Kazui Nihonmatsu (二本松 嘉瑞, Nihonmatsu Yoshimitsu) (born 9 April 1922, date of death unknown) was a Japanese film…
Kazui Nihonmatsu (二本松 嘉瑞, Nihonmatsu Yoshimitsu) (born 9 April 1922, date of death unknown) was a Japanese film director.
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Famous Japanese People: Film Director
Film Director: 429 people
Kenji Misumi (三隅 研次, Misumi Kenji) (2 March 1921 – 24 September 1975) was a Japanese film director. He created film…
Kenji Misumi (三隅 研次, Misumi Kenji) (2 March 1921 – 24 September 1975) was a Japanese film director. He created film series such as Lone Wolf and Cub and the initial film in the long-running Zatoichi series, and also directed Hanzo the Razor: Sword of Justice, starring Shintaro Katsu. He died at age 54. In 2012, his 1973 film Sakura no Daimon was voted for by Makoto Shinozaki at the BFI The Top 50 Greatest Films of All Time.
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Lin Tuan-chiu (Chinese: 林摶秋; October 6, 1920 - April 4, 1998) was a playwright, theater director, film producer, and…
Lin Tuan-chiu (Chinese: 林摶秋; October 6, 1920 - April 4, 1998) was a playwright, theater director, film producer, and film director from Taoyuan, Taiwan. During the Japanese rule and the early post-war years, he concentrated mainly on writing and directing plays, earning praise from the Tokyo Shimbun (東京新聞) as "Taiwan's first native playwright". After the war, he devoted himself to the film industry, founding the Yufeng Film Company and the Hushan Film Studio. The plays he wrote include The Tribe in the Deep Mountains (奧山の社), Castrated Chicken (閹雞), Takasago Inn (高砂館), Geothermal (地熱), and Lights of the Marketplace from the Mountain (從山上看街市的燈火). He also directed films such as The Election Campaign of Brother Ah San (阿三哥出馬), Sigh for Fireworks 1 and 2 (嘆煙花), Wrong Love (錯戀), and May 13 Heartbreaking Night (五月十三傷心夜).
Tokuzō Tanaka (田中徳三, Tanaka Tokuzō; 15 September 1920 – 20 December 2007) was a Japanese film director. He is well…
Tokuzō Tanaka (田中徳三, Tanaka Tokuzō; 15 September 1920 – 20 December 2007) was a Japanese film director. He is well known for directing several installments of the Zatoichi and Nemuri Kyōshirō film series.
Shūe Matsubayashi (松林 宗恵, Matsubayashi Shūe; sometimes rendered as Shuei Matsubayashi) (born July 7, 1920 – August 15…
Shūe Matsubayashi (松林 宗恵, Matsubayashi Shūe; sometimes rendered as Shuei Matsubayashi) (born July 7, 1920 – August 15, 2009, in Shimane Prefecture, Japan) was a Japanese film director. He is best known for films in the comedy and war genres. He was also an ordained Shin Buddhist priest. His final work as director was in the 1992 film Shorishatachi.
Yoshitarō Nomura (野村 芳太郎, Nomura Yoshitarō; 23 April 1919 – 8 April 2005) was a prolific Japanese film director, film…
Yoshitarō Nomura (野村 芳太郎, Nomura Yoshitarō; 23 April 1919 – 8 April 2005) was a prolific Japanese film director, film producer, and screenwriter. His first accredited film, Pigeon (鳩, Hato), was released in 1952; his last, Kikenna Onna-tachi (危険な女たち), in 1985. He received several awards during his career, including the Japanese Academy Award for "Best Director" for his 1978 film The Demon.
🎓 Keio University🏫 Gyosei Junior and Senior High School📅 Born April 23🎂 Born 1919📍 From Kyoto, Kyoto Prefecture💼 Film Director
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Katsumi Nishikawa (西河克己, Nishikawa Katsumi) (1 July 1918 – 6 April 2010) was a Japanese film director most famous for…
Katsumi Nishikawa (西河克己, Nishikawa Katsumi) (1 July 1918 – 6 April 2010) was a Japanese film director most famous for his youth films (seishun eiga). Graduating from Nihon University, he started out at the Shochiku studio in 1939 and directed his first film in 1952. He moved to Nikkatsu in 1954 and, while working in a variety of genres, became most famous for his youth films starring Sayuri Yoshinaga, Yujiro Ishihara, and Hideki Takahashi. In the 1970s, he remade some of these films with the idol singer Momoe Yamaguchi and her future husband Tomokazu Miura. The Katsumi Nishikawa Memorial Film Museum was opened in his hometown of Chizu, Tottori, in 2001. Nishikawa published several books, including one about his war experience and another about filming Yasunari Kawabata's The Dancing Girl of Izu several times. He died of pneumonia on April 6, 2010.
