Chiura Obata (小圃 千浦, Obata Chiura; November 18, 1885 – October 6, 1975) was a well-known Japanese American artist and…Chiura Obata (小圃 千浦, Obata Chiura; November 18, 1885 – October 6, 1975) was a well-known Japanese American artist and popular art teacher. A self-described "roughneck", Obata went to the United States in 1903, at age 17. After initially working as an illustrator and commercial decorator, he had a successful career as a painter, following a 1927 summer spent in the Sierra Nevada, and was a faculty member in the Art Department at the University of California, Berkeley, from 1932 to 1954, interrupted by World War II, when he spent a year in an internment camp, where he acted as the founding director of the art school at the Topaz incarceration camp in 1942. He later emerged as a leading figure in the Northern California art scene and as an influential educator, teaching at the University of California, Berkeley, for nearly twenty years. After his retirement, he continued to paint and to lead group tours to Japan to see gardens and art.
Tetsugorō Yorozu (萬 鉄五郎, Yorosu Tetsugorō; November 17, 1885 – May 1, 1927) was a Japanese painter, noted for his work…Tetsugorō Yorozu (萬 鉄五郎, Yorosu Tetsugorō; November 17, 1885 – May 1, 1927) was a Japanese painter, noted for his work in introducing the Avant-garde trend, especially cubism into Japanese yōga (Western-style) painting in the early 20th century.
Kawabata Shotarō (川端 昇太郎; 6 June 1885 – 10 April 1966), later known as Kawabata Ryūshi (川端 龍子; Japanese pronunciation…Kawabata Shotarō (川端 昇太郎; 6 June 1885 – 10 April 1966), later known as Kawabata Ryūshi (川端 龍子; Japanese pronunciation: [ka.wa.ba.ta (|) ɾʲɯꜜː.ɕi],), was a Japanese Nihonga artist active during the Taishō and Shōwa periods.
Saneatsu Mushanokōji (武者小路 実篤(實篤), Mushanokōji Saneatsu; 12 May 1885 – 9 April 1976) was a Japanese novelist…Saneatsu Mushanokōji (武者小路 実篤(實篤), Mushanokōji Saneatsu; 12 May 1885 – 9 April 1976) was a Japanese novelist, playwright, poet, artist, and philosopher active during the late Taishō and Shōwa periods of Japan. Later on in life he requested that the pronunciation of his surname (as far as was concerned) be changed from the usual Mushanokōji, to Mushakōji, but without much success. He was nicknamed Musha and Futo-o by his colleagues.
Seison Maeda (前田 青邨, Maeda Seison; January 27, 1885 – October 29, 1977) was the art-name of a nihonga painter in the…Seison Maeda (前田 青邨, Maeda Seison; January 27, 1885 – October 29, 1977) was the art-name of a nihonga painter in the Taishō and Shōwa periods of Japan. His legal name was Maeda Renzō. He is considered one of the greatest contemporary Japanese painters, and one of the leaders of the Nihonga movement.
Yumeji Takehisa (Japanese: 竹久 夢二, Hepburn: Takehisa Yumeji; born Mojirō Takehisa (竹久 茂次郎, Takehisa Mojirō), 16…Yumeji Takehisa (Japanese: 竹久 夢二, Hepburn: Takehisa Yumeji; born Mojirō Takehisa (竹久 茂次郎, Takehisa Mojirō), 16 September 1884 – 1 September 1934) was a Japanese poet and painter. He is known foremost for his Nihonga illustrations of bijin, beautiful women and girls, though he also produced a wide variety of works including book covers, serial newspaper illustrations, furoshiki, postcards, and patterned washi paper.
Heizo Kanayama (金山 平三, Kanayama Heizō; 18 December 1883 – 15 July 1964) was a Japanese painter. His work was part of…Heizo Kanayama (金山 平三, Kanayama Heizō; 18 December 1883 – 15 July 1964) was a Japanese painter. His work was part of the painting event in the art competition at the 1932 Summer Olympics.
Kunzo Minami (南 薫造, Minami Kunzō; 21 July 1883 – 6 January 1950) was a Japanese painter. His work was part of the…Kunzo Minami (南 薫造, Minami Kunzō; 21 July 1883 – 6 January 1950) was a Japanese painter. His work was part of the painting event in the art competition at the 1932 Summer Olympics.
