Tomoko Yonezu (Japanese: 米津知子, romanized: Yonezu Tomoko; born 1948) is a Japanese human rights activist. A key member…Tomoko Yonezu (Japanese: 米津知子, romanized: Yonezu Tomoko; born 1948) is a Japanese human rights activist. A key member of ūman ribu, the women's liberation movement in Japan, she advocated for intersectionality within the movement to involve the rights of women with disabilities during the 1970s and 1980s.
Etsumi Haruki (はるき 悦巳, Haruki Etumi; born May 28, 1947 in Osaka) is a Japanese manga artist. He received the 1981…Etsumi Haruki (はるき 悦巳, Haruki Etumi; born May 28, 1947 in Osaka) is a Japanese manga artist. He received the 1981 Shogakukan Manga Award for General for Jarinko Chie.
Ryūji Miyamoto (宮本 隆司, Miyamoto Ryūji, born 1947) is a Japanese photographer, best known as the "ruins photographer".…Ryūji Miyamoto (宮本 隆司, Miyamoto Ryūji, born 1947) is a Japanese photographer, best known as the "ruins photographer". Having studied graphic design at Tama Art University in Tokyo, he taught himself photography and began as an architectural journalist for magazines and newspapers. Inspired by the landscapes of post-war Japan that marked his childhood he came to reckon the imagery of destruction when he received a commission from Asahi Graph (pictorial journal) to document the demolition of the Nakano Prison in Tokyo. His early work focusing on the demolition of modern buildings led to the Architectural Apocalypse series. He later thematized what he calls "handmade architecture" (tezukuri kenchiku) through his documentation of Kowloon Walled City and his survey of Cardboard Houses constructed by homeless people in Japan and around the world, documenting the ways in which people manage to inhabit the city informally. In 1995, he applied the same survey method to document the Kobe earthquake (KOBE 1995 After The Earthquake). These images were later used as a basis for criticism of reconstruction methods that obscure the memory of the disaster and resulted in his selection for the Japanese Pavilion of the Venice Biennale of Architecture in 1996 by Arata Isozaki, known for his discourse on ruins. Miyamoto's turn between modern urban ruins and the impact of disasters was also embodied in the film: 3.11 TSUNAMI 2011, for which he changed his working method, co-creating it with three survivors of the 2011 Tōhoku earthquake and tsunami, feeling unable to document the disaster. His photography, however, is never about the negativity of ruins. As the title of his retrospective exhibition at the Setagaya Art Museum in Tokyo (2004) evokes, he gazes at "things that are disappearing, things that are being born." His photographs exposes the ideology of progress in modern urban development, by uncovering its relation to heritage preservation, disasters, social downgrading, and informal lifestyles.
Miyako Ishiuchi (石内 都, Ishiuchi Miyako; born March 27, 1947), is a Japanese photographer. In 2005, she represented…Miyako Ishiuchi (石内 都, Ishiuchi Miyako; born March 27, 1947), is a Japanese photographer. In 2005, she represented Japan at the Venice Biennale. In March 2014, she received the Hasselblad Foundation International Award in Photography. Ishiuchi's work is included in the collections of the Museum of Modern Art, New York, The J. Paul Getty Museum, Los Angeles, the San Francisco Museum of Modern Art, San Francisco, and the Art Institute of Chicago.