Takeo Kimura (木村 威夫, Kimura Takeo; April 1, 1918 – March 21, 2010) was a Japanese art director, writer and film…
Takeo Kimura (木村 威夫, Kimura Takeo; April 1, 1918 – March 21, 2010) was a Japanese art director, writer and film director. Beginning his career in 1945 he art-directed well over 200 films. He was one of Japan's best known art directors, most famously for his collaborations with cult director Seijun Suzuki through the 1960s at the Nikkatsu Company, exemplified by Tokyo Drifter (1966). Other directors with whom he frequently worked include Toshio Masuda, Kazuo Kuroki, Kei Kumai and Kaizo Hayashi. At age 90 he made his feature film directorial debut with Dreaming Awake (2008). He had also worked as a critic, writer, painter, photographer and teacher.
Yūzō Kawashima (川島雄三, Kawashima Yūzō; 4 February 1918 – 11 June 1963) was a Japanese film director and screenwriter…
Yūzō Kawashima (川島雄三, Kawashima Yūzō; 4 February 1918 – 11 June 1963) was a Japanese film director and screenwriter known for his lively comedies.
🎓 Meiji University🏫 Noheji High School📅 Born February 4🎂 Born 1918📍 From Mutsu, Aomori💼 Film Director
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Yūko Mochizuki (望月優子, Mochizuki Yūko; 28 January 1917 – 1 December 1977), also billed as Mieko Mochizuki, was a…
Yūko Mochizuki (望月優子, Mochizuki Yūko; 28 January 1917 – 1 December 1977), also billed as Mieko Mochizuki, was a Japanese stage and film actress who appeared in films of directors such as Keisuke Kinoshita, Mikio Naruse and Tadashi Imai.
🏫 Shinobugaoka High School📅 Born January 28🎂 Born 1917📍 From Yokohama, Kanagawa Prefecture💼 Actress💼 Film Director💼 Politician・Legislator
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Masaki Kobayashi (小林 正樹, Kobayashi Masaki; February 14, 1916 – October 4, 1996) was a Japanese filmmaker. He is best…
Masaki Kobayashi (小林 正樹, Kobayashi Masaki; February 14, 1916 – October 4, 1996) was a Japanese filmmaker. He is best remembered for directing the epic war trilogy The Human Condition (1959–1961), the samurai films Harakiri (1962) and Samurai Rebellion (1967), and the horror anthology epic Kwaidan (1964). Senses of Cinema described him as "one of the finest depicters of Japanese society in the 1950s and 1960s." Although overshadowed by other Japanese filmmakers like Akira Kurosawa and Yasujirō Ozu in his lifetime, his work has gained wider traction in the 21st century with several of his films being ranked as some of the greatest films ever made.
🎓 Waseda University🏫 Hokkaido Otaru Choryo High School📅 Born February 14🎂 Born 1916📍 From Otaru, Hokkaido💼 Film Director
Kon Ichikawa (市川 崑, Ichikawa Kon; 20 November 1915 – 13 February 2008) was a Japanese film director and screenwriter.…
Kon Ichikawa (市川 崑, Ichikawa Kon; 20 November 1915 – 13 February 2008) was a Japanese film director and screenwriter. His work displays a vast range in genre and style, from the anti-war films The Burmese Harp (1956) and Fires on the Plain (1959), to the documentary Tokyo Olympiad (1965), which won two BAFTA Film Awards, and the 19th-century revenge drama An Actor's Revenge (1963). His film Odd Obsession (1959) won the Jury Prize at the 1960 Cannes Film Festival. At his death in 2008, The New York Times recalled that "The Globe and Mail, the Canadian newspaper, called him in 2001 “the last living link between the golden age of Japanese cinema, the spunky New Wave that followed and contemporary Japanese film.”"