Sanzo Wada (和田 三造, Wada Sanzō; 3 March 1883 – 22 August 1967) was a Japanese painter and costume designer who won the…Sanzo Wada (和田 三造, Wada Sanzō; 3 March 1883 – 22 August 1967) was a Japanese painter and costume designer who won the Academy Award for Best Costume Design for his work on the jidaigeki film Gate of Hell (1953). Wada reorganized the Japan Standard Color Association into the Japan Color Research Laboratory in 1945, and served as its president. He was a member of the Japan Art Academy. His painting South Wind and other works are part of the National Museum of Modern Art, Tokyo collection.
Ikuma Arishima (有島 生馬, Arishima Ikuma; November 26, 1882 – September 15, 1974) was the pen-name of Arishima Mibuma, a…Ikuma Arishima (有島 生馬, Arishima Ikuma; November 26, 1882 – September 15, 1974) was the pen-name of Arishima Mibuma, a Japanese novelist and painter active in the Taishō and Shōwa period. He also used Utosei and then Jugatsutei as alternative pen names.
Shigeru Aoki (青木 繁, Aoki Shigeru; July 13, 1882 – March 25, 1911) was a Japanese painter, noted for his work in…Shigeru Aoki (青木 繁, Aoki Shigeru; July 13, 1882 – March 25, 1911) was a Japanese painter, noted for his work in combining Japanese legends and religious subjects with the yōga (Western-style) art movement in late 19th- and early 20th-century Japanese painting. He painted numerous works with themes from Japanese mythology and ancient Indian tales, enchanting the people of the time with rich expressiveness and creativity.
Seiu Ito (伊藤晴雨, Itō Seiu), also romanised as Seiyu Itoh (3 March 1882 – 28 January 1961), was a Japanese painter…Seiu Ito (伊藤晴雨, Itō Seiu), also romanised as Seiyu Itoh (3 March 1882 – 28 January 1961), was a Japanese painter, recognised today as "the father of modern kinbaku". Ito's life was the subject of director Noboru Tanaka's 1977 Nikkatsu Roman porno film Beauty's Exotic Dance: Torture!, the final entry in his "Showa Era trilogy".
Shodo Hirata (平田松堂; February 2, 1882 – January 9, 1971) was a Japanese painter who was active from the Meiji era to the…Shodo Hirata (平田松堂; February 2, 1882 – January 9, 1971) was a Japanese painter who was active from the Meiji era to the Showa era, mainly in public exhibitions. He studied under Kawai Gyokudo and was particularly adept at bird and flower painting.
Misei Hoan Kosugi (Japanese: 小杉放庵; 30 December 1881 – 16 April 1964) was a Japanese painter. He was associated with…Misei Hoan Kosugi (Japanese: 小杉放庵; 30 December 1881 – 16 April 1964) was a Japanese painter. He was associated with Western-style (yōga) art movement. Kosugi was a founding member of the Shunyo-kai art society in 1922, while attending Nihon Bijutsuin. His work was part of the painting event in the art competition at the 1932 Summer Olympics.
Morita Tsunetomo (Japanese: 森田 恒友; born 9 April 1881, Tamai, now part of Kumagaya – died 8 April 1933, Tokyo) was a…Morita Tsunetomo (Japanese: 森田 恒友; born 9 April 1881, Tamai, now part of Kumagaya – died 8 April 1933, Tokyo) was a Japanese painter in the yōga style; known primarily for landscapes.
Kikuchi Keigetsu (菊池契月) (14 November 1879 – 9 September 1955) was a Japanese Nihonga painter, member of the Japan Art…Kikuchi Keigetsu (菊池契月) (14 November 1879 – 9 September 1955) was a Japanese Nihonga painter, member of the Japan Art Academy, Imperial Household Artist, and emeritus professor at the Kyoto City University of Arts. In 1922 he travelled to Europe, in particular England, France, and Italy, where he studied the traditions of western art as well as contemporary movements such as Fauvism and Cubism.
Kiyokata Kaburaki (鏑木 清方, Kaburaki Kiyokata; August 31, 1878 – March 2, 1972) was the art-name of a Nihonga artist and…Kiyokata Kaburaki (鏑木 清方, Kaburaki Kiyokata; August 31, 1878 – March 2, 1972) was the art-name of a Nihonga artist and the leading master of the bijin-ga genre in the Taishō and Shōwa eras. His legal name was Kaburaki Ken'ichi. The artist himself used the reading "Kaburaki", but many Western (and some Japanese) sources transliterate it as "Kaburagi".
Kampō Arai (荒井 寛方, August 15, 1878 – April 16, 1945) was a Japanese Buddhist painter and reproduction artist. His given…Kampō Arai (荒井 寛方, August 15, 1878 – April 16, 1945) was a Japanese Buddhist painter and reproduction artist. His given name was Kanjūrō (寛十郎).