Bishin Jumonji (十文字 美信, Jūmonji Bishin) is a Japanese photographer known for advertising, portrait, and architectural…Bishin Jumonji (十文字 美信, Jūmonji Bishin) is a Japanese photographer known for advertising, portrait, and architectural work. Jumonji was born in Yokohama on 4 March 1947. After studying at the Tokyo College of Photography he worked as an assistant to Kishin Shinoyama and went freelance in 1971, working as the photographer for advertisements for Matsushita Electric and Shiseido products. The association with Matsushita would later bring awards from the Art Directors Club every year from 1975 to 1979. Jumonji has continued to do editorial and commercial work (notably for Hayashibara Biochemical Laboratories). In 1972, with nine other photographers, he participated in an exhibition of portraits of Simon Yotsuya at the Kinokuniya Gallery in Shinjuku. Jumonji had started taking his "Untitled" series of portraits of people framed to exclude their heads in 1971. In 1972, these appeared in the magazine Camera Mainichi and were shown in the Neikrug gallery in New York; a year later they were included in "New Japanese Photography", at the New York MoMA. Up to 1980, Jumonji made nineteen trips to Hawaii, photographing the islands and photographing and interviewing elderly first-generation Japanese immigrants. The series juxtaposes photographs of Hawaiʻi and black-and-white portraits of the people living there. Installments were published in Camera Mainichi in 1979 and the set was exhibited in 1980, when it won the Ina Nobuo Award. It was published, as Orchid Boat, in 1981. Jumonji's second published collection was Kéntauros, a large-format booklet of black-and-white photographs of the members of the motorbike organization Kéntauros striking poses with switchblades and other props. In 1981, Jumonji went to Indochina to photograph the religious customs of the Yao people. In 1983–84 he visited Thailand, Burma and Laos. The result was published as Sumitōtta yami in 1987. Jumonji had started photographing gold works of art in 1981. The first exhibition of the results was in Matsuya department store (Ginza), in 1987. This work culminated in the book Ōgon fūtenjin, published in 1990. This won the Domon Ken Award the following year. Some of these works would also be shown in two of a set of four volumes of stereoscopes, all photographed by Jumonji and published in 1993–4. Jumonji started photographing architecture and gardens in 1988, and the Katsura Detached Palace in particular in 1991. Jumonji photographed Matsumoto Kōshirō IX for a collection of black-and-white portraits; in 2005 he published a second volume, Nippon Geki-gan, of monochrome portraits of actors taken with a large-format camera shortly before or after performance. In 1998, Jumonji started work on Wabi, his attempt to depict (in color) the Japanese aesthetic ideal of wabi. The project started with cha-no-yu but branched out into everyday scenes. Jumonji exhibited composite photographs of four Japanese waterfalls at the Shiseido Gallery (Ginza) in June and July 2004. Jumonji's photographs have appeared in Zoom and Stern.
Susumu Koshimizu (小清水 漸, Koshimizu Susumu; born 1944) is a Japanese sculptor and an installation artist. He is one of…Susumu Koshimizu (小清水 漸, Koshimizu Susumu; born 1944) is a Japanese sculptor and an installation artist. He is one of the key members of Mono-ha, a group of artists who became prominent in the late 1960s and 1970s. Mono-ha was the name given to a loosely associated group of artists whose work was stridently anti-modernist—consisting primarily of sculptures and installations that incorporated basic materials such as rocks, sand, wood, cotton, glass and metal, often in simple arrangements with minimal artistic intervention. From early on, Susumu Koshimizu's investigation of material and space resulted in some of Mono-ha's most definitive artworks. Koshimizu's installations and sculptures during the 1960s and 1970s focused on the qualities inherent to but not visible in an object. Yet, he shows concern for the materiality of objects—a desire to expose the fundamentals of sculpture, often revealed through juxtaposition. In Paper (formerly Paper 2) (1969), he placed a large stone inside an even larger envelope of Japanese paper, open on one side. Viewers were able to look inside and—in the sculptural context of relating interior structure to exterior form—were confronted with the sheer size and solidity of the stone in contrast to the thin membrane of paper that covers it. Crack the Stone in August '70 consisted of an immense block of granite split in two at the National Museum of Modern Art, Tokyo. At that time, Koshimizu was exploring the fundamentals of sculpture without the need for juxtaposition: splitting open the stone and exposing its inside was a means to show the materiality and presence of the rock itself. At the beginning of the 1970s, Koshimizu started to explore specifically the structure of surfaces. A single installation, "From Surface to Surface (Wooden Logs Placed in a Radial Pattern on the Ground)" (1972/2004) is a good example. The work is composed of thirty, thirteen-foot-long square beams of wood, the surfaces of which have been sliced at varying intervals and angles to create undulating expanses of geometric form. Koshimizu's work since the 1980s has explored a variety of Japanese woods though the concept of "working tables.”