Jūkichi Uno (宇野重吉, Uno Jūkichi) (real name Nobuo Terao (寺尾 信夫); 27 September 1914 – 9 January 1988) was a Japanese…
Jūkichi Uno (宇野重吉, Uno Jūkichi) (real name Nobuo Terao (寺尾 信夫); 27 September 1914 – 9 January 1988) was a Japanese actor. In 1950, he formed the Gekidan Mingei (劇団民藝) with Osamu Takizawa and others.
Sōjirō Motoki (本木 荘二郎, Motoki Sōjirō) was a Japanese filmmaker who served primarily as a film producer, but also as a…
Sōjirō Motoki (本木 荘二郎, Motoki Sōjirō) was a Japanese filmmaker who served primarily as a film producer, but also as a writer and director. He was most famous for producing several films for Akira Kurosawa, including Seven Samurai, Ikiru and Throne of Blood. He also produced films for other directors, including Mikio Naruse, for whom he produced Spring Awakens and Battle of Roses, and Kazuo Mori, for whom he produced Vendetta for a Samurai. As a writer, he provided the story for Kei Kumai's 1968 film The Sands of Kurobe, starring Kurosawa favorite Toshiro Mifune. Besides the films he is credited with producing, Motoki also had an influence on other Kurosawa films. For example, he was involved in the production of Rashomon. Motoki sent the letter to screenwriter Shinobu Hashimoto inviting him to help expand the script of Rashomon. During the late 1940s, Motoki joined with directors Kurosawa, Senkichi Taniguchi and Kajiro Yamamoto (eventually joined by Naruse as well) to form a short-lived independent production company, the Motion Picture Art Association, which was responsible for such films as Rashomon, The Quiet Duel and Stray Dog.
Katsuhiko Tasaka (田坂 勝彦, Tasaka Katsuhiko; 28 May 1914 – 29 September 1979) was a Japanese film director. He directed…
Katsuhiko Tasaka (田坂 勝彦, Tasaka Katsuhiko; 28 May 1914 – 29 September 1979) was a Japanese film director. He directed films from 1930s to 1960s. His older brother, Tomotaka Tasaka (田坂具隆), was also a Japanese film director.
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Toshio Sugie (杉江敏男, Sugie Toshio; 24 September 1913 – 10 October 1996) was a Japanese film director. He directed films…
Toshio Sugie (杉江敏男, Sugie Toshio; 24 September 1913 – 10 October 1996) was a Japanese film director. He directed films from the 1940s to the 1960s.
Noboru Nakamura (中村登, Nakamura Noboru; 4 August 1913 – 20 May 1981) was a Japanese film director and screenwriter.
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Tetsuji Takechi (武智 鉄二, Takechi Tetsuji; 10 December 1912 – 26 July 1988) was a Japanese theatrical and film director…
Tetsuji Takechi (武智 鉄二, Takechi Tetsuji; 10 December 1912 – 26 July 1988) was a Japanese theatrical and film director, critic, and author. First coming to prominence for his theatrical criticism, in the 1940s and 1950s he produced influential and popular experimental kabuki plays. Beginning in the mid-1950s, he continued his innovative theatrical work in noh, kyōgen and modern theater. In late 1956 and early 1957 he hosted a popular TV program, The Tetsuji Takechi Hour, which featured his reinterpretations of Japanese stage classics. In the 1960s, Takechi entered the film industry by producing controversial soft-core theatrical pornography. His 1964 film Daydream was the first big-budget, mainstream pink film released in Japan. After the release of his 1965 film Black Snow, the government arrested him on indecency charges. The trial became a public battle over censorship between Japan's intellectuals and the government. Takechi won the lawsuit, enabling the wave of softcore pink films which dominated Japan's domestic cinema during the 1960s and 1970s. In the later 1960s, Takechi produced three more pink films. Takechi did not work in film during most of the 1970s. In the 1980s, he remade Daydream twice, starring actress Kyōko Aizome in both films. The first Daydream remake (1981) is considered the first theatrical hardcore pornographic film in Japan. Though Takechi is largely unknown in Japan today, he was influential in both the cinema and the theater during his lifetime, and his innovations in kabuki were felt for decades. He also helped shape the future of the pink film in Japan through his battles against governmental censorship, earning him the titles, "The Father of Pink" and "The Father of Japanese Porn."
