography, exhibition design, and book design as well, and his publication Japan Style was released in 1980 alongside the Victoria and Albert Museum exhibition of the same name. As a leading figure in postwar Japanese design, Tanaka is also credited with playing a role in the professionalization and expansion of the discipline.