Kotaro Tatsumi (Japanese: 辰巳 孝太郎, Hepburn: Tatsumi Kōtarō; born 21 August 1976) is a Japanese politician who serves in…Kotaro Tatsumi (Japanese: 辰巳 孝太郎, Hepburn: Tatsumi Kōtarō; born 21 August 1976) is a Japanese politician who serves in the House of Representatives for Kinki PR as a member of the Japanese Communist Party. Tatsumi was in the House of Councillors for Osaka from 2013 to 2019. He was a candidate in the 2023 Osaka gubernatorial election.
Shinji Aoyama (青山 真治, Aoyama Shinji; 13 July 1964 – 21 March 2022) was a Japanese film director, screenwriter…Shinji Aoyama (青山 真治, Aoyama Shinji; 13 July 1964 – 21 March 2022) was a Japanese film director, screenwriter, composer, film critic, and novelist. He graduated from Rikkyo University. He won two awards at the 2000 Cannes Film Festival for his film Eureka.
Akihiko Shiota (塩田 明彦, Shiota Akihiko) (born 11 September 1961, Maizuru, Kyoto) is a Japanese film director and…Akihiko Shiota (塩田 明彦, Shiota Akihiko) (born 11 September 1961, Maizuru, Kyoto) is a Japanese film director and screenwriter.
Shinji Miyadai (宮台 真司, Miyadai Shinji; born 3 March 1959 in Sendai, Japan) is a Japanese sociologist and professor at…Shinji Miyadai (宮台 真司, Miyadai Shinji; born 3 March 1959 in Sendai, Japan) is a Japanese sociologist and professor at Tokyo Metropolitan University.
Kiyoshi Kurosawa (黒沢 清, Kurosawa Kiyoshi; born July 19, 1955) is a Japanese filmmaker, critic, author, actor, and a…Kiyoshi Kurosawa (黒沢 清, Kurosawa Kiyoshi; born July 19, 1955) is a Japanese filmmaker, critic, author, actor, and a former professor at Tokyo University of the Arts (2005–23). Noted for his psychological films that often focus on ambiguous narratives and on their characters' inner turmoils and quests for meaning and connections, he is best known for his contributions to psychological horror and Japanese horror, notably his acclaimed 1997 film Cure and his 2001 film Pulse, although he has also worked in a variety of other genres. While most of his work has been in Japanese, two of his films, Daguerrotype (2016) and Serpent's Path (2024; a remake of his own 1998 film of the same name), were in French. Kurosawa received the Medal with Purple Ribbon for his contributions to Japanese cinema, in 2021. The New York Times stated that Kurosawa "is to psychological fright what David Cronenberg is to body horror."
Kazuyuki Izutsu (井筒 和幸, Izutsu Kazuyuki; born 13 December 1952) is a Japanese film director, screenwriter and film…Kazuyuki Izutsu (井筒 和幸, Izutsu Kazuyuki; born 13 December 1952) is a Japanese film director, screenwriter and film critic.
Masato Harada (原田 眞人, Harada Masato; July 3, 1949 – December 8, 2025) was a Japanese film director, screenwriter…Masato Harada (原田 眞人, Harada Masato; July 3, 1949 – December 8, 2025) was a Japanese film director, screenwriter, critic and occasional actor. He was nominated five times for the Japan Academy Film Prize for Best Director, among other accolades.
Kōsei Ono (小野 耕世, Ono Kōsei; born November 28, 1939) is a Japanese film critic, cartoon critic, comic translator and…Kōsei Ono (小野 耕世, Ono Kōsei; born November 28, 1939) is a Japanese film critic, cartoon critic, comic translator and overseas comic / animation researcher. Ono is the leading authority on the publication, research and introduction of overseas comics (gaikoku manga) in Japan. From 1963 to 1974 he worked for NHK. He is a visiting professor in the Asia Department of Kokushikan University, a board member of the Japan Society for Studies in Manga and Comic Art, and a member of ASIFA JAPAN, the Japan Cartoonists Association, and the Japan Science Fiction Writer's Club.
Shingo Yamashiro (山城 新伍, Yamashiro Shingo; November 10, 1938 – August 12, 2009) was a Japanese television and film…Shingo Yamashiro (山城 新伍, Yamashiro Shingo; November 10, 1938 – August 12, 2009) was a Japanese television and film actor.
Shigehiko Hasumi (Japanese: 蓮實重彥, also romanized Shiguéhiko; born 29 April 1936) is a Japanese literary critic, film…Shigehiko Hasumi (Japanese: 蓮實重彥, also romanized Shiguéhiko; born 29 April 1936) is a Japanese literary critic, film critic, French literature scholar, and novelist. He was a professor at the University of Tokyo (Cultural Studies, or the Study of Culture and Representation), dean of the College of Arts and Sciences, and the 26th President (1997-2001). Hasumi started his academic career as a Gustave Flaubert scholar, and played a central role in the early introduction of the contemporary French philosophy, such as Gilles Deleuze and Michel Foucault, into Japan in the 1970s. He is known as one of the most prolific Japanese reviewers of modern literature and film. Since the 1980s, Hasumi has been active in introducing the French New Wave filmmakers' thought and Hollywood B-films. His method of viewing and writing about film, inspired by the 1950s French film criticism appearing in Cahiers du Cinéma, played a major role in Japanese film culture in the late 20th century. His influential work includes Directed by Yasujiro Ozu (1983). Reflecting on Hasumi, Kiyoshi Kurosawa noted, "The international recognition of Yasujiro Ozu and Mikio Naruse would never have been achieved without Hasumi. Even the popularity of Clint Eastwood and Wim Wenders in Japan owes much to his influence. And as for myself—there’s no doubt that I’m only able to be here, doing what I do, all thanks to the good fortune of having met Shiguéhiko Hasumi." He is married to Chantal Van Melkebeke, the daughter of the Belgian painter, journalist, and writer Jacques Van Melkebeke, who is known for having been the first chief editor of Tintin magazine. They had one son, Shigeomi Hasumi. In 1970, the French Broadcasting and Television Office interviewed him, his wife and his son in French in Tokyo for 20 minutes. Hasumi curated a film series entitled Shiguéhiko Hasumi: Another History of the Movie in America and Japan for Japan Society in 2025, including works by Richard Fleischer, Michael Mann and Makoto Sato. Director Sho Miyake attended, presenting his collaboration with Hasumi—the montage film John Ford and Throwing.