Keisuke Kinoshita (木下 惠介, Kinoshita Keisuke; December 5, 1912 – December 30, 1998) was a Japanese film director and…
Keisuke Kinoshita (木下 惠介, Kinoshita Keisuke; December 5, 1912 – December 30, 1998) was a Japanese film director and screenwriter. While lesser-known internationally than contemporaries such as Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu, he was a household figure in his home country, beloved by both critics and audiences from the 1940s to the 1960s. Kinoshita's films were marked by a sense of sentimentality, purity, and beauty, and often featured experimentation in both technique and subject matter. Kinoshita entered the film industry in 1933 as a film processor. He moved on to the position of camera assistant, then assistant director. In 1943, Kinoshita was promoted to director and released his first film, Port of Flowers. A prolific filmmaker, Kinoshita directed 43 films in the first 23 years of his career, and then five more after a stint in television production. Among his best known films are Carmen Comes Home (1951), A Japanese Tragedy (1953), Twenty-Four Eyes (1954), She Was Like a Wild Chrysanthemum (1955) and The Ballad of Narayama (1958).
🏫 Hamamatsu Technical High School📅 Born December 5🎂 Born 1912📍 From Hamamatsu, Shizuoka Prefecture💼 Film Director💼 Screenwriter
Kozo Saeki (佐伯幸三, Saeki Kōzō) (4 December 1912 – 27 December 1972) was a Japanese film director.
Senkichi Taniguchi (谷口 千吉, Taniguchi Senkichi) (February 19, 1912 – October 29, 2007) was a Japanese film director and…
Senkichi Taniguchi (谷口 千吉, Taniguchi Senkichi) (February 19, 1912 – October 29, 2007) was a Japanese film director and screenwriter.
Tadashi Imai (今井正, Imai Tadashi; January 8, 1912 – November 22, 1991) was a Japanese film director known for social…
Tadashi Imai (今井正, Imai Tadashi; January 8, 1912 – November 22, 1991) was a Japanese film director known for social realist filmmaking informed by a left-wing perspective. His most noted films include An Inlet of Muddy Water (1953) and Bushido, Samurai Saga (1963).
Miyoji Ieki (家城巳代治, Ieki Miyoji; 10 September 1911 – 22 February 1976) was a Japanese film director and screenwriter.…
Miyoji Ieki (家城巳代治, Ieki Miyoji; 10 September 1911 – 22 February 1976) was a Japanese film director and screenwriter. He often made adolescents the protagonists of his films, which addressed political themes through personal drama. His most noted works include Stepbrothers (1957) and Naked Sun (1958).
Kōzaburō Yoshimura (吉村 公三郎, Yoshimura Kōzaburō; 9 September 1911 – 7 November 2000) was a Japanese film director.
🏫 Nippon Gakuen High School📅 Born September 9🎂 Born 1911📍 From Ōtsu, Shiga Prefecture💼 Film Director
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Ishirō Honda (Japanese: 本多 猪（い）四（し）郎（ろう）, Hepburn: Honda Ishirō; 7 May 1911 – 28 February 1993) was a Japanese…
Ishirō Honda (Japanese: 本多 猪（い）四（し）郎（ろう）, Hepburn: Honda Ishirō; 7 May 1911 – 28 February 1993) was a Japanese filmmaker who directed 46 feature films in a career spanning five decades. He is acknowledged as the most internationally successful Japanese filmmaker prior to Hayao Miyazaki and one of the founders of modern disaster film, with his films having a significant influence on the film industry. Despite directing many drama, war, documentary, and comedy films, Honda is best remembered for directing and co-creating the kaiju genre with special effects director Eiji Tsuburaya. Honda entered the Japanese film industry in 1934, working as the third assistant director on Sotoji Kimura's The Elderly Commoner's Life Study. After 15 years of working on numerous films as an assistant director, he made his directorial debut with the short documentary film Ise-Shima (1949). Honda's first feature film, The Blue Pearl (1952), was a critical success in Japan at the time and would lead him to direct three subsequent drama films. In 1954, Honda directed and co-wrote Godzilla, which became a box office success in Japan and was nominated for two Japanese Movie Association awards. Because of the film's commercial success in Japan, it spawned a multimedia franchise, recognized by Guinness World Records as the longest-running film franchise in history, that established the kaiju and tokusatsu genres. It helped Honda gain international recognition and led him to direct numerous tokusatsu films that are still studied and watched today. After directing his eighth and final Godzilla film in 1975, Honda retired from filmmaking. However, Honda's former colleague and friend, Akira Kurosawa, would persuade him to come out of retirement in the late 1970s and act as his right-hand man for his last five films.