Kishio Suga (菅 木志雄, Suga Kishio) (born 1944), is a Japanese sculptor and installation artist currently living in Itō…Kishio Suga (菅 木志雄, Suga Kishio) (born 1944), is a Japanese sculptor and installation artist currently living in Itō, Shizuoka, Japan. He is one of the key members of Mono-ha, a group of artists who became prominent in the late 1960s and 1970s. The Mono-ha artists explored the encounter between natural and industrial materials, such as stone, steel plates, glass, light bulbs, cotton, sponge, paper, wood, wire, rope, leather, oil, and water, arranging them in mostly unaltered, ephemeral states. The works focus as much on the interdependency of these various elements and the surrounding space as on the materials themselves.
Hakudō Kobayashi (小林はくどう, Kobayashi Hakudō; July 2, 1944) is a Tokyo-based artist working in video and sculpture. He is…Hakudō Kobayashi (小林はくどう, Kobayashi Hakudō; July 2, 1944) is a Tokyo-based artist working in video and sculpture. He is best known for his work as a promoter of citizen video work. Kobayashi is also Representative Director of the NPO Shimin ga Tsukuru TVF (Community-made TVF) which runs the annual Tokyo Video Festival. He taught at Seian University of Art and Design from 1992-2010.
So Aono (青野 聰, Aono Sō; July 27, 1943) is a Japanese novelist. He is the third son of literary critic Suekichi Aono.…So Aono (青野 聰, Aono Sō; July 27, 1943) is a Japanese novelist. He is the third son of literary critic Suekichi Aono. Aono was born in Tokyo and studied literature at Waseda University but left the university early to travel. After visiting Europe and Northern Africa, he returned to Japan in 1971, publishing his first work in the Waseda literary magazine. From 1972 to 1977 he travelled through Europe again. Upon his return to Japan, Aono became active in literary and critical writings. He currently lives in Tokyo and is a Professor of Literature at Tama Art University. Aono has translated works by Charles Bukowski into Japanese.
Teruhiko Yumura (湯村 輝彦, Yumura Teruhiko; born November 1, 1942) is a Japanese illustrator, designer, cartoonist and…Teruhiko Yumura (湯村 輝彦, Yumura Teruhiko; born November 1, 1942) is a Japanese illustrator, designer, cartoonist and music critic. He is one of the exemplars of the heta-uma illustration aesthetic. Born in Hakuzu, Shinjuku-ku, Tokyo (currently Nishi-Shinjuku), he signed works under the pen names "Terry Johnson" (Gonzo), "FLAMINGO TERRY", "FRAMINA TERRENO GONZO", "TERRINO FLAMINI 'GONZAREZ" and "KURUZURU Terumanta". Yumura is known by the nickname "King Terry". Yumura studied at Tama Art University and drew covers for the magazine Garo in the 1970s and 1980s. He collaborated with copywriter Shigesato Itoi in short comics such as Penguin Shuffle and Jonetsu Penguin no Gohan. He also collaborated with the American magazines Wet and Raw. Yumura's comics were influenced by Japanese and American pop culture; his artwork is characterized by crudely done drawings made in a conscious, deliberate manner. This style became known as heta-uma (bad but good).