Tadao Satō (Japanese: 佐藤 忠男, Hepburn: Satō Tadao; 6 October 1930 – 17 March 2022) was a Japanese film critic, theorist…Tadao Satō (Japanese: 佐藤 忠男, Hepburn: Satō Tadao; 6 October 1930 – 17 March 2022) was a Japanese film critic, theorist and historian. His real name was Tadao Iiri (飯利 忠男, Iiri Tadao).
Heiichi Sugiyama (Japanese: 杉山 平一, Hepburn: Sugiyama Heiichi; 2 November 1914 – 19 May 2012) was a Japanese poet, film…Heiichi Sugiyama (Japanese: 杉山 平一, Hepburn: Sugiyama Heiichi; 2 November 1914 – 19 May 2012) was a Japanese poet, film critic, and film theorist.
Nagaharu Yodogawa (淀川 長治, Yodogawa Nagaharu; April 10, 1909, Kobe, Japan – November 11, 1998, Tokyo) was a Japanese…Nagaharu Yodogawa (淀川 長治, Yodogawa Nagaharu; April 10, 1909, Kobe, Japan – November 11, 1998, Tokyo) was a Japanese film critic, historian, and television personality. Members of both the Japanese and foreign press have referred to him as the "giant of film critiques", a "cultural institution", as well as "Japan's most famous movie critic".
Shunji Shimizu (清水俊二 Shimizu Shunji?), (1906-1988), is a well-known Japanese subtitler and translator, referred to by…Shunji Shimizu (清水俊二 Shimizu Shunji?), (1906-1988), is a well-known Japanese subtitler and translator, referred to by one scholar as 'practically a household name in Japan'. He translated popular authors including Erskine Caldwell and Agatha Christie. He had a long working relationship with the Hollywood studio Paramount Pictures. He was a mentor to the eminent subtitler Natsuko Toda.
Matsuo Kishi (岸松雄, Kishi Matsuo) (18 September 1906 – 17 August 1985) was a Japanese film critic, director…Matsuo Kishi (岸松雄, Kishi Matsuo) (18 September 1906 – 17 August 1985) was a Japanese film critic, director, screenwriter, producer, and biographer. His real name was Aji Shūichirō. Born in Tokyo, he became interested in film from his days in high school and, continuing to Keio University, began submitting reviews to magazines such as Kinema Junpo and editing theater programs. Starting a dōjinshi Eiga kaihō with Tsuneo Hazumi, Kishi became involved in the left-wing film movement of the late 1920s, eventually becoming a member of the Proletarian Film League of Japan (Prokino). He soon left due to dissatisfaction with such a political approach to film. In 1932, he became the first critic to champion the work of Sadao Yamanaka, and later was a strong supporter of the films of Hiroshi Shimizu. In 1937, he gave up being a film critic and became an assistant director at Toho, where he directed one film— Kazaguruma, in 1938— before concentrating on screenwriting. After the war, he mainly worked at Shintoho, serving as producer on a few films, and wrote scripts for such directors as Shimizu and Mikio Naruse. All along he continued writing on film, especially penning numerous biographical accounts of the many people he knew in the Japanese film world.
Tadashi Iijima (飯島 正, Iijima Tadashi; 5 March 1902 – 5 January 1996) was a Japanese film critic and screenwriter. He…Tadashi Iijima (飯島 正, Iijima Tadashi; 5 March 1902 – 5 January 1996) was a Japanese film critic and screenwriter. He has been called "a leader who established film criticism and film research in Japan".
Fuyuhiko Kitagawa (北川 冬彦, Kitagawa Fuyuhiko) (3 July 1900 – 12 April 1990) was a Japanese poet and film critic. His…Fuyuhiko Kitagawa (北川 冬彦, Kitagawa Fuyuhiko) (3 July 1900 – 12 April 1990) was a Japanese poet and film critic. His real name was Tadahiko Taguro (田畔 忠彦, Taguro Tadahiko). While born in Shiga Prefecture, he was raised in Manchukuo in China due to his father's work on the South Manchurian Railway, and then graduated from Tokyo University. He began publishing his own poetry in Manchukuo in 1924 and his work was influenced by that colonial context. His work was praised by Riichi Yokomitsu, and he became a prominent figure in modernist poetry in Japan, pursuing especially prose poetry. Culver describes Kitagawa as instrumental in the early history of Surrealism in Japan through his Japanese translation of Andre Breton's first Manifesto of Surrealism, which appeared in 1929 in Shi to shiron (詩と詩論), nos. 4–5. Kitagawa was also a well-known film critic, one who especially praised the work of Mansaku Itami (the father of Juzo Itami), calling it a new, realistic "prose cinema" (sanbun eiga) in opposition to the old "poetic cinema" (inbun eiga) of Sadao Yamanaka, Daisuke Itō, and others. He was a champion of neorealism in the postwar era. He was a standard-bearer of the Scenario-Literature-Movement. He, Shuzo Takiguchi, Akira Asano and other members formed a group called 'Ten Scenario-Researchers'. They advocated the movement from a standpoint considering a scenario a literary genre.