🎓 Nihon University🏫 Kogyokusha High School📅 Born May 7🎂 Born 1911📍 From Yamagata Prefecture💼 Film Director
Kazuo Mori (森 一生, Mori Kazuo; January 15, 1911 – June 29, 1989), also known by his street name Issei Mori (もり いっせい…
Kazuo Mori (森 一生, Mori Kazuo; January 15, 1911 – June 29, 1989), also known by his street name Issei Mori (もり いっせい, Mori Issei), was a Japanese film director who primarily worked in popular genres like the jidaigeki. Mori directed over 100 films in his life.
Satsuo Yamamoto (山本 薩夫, Yamamoto Satsuo; 10 July 1910 – 11 August 1983) was a Japanese film director.
🎓 Waseda University🏫 Meiji University Affiliated Meiji High School📅 Born July 15🎂 Born 1910📍 From Kagoshima, Kagoshima Prefecture💼 Film Director
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Hideo Ōba (大庭 秀雄, Ōba Hideo, 28 February 1910 – 10 March 1997) was a Japanese film director and screenwriter.
Sō Yamamura (山村聰, Yamamura Sō; 24 February 1910 – 26 May 2000), sometimes credited as Satoshi Yamamura, was a Japanese…
Sō Yamamura (山村聰, Yamamura Sō; 24 February 1910 – 26 May 2000), sometimes credited as Satoshi Yamamura, was a Japanese actor and film director.
Motoyoshi Oda (小田 基義, Oda Motoyoshi; 21 July 1909 – 21 October 1973) was a Japanese filmmaker who directed over 50…
Motoyoshi Oda (小田 基義, Oda Motoyoshi; 21 July 1909 – 21 October 1973) was a Japanese filmmaker who directed over 50 films in his career. An English major who graduated from Waseda University in 1935, Motoyoshi Oda was accepted into the directors' program at Tokyo's P.C.L. (Photo Chemical Laboratories, a film company later incorporated into Toho Studios). He studied under director Kajiro Yamamoto, along with future directors Akira Kurosawa, Ishirō Honda, and Senkichi Taniguchi. When the latter two trainees were drafted into WW2, Oda found his career accelerated. He was promoted to director in 1940 with Song of Kunya. Toho kept Oda working as a director of trivial films that had to be made in order to keep product flowing into the theaters, but which offered little time or room for artistic achievement. His most well-known credits are Lady from Hell (1949), Tomei Ningen a 1954 Japanese horror inspired by The Invisible Man, a follow-up to his earlier 1954 film Ghost Man. The only film he made ever to be shown outside Japan was the second Godzilla film, Godzilla Raids Again (1955), released in the United States as Gigantis, the Fire Monster. Toho insisted that Oda direct as many as seven movies a year, knowing that he could be trusted to deliver them on time. He was by all accounts a popular director with his staff, who affectionately called him "Odabutsu-san" (オダブツさん). Over his entire career, Motoyoshi Oda directed fifty movies, in addition to his work as assistant director and second-unit direction on Ishiro Honda's Eagle of the Pacific (1953). After directing the Otora-san series in Toei in 1958, he went on to television drama direction. He died at the age of 64.
Shin Saburi (佐分利信, Saburi Shin; 12 February 1909 – 22 September 1982) was a Japanese actor and film director.
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Hideo Sekigawa (関 川 秀雄, Sekigawa Hideo; 1 December 1908 – 16 December 1977) was a Japanese film director known mainly…
Hideo Sekigawa (関 川 秀雄, Sekigawa Hideo; 1 December 1908 – 16 December 1977) was a Japanese film director known mainly for films with a left-wing agenda made in the late 1940s and early 1950s. His most noted works are the anti-war films Listen to the Voices of the Sea (1950) and Hiroshima (1953).