Hirafuku Hyakusui, originally named Teizō (Japanese: 平福 百穂; 28 December 1877, Kakunodate - 30 October 1933, Kakunodate)…Hirafuku Hyakusui, originally named Teizō (Japanese: 平福 百穂; 28 December 1877, Kakunodate - 30 October 1933, Kakunodate) was a Japanese painter in the nihonga style.
Ohara Koson (also Ohara Hōson, Ohara Shōson) (Kanazawa 1877 – Tokyo 1945) was a Japanese painter and woodblock print…Ohara Koson (also Ohara Hōson, Ohara Shōson) (Kanazawa 1877 – Tokyo 1945) was a Japanese painter and woodblock print designer of the late 19th and early 20th centuries, at the forefront of shinsaku-hanga and shin-hanga art movements. Ohara Koson was famous as a master of kachō-e (bird-and-flower) designs. Throughout a prolific career, in which he created around 500 prints, he went by three different titles: Ohara Hōson (小原豊邨), Ohara Shōson (小原祥邨) and Ohara Koson.
Hiroshi Yoshida (吉田 博, Yoshida Hiroshi; September 19, 1876 – April 5, 1950) was a 20th-century Japanese painter and…Hiroshi Yoshida (吉田 博, Yoshida Hiroshi; September 19, 1876 – April 5, 1950) was a 20th-century Japanese painter and woodblock printmaker. Along with Hasui Kawase, he is regarded as one of the greatest artists of the shin-hanga style, and is noted especially for his landscape prints. Yoshida made numerous trips around the world, with the aim of getting to know different artistic expressions and making works of different landscapes. He traveled widely, and was particularly known for his images of non-Japanese subjects done in traditional Japanese woodblock style, including the Taj Mahal, the Swiss Alps, the Grand Canyon, and other National Parks in the United States. He was known as a mountain painter (山岳画家) in Japan and spent about half of the year on sketching travels. He was particularly fond of mountain landscapes and painted many of them, founding the Nihon Sangakugaka Kyōkai (Japan Mountain Painting Society, 日本山岳画家協会) in his later years. As a mountaineer, he climbed the mountains of the Japanese Alps every summer and created his large paintings and woodblock prints after returning home.
Kitazawa Yasuji (北澤 保次; 20 July 1876 – 25 August 1955), known by his pen name Kitazawa Rakuten (北澤 楽天), was a Japanese…Kitazawa Yasuji (北澤 保次; 20 July 1876 – 25 August 1955), known by his pen name Kitazawa Rakuten (北澤 楽天), was a Japanese manga and nihonga artist, who was the first professional cartoonist in Japan, and the first to use the term "manga" in its modern sense. He drew editorial cartoons and comic strips during the years from the late Meiji to the early Shōwa era. He is considered by many historians to be the founding father of modern manga, and his work was an inspiration to many younger manga artists and animators.
Ishibashi Kazunori (石橋 和訓; 1876–1928) was a Japanese painter active in both yōga and nihonga. His name can also be read…Ishibashi Kazunori (石橋 和訓; 1876–1928) was a Japanese painter active in both yōga and nihonga. His name can also be read Ishibashi Wakun and he used the art name Gyūgagen. Ishibashi is perhaps best known for Woman Reading Poetry which is currently on display at the Shimane Art Museum. Said to have been modelled after an English actress, the work is widely considered his masterpiece and has been designated as a Prefectural Cultural Property of Shimane.
Yasushi Kataoka (片岡 安, Kataoka Yasushi) (4 June 1876 – 26 May 1946) was a Japanese architect, and a colleague of Kingo…Yasushi Kataoka (片岡 安, Kataoka Yasushi) (4 June 1876 – 26 May 1946) was a Japanese architect, and a colleague of Kingo Tatsuno.
Uemura Shōen (上村 松園; April 23, 1875 – August 27, 1949) was the pseudonym of an artist in Meiji, Taishō and early Shōwa…Uemura Shōen (上村 松園; April 23, 1875 – August 27, 1949) was the pseudonym of an artist in Meiji, Taishō and early Shōwa period Japanese painting. Her real name was Uemura Tsune. Shōen was known primarily for her bijin-ga, or paintings of beautiful women, in the nihonga style, although she produced numerous works on historical themes and traditional subjects. Shōen is considered a major innovator in the bijin-ga genre despite the fact she often still used it to depict the traditional beauty standards of women. Bijin-ga gained criticism during the Taisho era while Shōen worked due to its lack of evolution to reflect the more modern statuses of women in Japan. During bijin-ga's conception in the Tokugawa, or Edo, period, women were regarded as lower class citizens and the genre often reflected this implication onto its female subjects. Within the Taisho era, women had made several advancements into the Japanese workforce, and artistry specifically was becoming more popular outside of pass times for the elite, which opened way for Shōen's success. Shōen received many awards and forms of recognition during her lifetime within Japan, being the first female recipient of the Order of Culture award, as well as being hired as the Imperial Household's official artist, which had previously only employed one other official woman in the position. In 1949 she died of cancer just a year after receiving the Order of Culture Award.
