Norihiko Matsumoto (松本 徳彦, Matsumoto Norihiko; born 1936) is a Japanese photographer and photography writer.
1936: 159 people
Norihiko Matsumoto (松本 徳彦, Matsumoto Norihiko; born 1936) is a Japanese photographer and photography writer.
Hiroshi Tomihari (富張 広司, Tomihari Hiroshi; born 1936, Ibaraki Prefecture) is a Japanese artist specializing in modern…
Hiroshi Tomihari (富張 広司, Tomihari Hiroshi; born 1936, Ibaraki Prefecture) is a Japanese artist specializing in modern moku hanga woodblock prints. He turned to the medium in 1959, about two years after his graduation from Ibaraki University. He has since had numerous exhibitions in Japan, the U.S., and Australia. In 1978–79, the Japanese Ministry of Culture sent him to the U.S. as a delegate artist.
Masami Teraoka (born 1936) is an American contemporary artist. His work includes Ukiyo-e-influenced woodcut prints and…
Masami Teraoka (born 1936) is an American contemporary artist. His work includes Ukiyo-e-influenced woodcut prints and paintings in watercolor and oil. He is known for work that merges traditional Edo-style aesthetics with icons of American culture.
Akiko Kiso (Japanese: 木曽明子; born 1936) is a Japanese classical scholar who specialises in Greek literature. She is a…
Akiko Kiso (Japanese: 木曽明子; born 1936) is a Japanese classical scholar who specialises in Greek literature. She is a professor emeritus at Osaka University. She is the first Japanese scholar to publish on Sophocles. Her work included reconstructions of the lost plays of Epigoni and Tereus. She also worked on comparative approaches to Greek tragedy with an emphasis on Japanese classical drama.
Yukihisa Isobe (磯辺行久, Isobe Yukihisa) (born 1935) is a Japanese artist whose practice has been shaped by his…
Yukihisa Isobe (磯辺行久, Isobe Yukihisa) (born 1935) is a Japanese artist whose practice has been shaped by his professional interest for ethical ecology. Active and relatively successful as a young painter in the post-war avant-garde, Isobe appeared to abandon his artistic practice when he moved to New York in 1965 and began a career in urban and ecological planning. However, Isobe maintained his passion for the visual arts and began creating two-dimensional works again in the 1990s that now employed a graphic vocabulary of scientific signs and forms. Since its inaugural edition in 2000, Isobe has contributed monumental environmental installations to the Echigo-Tsumari Art Triennale, notably Where has the river gone? in 2000, revealing to spectators man-made changes in the landscape.
Lee Ufan (Korean: 이우환; Hanja: 李禹煥, Korean pronunciation: [iːuhwan]; born 1936) is a South Korean minimalist painter…
Lee Ufan (Korean: 이우환; Hanja: 李禹煥, Korean pronunciation: [iːuhwan]; born 1936) is a South Korean minimalist painter, sculptor, and academic, known for innovative bodies of work emphasizing process, materials, and the experiential engagement of viewer and site, and critiques of European phenomenology. Having lived and worked in Japan for much of his professional life, Lee has been honored by the Japanese government for having "contributed to the development of contemporary art in Japan." His essay "Sonzai to mu wo koete Sekine Nobuo ron (Beyond Being and Nothingness – A Thesis on Sekine Nobuo)" is largely considered an originator of thought for the post-war Japanese art movement of Mono-ha ("School of Things") in the late 1960s and early 1970s. His writings, published in rapid succession from 1969, have sought to externalize the interface between ideas and sensibilities from the West, namely Western Europe and the United States, and those found in East Asia. Many commentators stress Lee's stated desire to escape, or refute, Western ideas of signification, for example. As the main theorist of the Mono-ha movement in Japan, Lee was trained as a philosopher. As a painter, Lee contributed to "Korean Monotone Art" (Dansaekjo Yesul, 單色調 藝術), the first artistic movement in 20th century Korea to be promoted in Japan. His work largely advocates for a methodology of de-westernization and de-modernization in both theory and practice as an antidote to the Eurocentric thought of 1960s postwar Japanese society. A self-proclaimed wanderer and lifelong cultural border-crosser, Lee divides his time between Kamakura, Japan, and Paris, France.
Kazuko Koike (小池一子, Koike Kazuko; born 1936) is a creative director born in Tokyo. She graduated from the School of…
Kazuko Koike (小池一子, Koike Kazuko; born 1936) is a creative director born in Tokyo. She graduated from the School of Arts, Letters and Sciences, Waseda University, Tokyo, Japan. She is member of the Advisory Board for Muji (“Mujirushi Ryōhin”) since its founding and Professor Emeritus at Musashino Art University in Tokyo. She is the founder and president of Kitchen Inc., an all-women studio that planned and produced design-related projects (since 1976). She is founder and president of Sagacho Exhibit Space, an alternative space for arts in Saga, Koto-ku, Tokyo (1983–2000). She is editor and author of books including Issey Miyake, East Meets West (Heibonsha, 1978); Kukan no Aura (Aura of Space) (Hakusuisha, 1993); Fashion: Fashion as a Form of Polyhedron (Musashino Art University Press, 2004); Japanese Coloring (Libro, 1981); and Japan Design (Libro, 1984). Major awards include the 1985 Mainichi Design Prize and the 1995 Japan Award for the Promotion of Art and Culture. In September 2012, she curated the exhibition "Ikko Tanaka and Future/Past/East/West of Design" at 21_21 Design Sight in Tokyo. In March 2022, her works will be displayed in an exhibition, "Alternative! Kazuko Koike Exhibition -- Soft-Power Movement of Art & Design".
Tōru Iwaya (岩谷 徹, Iwaya Tōru; born February 12, 1936) is a Japanese mezzotint engraver and painter.
Shin Yanagisawa (柳沢 信, Yanagisawa Shin; 1936-2008) was a Japanese photographer.