Akira Watanabe (Japanese: 渡辺 明, Hepburn: Watanabe Akira; May 13, 1908 – 1999) was a Japanese special effects art…
Akira Watanabe (Japanese: 渡辺 明, Hepburn: Watanabe Akira; May 13, 1908 – 1999) was a Japanese special effects art director who worked on 38 films in a career spanning 25 years.
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Fumio Kamei (亀井文夫, Kamei Fumio) (1 April 1908 – 27 February 1987) was a Japanese documentary and fiction film director.
Masahiro Makino (マキノ 雅弘, Makino Masahiro; February 29, 1908 – October 29, 1993) was a Japanese film director. He…
Masahiro Makino (マキノ 雅弘, Makino Masahiro; February 29, 1908 – October 29, 1993) was a Japanese film director. He directed more than 260 films, primarily in the chanbara and yakuza genres. His real name was Masatada (正唯), but he took the stage name Masahiro, the kanji for which he changed multiple times (including 雅広, 正博, and 雅裕).
🏫 Kyoto Saikyo High School📅 Born February 29🎂 Born 1908💼 Film Director💼 Screenwriter💼 Producer💼 Engineer💼 Actor💼 Company President・Entrepreneur
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Yasushi Sasaki (佐々木 康; 25 January 1908 – 13 September 1993), also known as Kō Sasaki, was a Japanese film director. He…
Yasushi Sasaki (佐々木 康; 25 January 1908 – 13 September 1993), also known as Kō Sasaki, was a Japanese film director. He directed films from the 1920s to the 1960s.
Shigeo Tanaka (田中 重雄, Tanaka Shigeo) (January 7, 1907 – January 18, 1992) was a Japanese film director. Tanaka directed…
Shigeo Tanaka (田中 重雄, Tanaka Shigeo) (January 7, 1907 – January 18, 1992) was a Japanese film director. Tanaka directed the second instalment of the Japanese film series Gamera, and also directed Kenshin, The Great Wall and Typhoon Reporter.
Matsuo Kishi (岸松雄, Kishi Matsuo) (18 September 1906 – 17 August 1985) was a Japanese film critic, director…
Matsuo Kishi (岸松雄, Kishi Matsuo) (18 September 1906 – 17 August 1985) was a Japanese film critic, director, screenwriter, producer, and biographer. His real name was Aji Shūichirō. Born in Tokyo, he became interested in film from his days in high school and, continuing to Keio University, began submitting reviews to magazines such as Kinema Junpo and editing theater programs. Starting a dōjinshi Eiga kaihō with Tsuneo Hazumi, Kishi became involved in the left-wing film movement of the late 1920s, eventually becoming a member of the Proletarian Film League of Japan (Prokino). He soon left due to dissatisfaction with such a political approach to film. In 1932, he became the first critic to champion the work of Sadao Yamanaka, and later was a strong supporter of the films of Hiroshi Shimizu. In 1937, he gave up being a film critic and became an assistant director at Toho, where he directed one film— Kazaguruma, in 1938— before concentrating on screenwriting. After the war, he mainly worked at Shintoho, serving as producer on a few films, and wrote scripts for such directors as Shimizu and Mikio Naruse. All along he continued writing on film, especially penning numerous biographical accounts of the many people he knew in the Japanese film world.
Shirō Toyoda (豊田 四郎, Toyoda Shirō; 3 January 1906 – 13 November 1977) was a Japanese film director and screenwriter who…
Shirō Toyoda (豊田 四郎, Toyoda Shirō; 3 January 1906 – 13 November 1977) was a Japanese film director and screenwriter who directed over 60 films during his career which spanned 50 years. He was denoted for his high-quality adaptations of works of many important twentieth-century Japanese writers.
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Nobuo Nakagawa (中川 信夫, Nakagawa Nobuo; April 18, 1905 – June 17, 1984) was a Japanese film director, most famous for…
Nobuo Nakagawa (中川 信夫, Nakagawa Nobuo; April 18, 1905 – June 17, 1984) was a Japanese film director, most famous for the stylized, folk tale-influenced horror films he made in the 1950s and 1960s.