Nobuo Sekine (関根 伸夫, Sekine Nobuo; September 19, 1942 – May 13, 2019) was a Japanese sculptor who resided in both…Nobuo Sekine (関根 伸夫, Sekine Nobuo; September 19, 1942 – May 13, 2019) was a Japanese sculptor who resided in both Tokyo, Japan, and Los Angeles, California. A graduate of Tama Art University, he was one of the key members of Mono-ha, a group of artists who became prominent in the late 1960s and early 1970s. The Mono-ha artists explored the encounter between natural and industrial materials, arranging them or interacting with them in mostly unaltered, ephemeral states. Sekine’s signature materials included earth, water, stone, oilclay, sponge, steel plates, among others. His Phase—Mother Earth, consisting of a hole dug into the ground, 2.7 meters deep and 2.2 meters in diameter, with the excavated earth compacted into a cylinder of exactly the same dimensions, is considered to have initiated the Mono-ha movement. Later credited as the "big bang" of the movement, the work not only attracted the attention of fellow Tama students but also Lee Ufan, who was senior to Sekine and in search of a theoretical framework for new art. This work led to an intense intellectual exchange between Sekine and Lee, involving other Tama students, that served as a foundational theory of Mono-ha, that combined Sekine’s principle of “not making” (tsukuranai koto) and Lee’s idea of “the world as-it-is” (arugamama no sekai), setting a stage for themselves and their peers to embark on a full-fledged exploration of mono (things), which became the name for their movement. Sekine’s own work rapidly progressed from Phase—Mother Earth to Phase-Sponge (1968) and Phase of Nothingness - Oil Clay (1969), with all of these works receiving top awards at major competitions. By 1970, Sekine established himself as a young but rising figure of contemporary art, being invited, along with Shusaku Arakawa, to exhibit in the Japanese pavilion at the Venice Biennale in 1970, by the critic Yoshiaki Tōno. While Arakawa filled the pavilion’s interior, Sekine erected a large-scale outdoor sculpture, Phase of Nothingness. Despite these attentions, the artist departed the Mono-ha practice and established Kankyō Bijutsu Kenkyūjo (Environment Art Studio) in 1973 to focus primarily on public sculpture.
Akira Fujii (藤井 旭, Fujii Akira; 12 January 1941 – 28 December 2022) was a Japanese astrophotographer and astronomer.…Akira Fujii (藤井 旭, Fujii Akira; 12 January 1941 – 28 December 2022) was a Japanese astrophotographer and astronomer. PBS has described him as "the world's foremost wide-angle astrophotographer". Fujii graduated from Tama Art University in 1961, and began working at observatories, producing a substantial bibliography of general-audience astronomy books. In 1974, Fujii began Japan's first star party, the "Invitation to Starlit Skies", which he hosted on Mount Azuma until 1984. Fujii's work is marketed by David Malin; he collaborated with Serge Brunier in the production of 2001's Great Atlas of the Stars. The main-belt asteroid 3872 Akirafujii is named in his honor. Fujii died on 28 December 2022, at the age of 81.
Hidetoshi Nagasawa (長澤 英俊, Nagasawa Hidetoshi; 30 October 1940 – 24 March 2018) was a Japanese sculptor and architect…Hidetoshi Nagasawa (長澤 英俊, Nagasawa Hidetoshi; 30 October 1940 – 24 March 2018) was a Japanese sculptor and architect, who lived and worked in Italy from 1967 until his death in 2018. Nagasawa was born in Tonei, Manchuria. He graduated in architecture in Tokyo in 1963. In 1966 he embarked on a long bicycle trip across Asia and Europe, eventually reaching Milan where he decided to permanently settle in 1968. In 1979 he founded the Casa degli Artisti in Milan together with Luciano Fabro and Jole De Sanna. Nagasawa's sculptures were made of materials such as paper, wood, stone and metal, and incorporated Eastern and Western cultural and religious elements. In the 1980s, he started creating his first environments, exploring the relationship between sculpture and architecture. Nagasawa was a lecturer at the Nuova Accademia di Belle Arti in Milan. He participated to the Venice Biennale in 1972, 1976, 1982 and 1988. He was invited to Documenta 9 in Kassel in 1992 and in 2006 he participated in the XII Biennale of Sculpture in Carrara. He has also held solo shows at the Padiglione d'Arte Contemporanea in Milan (1988), the Galleria Comunale in Bologna (1993), and the Fundació Pilar i Joan Miró in Mallorca (1996).