Wada Eisaku (和田英作; December 23, 1874 – January 3, 1959) was a Japanese painter and luminary of the yōga (or…Wada Eisaku (和田英作; December 23, 1874 – January 3, 1959) was a Japanese painter and luminary of the yōga (or Western-style) scene in the late Meiji, Taishō, and Shōwa eras. He was a member of the Japan Art Academy, an Imperial Household Artist, a recipient of the Order of the Sacred Treasure and Order of Culture, an Officier in the Légion d'honneur, and a Person of Cultural Merit.
Mitsutani Kunishirō (Japanese: 満谷 国四郎; 10 November 1874 in Okayama Prefecture – 12 July 1936 in Tokyo) was a Japanese…Mitsutani Kunishirō (Japanese: 満谷 国四郎; 10 November 1874 in Okayama Prefecture – 12 July 1936 in Tokyo) was a Japanese painter in the yōga style.
Hishida Shunsō (菱田 春草; September 21, 1874 – September 16, 1911) was the pseudonym of a Japanese painter from the Meiji…Hishida Shunsō (菱田 春草; September 21, 1874 – September 16, 1911) was the pseudonym of a Japanese painter from the Meiji period. One of Okakura Tenshin's pupils along with Yokoyama Taikan and Shimomura Kanzan, he played a role in the Meiji era innovation of Nihonga. His real name was Hishida Miyoji. He was also known for his numerous paintings of cats.
Komuro Suiun (Japanese: 小室翠雲, August 31, 1874 – March 30, 1945) is the pseudonym of a Japanese nihonga painter who…Komuro Suiun (Japanese: 小室翠雲, August 31, 1874 – March 30, 1945) is the pseudonym of a Japanese nihonga painter who worked mainly in the nanga style, active from the Meiji period (1868–1912) to the Shōwa period (1926–1989).
Kawai Gyokudō (川合 玉堂; November 24, 1873 – June 30, 1957) was the pseudonym of a Japanese painter in the nihonga school…Kawai Gyokudō (川合 玉堂; November 24, 1873 – June 30, 1957) was the pseudonym of a Japanese painter in the nihonga school, active from Meiji through Shōwa period Japan. His real name was Kawai Yoshisaburō.
Kanzan Shimomura (下村 観山, Shimomura Kanzan; April 10, 1873 – May 10, 1930) was the pseudonym of a nihonga painter in…Kanzan Shimomura (下村 観山, Shimomura Kanzan; April 10, 1873 – May 10, 1930) was the pseudonym of a nihonga painter in Meiji through to the early Shōwa period Japan. His real name was Shimomura Seizaburō.
Yamamoto Shōun (山本 昇雲; December 30, 1870 – May 10, 1965), who is also known as Matsutani Shōun, was a Japanese print…Yamamoto Shōun (山本 昇雲; December 30, 1870 – May 10, 1965), who is also known as Matsutani Shōun, was a Japanese print designer, painter, and illustrator. He was born in the city of Kōchi in Kōchi Prefecture, into a family of retainers of the shōgun and was given the name Mosaburō. As a teenager, he studied Kanō-school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shōun primarily produced paintings. He died in 1965, at the age of 96. In addition to his magazine illustrations, Shōun is best known for his woodblock prints of beautiful women and a group of humorous shikishiban (prints about 7 by 8 inches). Shōun is considered a bridge between ukiyo-e and shin-hanga. His career spans the Meiji (1868–1912), Taishō (1912–1926) and Shōwa (1926–1989) periods. Yamamoto Shōun signed most of his works with a very small compact signature reading Shōun (昇雲).