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Torajirō Saitō (斎藤 寅次郎, Saitō Torajirō; January 30, 1905 – May 1, 1982) was a Japanese film director known for his…
Torajirō Saitō (斎藤 寅次郎, Saitō Torajirō; January 30, 1905 – May 1, 1982) was a Japanese film director known for his comedy films. Born in Akita Prefecture, he entered Shōchiku's Kamata studio in 1922 and debuted as a director in 1926. He later worked at the Shintoho and Toho studios. He became known as the "god of comedy" for directing over 200 films, many of which were nonsense comedies featuring famous clowns such as Ken'ichi Enomoto, Roppa Furukawa, and Junzaburo Ban.
Tazuko Sakane (坂根 田鶴子, Sakane Tazuko; December 7, 1904 – September 2, 1975) was a Japanese film director. She was…
Tazuko Sakane (坂根 田鶴子, Sakane Tazuko; December 7, 1904 – September 2, 1975) was a Japanese film director. She was Japan's first female director, followed by Kinuyo Tanaka. Her first feature film New Clothing (初姿 Hatsu Sugata, 1936) is known to be the first Japanese feature film directed by a woman. The majority of her films are educational nonfiction films produced by Manchukuo Film Association for Japanese immigrants and Manchu in Manchukuo. Her only known surviving film is Brides on the Frontier (開拓の花嫁 Kaitaku no Hanayome, 1943). She worked closely with Japanese Director Kenji Mizoguchi and was credited as an Editor and/or Assistant Director for over 15 films directed by him. While growing up, her father, a wealthy businessman, often took her to the cinema. She graduated from Nikkatsu Uzumaki Girls' School in 1929.
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Hideo Oguni (小国 英雄, Oguni Hideo; 9 July 1904 – 5 February 1996) was a Japanese writer who wrote over 100 screenplays.…
Hideo Oguni (小国 英雄, Oguni Hideo; 9 July 1904 – 5 February 1996) was a Japanese writer who wrote over 100 screenplays. He is best known for co-writing screenplays for a number of films directed by Akira Kurosawa, including Ikiru (1952), Seven Samurai (1954), Throne of Blood (1957), and The Hidden Fortress (1958).
Hisatora Kumagai (熊谷 久虎, Kumagai Hisatora; March 8, 1904 – May 22, 1986) was a Japanese film director and screenwriter.
Isamu Kosugi (小杉 勇, Kosugi Isamu; 24 February 1904 – 8 April 1983) was a Japanese actor and film director.
Nobuo Aoyagi (青柳信雄, Aoyagi Nobuo) (27 March 1903 - 17 May 1976) was a Japanese film director and film producer. Born in…
Nobuo Aoyagi (青柳信雄, Aoyagi Nobuo) (27 March 1903 - 17 May 1976) was a Japanese film director and film producer. Born in Kanagawa Prefecture, he attended Meiji University but left before graduating. He worked at the Zenshinza theater troupe before joining the Toho studio in 1937. He debuted as a director in 1940 and was known for a series of live action films starring the manga character Sazae-san. He also helped produce the Mito Komon series on television.
Shinpei Takagi (高木 新平, Takagi Shinpei; 3 November 1902 – 21 April 1967) was a Japanese film actor. He appeared in more…
Shinpei Takagi (高木 新平, Takagi Shinpei; 3 November 1902 – 21 April 1967) was a Japanese film actor. He appeared in more than 100 films from 1923 to 1961.
Eisuke Takizawa (滝沢英輔, Takizawa Eisuke; 6 September 1902 – 29 November 1965) (alternate name: Kinpachi Kajiwara) was a…
Eisuke Takizawa (滝沢英輔, Takizawa Eisuke; 6 September 1902 – 29 November 1965) (alternate name: Kinpachi Kajiwara) was a Japanese film director.
Tatsuo Saitō (斎藤 達雄, Saitō Tatsuo; 10 June 1902 – 2 March 1968) was a Japanese film actor and director. He appeared in…
Tatsuo Saitō (斎藤 達雄, Saitō Tatsuo; 10 June 1902 – 2 March 1968) was a Japanese film actor and director. He appeared in more than two hundred films between 1925 and 1967.
Ureo Egawa (江川 宇礼雄, Egawa Ureo; 7 May 1902 – 20 May 1970) was a Japanese actor active from the 1920s to the 1960s.