Tatsuo Kawaguchi (河口龍夫, Kawaguchi Tatsuo, born in 1940, Kobe Japan) is a Japanese multidisciplinary artist, whose…Tatsuo Kawaguchi (河口龍夫, Kawaguchi Tatsuo, born in 1940, Kobe Japan) is a Japanese multidisciplinary artist, whose practice often involves the use of objects and the investigation of materials. After studying painting at Tama Art University, Kawaguchi's diverse oeuvre has included drawing, sculpture, installation, photography, and video. He also co-founded the Group "i", a Kobe-based artistic collective, in 1965. Kawaguchi's early work explored visual perception, principally through the use of objects and mirrors. After 1970, he began using the word "relation" (関係, kankei) in the titles of his works. Kawaguchi seeks to put on display the fragile relationships between the visible and the invisible that create the world around us. The artist intends for his works - which have employed both man-made elements such as lightbulbs or motors, as well as natural elements like stone, wood, seeds and metals - to be perceived of as perpetual works in progress, transforming with time. Environmental anxiety has also informed the development of Kawaguchi's "relation" works. After the Chernobyl disaster, the artist has continuously enveloped various objects, such as seeds, plants, soil, or tools, in lead, a material that protects against radiation. Kawaguchi's work has featured in major international exhibitions and has been associated by art historians with artistic movements such as land art, minimalism and Mono-ha. Kawaguchi has also been identified as belonging to the loosely-affiliated Gainen-ha (Conceptual School), alongside Yutaka Matsuzawa, Jiro Takamatsu, Kazuo Okazaki, Saburo Muraoka (with whom he collaborated in 1973), Isamu Wakabayashi, and Aiko Miyawaki. Kawaguchi was awarded the First Iue Culture Prize for Art and Culture in 1974 as well as the Prize of Japan Arts Foundation in 2008. He is Professor Emeritus at the University of Tsukuba, Institute of Art and Design. He lives and works in Chiba City.
Toshiko MacAdam nee Horiuchi (1940 - Apr 26, 2026) was a Japanese textile artist based in Bridgetown, Nova Scotia…Toshiko MacAdam nee Horiuchi (1940 - Apr 26, 2026) was a Japanese textile artist based in Bridgetown, Nova Scotia, Canada. She was best known for her work with large-scale textile structures, especially "textile playgrounds" for children, brightly colored net-like structures of crocheted and knotted nylon.
Shigeo Anzai (安斎 重男, Anzai Shigeo; born 1939, died August 13th, 2020) was a Japanese photographer. A self-professed…Shigeo Anzai (安斎 重男, Anzai Shigeo; born 1939, died August 13th, 2020) was a Japanese photographer. A self-professed "art documentarist", Anzai is well-known for his prolific photographic documentation of artworks, exhibitions, and events of his time. He is also known for intimate portraits of popular modern and contemporary artists, which cast their subjects in an unexpected, unposed, and humanizing light. As Anzai noted for Artforum, he was interested in the "humanity" of his subjects, or the human being within the artist, rather than the artist within the human being. Anzai's style of portraiture stands in contrast to the popular modes of portrait photography of the time which monumentalized their subjects, as in the work of Hans Namuth. Anzai is known for his snapshots of artists such as Shuzo Takiguchi, Atsuko Tanaka, Yayoi Kusama, Tetsumi Kudo, Joseph Beuys, and Isamu Noguchi, among others.
Yukio Ota (太田幸夫, Ōta Yukio; 1939 – 18 August 2026) was a Japanese graphic designer best known for his work on the ISO…Yukio Ota (太田幸夫, Ōta Yukio; 1939 – 18 August 2026) was a Japanese graphic designer best known for his work on the ISO 7010 exit sign and the pictorial language LoCoS.
Issey Miyake (Japanese: 三宅 一生, Hepburn: Miyake Issei; [mijake iꜜsseː] 22 April 1938 – 5 August 2022) was a Japanese…Issey Miyake (Japanese: 三宅 一生, Hepburn: Miyake Issei; [mijake iꜜsseː] 22 April 1938 – 5 August 2022) was a Japanese fashion designer. He was known for his technology-driven clothing designs, notably the Pleats, Please line, exhibitions and fragrances such as L'eau d'Issey.