Yoshio Markino (牧野 義雄, Makino Yoshio; 25 December 1869 – 18 October 1956) was a Japanese artist and author who from…Yoshio Markino (牧野 義雄, Makino Yoshio; 25 December 1869 – 18 October 1956) was a Japanese artist and author who from 1897 – 1942 was based in London. During the Edwardian years of 1903 – 1915 he was the most well known Japanese person living in London, and was widely praised for bridging the Japanese and Western artistic aesthetic in his artwork, particularly in his depiction of London's fog, gaslights and wet streets, which became his hallmark. Like his contemporaries Whistler and Monet, he viewed the London fog from an outsider's point of view and marvelled at the effect it had on light, both natural and artificial. Markino became known affectionately as Heiji of London Fog, and wrote: 'I think London without mists would be like a bride without a trousseau'. His autobiography A Japanese Artist in London, published in 1910 and written in an eccentric style, described his years of extreme poverty in London while trying to establish himself as an illustrator and artist. From his early years he was fascinated by Western culture and remained a committed Anglophile all his life.
Okada Saburōsuke (岡田 三郎助; Japanese pronunciation: [o.ka.da (|) sa.bɯ.ɾoꜜː.sɯ̥.ke], 12 January 1869, Saga – 23 September…Okada Saburōsuke (岡田 三郎助; Japanese pronunciation: [o.ka.da (|) sa.bɯ.ɾoꜜː.sɯ̥.ke], 12 January 1869, Saga – 23 September 1939, Tokyo) was a Japanese painter in the Yōga style and a professor at the "Tōkyō Bijutsu Gakkō" (School of Fine Arts); precursor of the Tokyo University of the Arts.
Yokoyama Taikan (横山 大観; November 2, 1868 – February 26, 1958) was the art-name of a major figure in pre-World War II…Yokoyama Taikan (横山 大観; November 2, 1868 – February 26, 1958) was the art-name of a major figure in pre-World War II Japanese painting. He is notable for helping create the Japanese painting technique of Nihonga.
Terasaki Kōgyō or Terazaki Kōgyō (born Chutaro Terasaki or Terazaki; 1866–1919) was a Japanese painter who completed…Terasaki Kōgyō or Terazaki Kōgyō (born Chutaro Terasaki or Terazaki; 1866–1919) was a Japanese painter who completed many works for the publishing house Hakubunkan and their literary magazine Bungei Kurabu.
Takeuchi Seihō (竹内 栖鳳; /takeɯᵝtɕiseːhoː/) (December 20, 1864 – August 23, 1942) was a Japanese painter of the Nihonga…Takeuchi Seihō (竹内 栖鳳; /takeɯᵝtɕiseːhoː/) (December 20, 1864 – August 23, 1942) was a Japanese painter of the Nihonga genre, active from the Meiji through the early Shōwa period. One of the founders of nihonga, his works spanned half a century and he was regarded as master of the prewar Kyoto circle of painters. His real name was Takeuchi Tsunekichi (竹内 恒吉; /takeɯᵝtɕitsɯᵝnekʲitɕi/).
Kobori Tomoto (小堀鞆音; 26 March 1864 – 1 October 1931) was a Japanese artist. He was an Imperial Household Artist from…Kobori Tomoto (小堀鞆音; 26 March 1864 – 1 October 1931) was a Japanese artist. He was an Imperial Household Artist from 1917 until his death in 1931.
Ogata Gekkō (尾形月耕; 1859 – 1 October 1920) was a Japanese artist best known as a painter and a designer of ukiyo-e…Ogata Gekkō (尾形月耕; 1859 – 1 October 1920) was a Japanese artist best known as a painter and a designer of ukiyo-e woodblock prints. He was self-taught in art, won numerous national and international prizes, and was one of the earliest Japanese artists to win an international audience.
Yamashita Rin (山下りん; June 16, 1857 – January 26, 1939) was a painter of icons for the Japanese Orthodox Church. She was…Yamashita Rin (山下りん; June 16, 1857 – January 26, 1939) was a painter of icons for the Japanese Orthodox Church. She was one of the first independent Japanese female artists, the first recognized female yōga painter. She studied in Russia, and her work can be found in over forty churches across Japan.
Koyama Shōtarō (Japanese:小山 正太郎; 15 February 1857, Nagaoka - 7 January 1916, Tokyo) was a Japanese painter. He was one…Koyama Shōtarō (Japanese:小山 正太郎; 15 February 1857, Nagaoka - 7 January 1916, Tokyo) was a Japanese painter. He was one of the first to work in the yōga style.
Asai Chū (浅井 忠; July 22, 1856 – December 16, 1907) was a Japanese painter, noted for his pioneering work in developing…Asai Chū (浅井 忠; July 22, 1856 – December 16, 1907) was a Japanese painter, noted for his pioneering work in developing the yōga (Western-style) art movement in late 19th century and early twentieth-century Japanese painting.