Sakaida Kakiemon XIV (Japanese: 14代酒井田柿右衛門), or Sakaida Masashi (26 August 1934 – 15 June 2013) was a Japanese potter…Sakaida Kakiemon XIV (Japanese: 14代酒井田柿右衛門), or Sakaida Masashi (26 August 1934 – 15 June 2013) was a Japanese potter, ceramicist and former Living National Treasure in Japan. He was a member of the 14th generation of the Kakiemon Family, which dates back to the beginning of the Edo period with Sakaida Kakiemon. He continued the tradition of Kakiemon enameled ceramics, succeeding the name Kakiemon after the death of his father Sakaida Kakiemon XIII from cancer in 1982. In 2010, Kakiemon was interviewed as an expert for the seventy-ninth episode of A History of the World in 100 Objects, a joint project of BBC Radio 4 and the British Museum, concerning the Kakiemon elephants held by the museum. Kakiemon died on June 15, 2013, at the age of 78.
Tatsuo Ikeda (池田 龍雄, Ikeda Tatsuo; August 15, 1928 – 30 November 2020) was a Japanese avant-garde artist. An active…Tatsuo Ikeda (池田 龍雄, Ikeda Tatsuo; August 15, 1928 – 30 November 2020) was a Japanese avant-garde artist. An active figure in the Japanese postwar art scene, Ikeda’s works adopted a surrealist sensibility deeply grounded in social and political critique. Using strategies of distortion, grotesque figures, biomorphic forms, and a satirical tone, Ikeda sharply engaged with a range of contemporary issues including labor politics and class conflict, Japan-United States relations, nuclear disarmament, and legacies of militarism, especially through the proliferation and continued presence of American military bases on Japanese soil after the end of the Occupation era. A leading figure in the Reportage movement of the 1950s and early 60s, Ikeda, along with artists such as Hiroshi Nakamura, Kikuji Yamashita, and Shigeo Ishii, visited sites of protest across the country to document the realities of postwar social unrest through a expressive mode inflected with both surrealist and realist tenors. He was involved in a number of prominent but short-lived artistic societies that emerged after the war, including Tarō Okamoto and Kiyoteru Hanada's Zen'ei Bijutsu-kai (Avant-garde Art Study Group, which had its roots in their earlier Yoru no Kai group), Seiki no Kai (Century Society), Seibiren (Youth Artists' Alliance) and the Seisakusha Kondankai (Producers' Workshop), which he co-founded with film critic Senpei Kasu. Ikeda mostly worked in painting and drawing using earthy monochromatic tones, though later in his career he turned towards mixed-media and sculptural work as well. He is best known for his ink drawing works, which include Anti-Atomic Bomb, Chronicle of Birds and Beasts, and Genealogy of Monsters. His later works, particularly following the Anpo protests in 1960 and their failure to enact social upheaval, turned to more spiritual and cosmological concepts, as evidenced by the biomorphic, embryonic forms expressed in the BRAHMAN series (1973–88).
Akira Kanayama (金山明 Kanayama Akira; 1924–2006) was a Japanese avant-garde artist and an early member of The Gutai Art…Akira Kanayama (金山明 Kanayama Akira; 1924–2006) was a Japanese avant-garde artist and an early member of The Gutai Art Association. An active contributor to Gutai's exhibitions and performance events, Kanayama was one of the pivotal figures of the group. His artworks were characterised by witty experiments with unconventional materials such as toy cars and signal lights for level crossing. He left Gutai in 1965 with Atsuko Tanaka, whom he married later in the same year.
Yoshishige Saitō (斎藤義重, Saitō Yoshishige, also Saitō Gijū or Saito Ghiju, May 4, 1904, in Hirosaki – June 13, 2001, in…Yoshishige Saitō (斎藤義重, Saitō Yoshishige, also Saitō Gijū or Saito Ghiju, May 4, 1904, in Hirosaki – June 13, 2001, in Yokohama) was a Japanese visual artist and art educator. Saitō was a seminal figure in Japanese art of the 20th century and a crucial link between the prewar avant-garde and postwar abstract art in Japan. From early on, he was exposed to Post-Impressionism and the avant-garde movements, including Russian constructivism and European Dada, as well as Western literature and Marxism. In the 1930s, he became active in the avant-garde art circles, while pursuing abstraction in paintings and wood reliefs, most notably the relief series of Kara kara and Toro Wood. All of his prewar works and related materials were lost to an air-raid fire in 1945, some of them were reconstructed in the 1970s. In the immediate postwar years, Saitō's return to art was slow, but by 1957, he established himself again in the art world as a prominent abstract artist. His painting imbued with a great sense of formalism was first followed by his "drill paintings" during the Informel period and then by the return to wood reliefs, which would later lead to large-scale "spatial constructions" made of painted plywood in the 1980s. In these works in wood, he critically engaged with the issues of painting, while exploring the potential of mundane plywood to construct spaces. As a professor at the Tama Art University and the Tokyo School of Art, Saitō inspired a great number of art students, especially the future artists of the Mono-ha movement.
Shintarō Asanuma (浅沼 晋太郎, Asanuma Shintarō; born January 5, 1976) is a Japanese screenwriter, director, actor…Shintarō Asanuma (浅沼 晋太郎, Asanuma Shintarō; born January 5, 1976) is a Japanese screenwriter, director, actor, copywriter and designer. He was affiliated with Office Osawa and currently attached under DANDELION.
Rie Ishizuka (石塚 理恵, Ishizuka Rie; born 23 April 1964 in Shizuoka) is a Japanese voice actress who works for Theatrical…Rie Ishizuka (石塚 理恵, Ishizuka Rie; born 23 April 1964 in Shizuoka) is a Japanese voice actress who works for Theatrical Group EN.
Ryōichi Tanaka (田中 亮一, Tanaka Ryōichi; born January 26, 1947) is a Japanese actor and narrator affiliated with Aoni…Ryōichi Tanaka (田中 亮一, Tanaka Ryōichi; born January 26, 1947) is a Japanese actor and narrator affiliated with Aoni Production. He is most well known for the roles of Akira Fudo in Devilman, Nobita's Teacher in Doraemon, and Cancer Deathmask in Saint Seiya.
Masato Hirano (平野 正人, Hirano Masato; born November 16, 1955) is a Japanese actor, voice actor and narrator from Iwate…Masato Hirano (平野 正人, Hirano Masato; born November 16, 1955) is a Japanese actor, voice actor and narrator from Iwate Prefecture who works for Aoni Production. Among his other roles, he has performed the characters Ippon-Matsu and Topman Warcury (One Piece), Zaku (Fist of the North Star) and Kinnikuman Big Body (Kinnikuman: Scramble for the Throne).
Yuri Yokomizo (よこみぞゆり, Yokomizo Yuri) is a Japanese illustrator and graphic designer who is best known for creating the…Yuri Yokomizo (よこみぞゆり, Yokomizo Yuri) is a Japanese illustrator and graphic designer who is best known for creating the San-X series 'Sumikko Gurashi'. The series has inspired a popular line of merchandise and has been adapted into video games and critically acclaimed feature films in Japan. After leaving San-X she has worked as a freelance illustrator and has created the Nandemo Ikimono characters.
Showtaro Morikubo (森久保 祥太郎, Morikubo Shōtarō; born February 25, 1974) is a Japanese voice actor and singer who has…Showtaro Morikubo (森久保 祥太郎, Morikubo Shōtarō; born February 25, 1974) is a Japanese voice actor and singer who has voiced characters in anime, drama CDs, and video games. He was formerly affiliated with I'm Enterprise, Sigma Seven and VIMS. His most notable roles were Shikamaru Nara from Naruto, Souji Okita in the Hakuouki series, X in the Mega Man X series, Yuusuke Makishima from Yowamushi Pedal, and Yosuke Hanamura from Persona 4.
Tomato Soup (Japanese: トマトスープ) is a Japanese manga artist. She is best known for creating historical manga based on…Tomato Soup (Japanese: トマトスープ) is a Japanese manga artist. She is best known for creating historical manga based on world history from the Middle Ages to the early modern period. In 2026, she won the Grand Prize in the Comics Category of the 55th Japan Cartoonists Association Award for A Witch's Life in Mongol.
