Toshio Shibata (柴田 敏雄, Shibata Toshio; born 1949) is a Japanese photographer known for his large-format photographs of…Toshio Shibata (柴田 敏雄, Shibata Toshio; born 1949) is a Japanese photographer known for his large-format photographs of large-scale works of civil engineering in unpopulated landscapes. Shibata was born in Tokyo. He graduated from Tokyo University of the Arts with a B.A. in 1972 and an M.F.A. in 1974 in which he concentrated primarily on painting. Shibata received a fellowship from the Belgian Ministry of Education to study at the Royal Academy of Ghent in Belgium from 1975 to 1977 and begin his study of photography during this period. He held his first solo exhibition of photography in 1979 and has exhibited prolifically since; from 1987 he has also taught photography in Tokyo.
Shinzō Shimao (島尾伸三, Shimao Shinzō; born July 7, 1948 in Kobe) is a Japanese photographer. He is a student of…Shinzō Shimao (島尾伸三, Shimao Shinzō; born July 7, 1948 in Kobe) is a Japanese photographer. He is a student of photographer Ōtsuji Kiyoji, and husband to Tokuko Ushioda.
Hiroshi Sugimoto (杉本博司, Sugimoto Hiroshi; born 23 February 1948) is a Japanese photographer and architect. He leads the…Hiroshi Sugimoto (杉本博司, Sugimoto Hiroshi; born 23 February 1948) is a Japanese photographer and architect. He leads the Tokyo-based architectural firm New Material Research Laboratory.
Taizo Ichinose (一ノ瀬 泰造, November 1, 1947 – November 29, 1973) was a Japanese war photographer. He was born in Takeo…Taizo Ichinose (一ノ瀬 泰造, November 1, 1947 – November 29, 1973) was a Japanese war photographer. He was born in Takeo, Saga Prefecture, Kyushu. When Ichinose was a student at Takeo High School, he played for the school baseball team and participated in the Japanese High School Baseball Championship. Ichinose was killed while he was in Cambodia, by Khmer Rouge soldiers while attempting to make it to Angkor, at the age of 26.
Ryūji Miyamoto (宮本 隆司, Miyamoto Ryūji, born 1947) is a Japanese photographer, best known as the "ruins photographer".…Ryūji Miyamoto (宮本 隆司, Miyamoto Ryūji, born 1947) is a Japanese photographer, best known as the "ruins photographer". Having studied graphic design at Tama Art University in Tokyo, he taught himself photography and began as an architectural journalist for magazines and newspapers. Inspired by the landscapes of post-war Japan that marked his childhood he came to reckon the imagery of destruction when he received a commission from Asahi Graph (pictorial journal) to document the demolition of the Nakano Prison in Tokyo. His early work focusing on the demolition of modern buildings led to the Architectural Apocalypse series. He later thematized what he calls "handmade architecture" (tezukuri kenchiku) through his documentation of Kowloon Walled City and his survey of Cardboard Houses constructed by homeless people in Japan and around the world, documenting the ways in which people manage to inhabit the city informally. In 1995, he applied the same survey method to document the Kobe earthquake (KOBE 1995 After The Earthquake). These images were later used as a basis for criticism of reconstruction methods that obscure the memory of the disaster and resulted in his selection for the Japanese Pavilion of the Venice Biennale of Architecture in 1996 by Arata Isozaki, known for his discourse on ruins. Miyamoto's turn between modern urban ruins and the impact of disasters was also embodied in the film: 3.11 TSUNAMI 2011, for which he changed his working method, co-creating it with three survivors of the 2011 Tōhoku earthquake and tsunami, feeling unable to document the disaster. His photography, however, is never about the negativity of ruins. As the title of his retrospective exhibition at the Setagaya Art Museum in Tokyo (2004) evokes, he gazes at "things that are disappearing, things that are being born." His photographs exposes the ideology of progress in modern urban development, by uncovering its relation to heritage preservation, disasters, social downgrading, and informal lifestyles.
Miyako Ishiuchi (石内 都, Ishiuchi Miyako; born March 27, 1947), is a Japanese photographer. In 2005, she represented…Miyako Ishiuchi (石内 都, Ishiuchi Miyako; born March 27, 1947), is a Japanese photographer. In 2005, she represented Japan at the Venice Biennale. In March 2014, she received the Hasselblad Foundation International Award in Photography. Ishiuchi's work is included in the collections of the Museum of Modern Art, New York, The J. Paul Getty Museum, Los Angeles, the San Francisco Museum of Modern Art, San Francisco, and the Art Institute of Chicago.
Bishin Jumonji (十文字 美信, Jūmonji Bishin) is a Japanese photographer known for advertising, portrait, and architectural…Bishin Jumonji (十文字 美信, Jūmonji Bishin) is a Japanese photographer known for advertising, portrait, and architectural work. Jumonji was born in Yokohama on 4 March 1947. After studying at the Tokyo College of Photography he worked as an assistant to Kishin Shinoyama and went freelance in 1971, working as the photographer for advertisements for Matsushita Electric and Shiseido products. The association with Matsushita would later bring awards from the Art Directors Club every year from 1975 to 1979. Jumonji has continued to do editorial and commercial work (notably for Hayashibara Biochemical Laboratories). In 1972, with nine other photographers, he participated in an exhibition of portraits of Simon Yotsuya at the Kinokuniya Gallery in Shinjuku. Jumonji had started taking his "Untitled" series of portraits of people framed to exclude their heads in 1971. In 1972, these appeared in the magazine Camera Mainichi and were shown in the Neikrug gallery in New York; a year later they were included in "New Japanese Photography", at the New York MoMA. Up to 1980, Jumonji made nineteen trips to Hawaii, photographing the islands and photographing and interviewing elderly first-generation Japanese immigrants. The series juxtaposes photographs of Hawaiʻi and black-and-white portraits of the people living there. Installments were published in Camera Mainichi in 1979 and the set was exhibited in 1980, when it won the Ina Nobuo Award. It was published, as Orchid Boat, in 1981. Jumonji's second published collection was Kéntauros, a large-format booklet of black-and-white photographs of the members of the motorbike organization Kéntauros striking poses with switchblades and other props. In 1981, Jumonji went to Indochina to photograph the religious customs of the Yao people. In 1983–84 he visited Thailand, Burma and Laos. The result was published as Sumitōtta yami in 1987. Jumonji had started photographing gold works of art in 1981. The first exhibition of the results was in Matsuya department store (Ginza), in 1987. This work culminated in the book Ōgon fūtenjin, published in 1990. This won the Domon Ken Award the following year. Some of these works would also be shown in two of a set of four volumes of stereoscopes, all photographed by Jumonji and published in 1993–4. Jumonji started photographing architecture and gardens in 1988, and the Katsura Detached Palace in particular in 1991. Jumonji photographed Matsumoto Kōshirō IX for a collection of black-and-white portraits; in 2005 he published a second volume, Nippon Geki-gan, of monochrome portraits of actors taken with a large-format camera shortly before or after performance. In 1998, Jumonji started work on Wabi, his attempt to depict (in color) the Japanese aesthetic ideal of wabi. The project started with cha-no-yu but branched out into everyday scenes. Jumonji exhibited composite photographs of four Japanese waterfalls at the Shiseido Gallery (Ginza) in June and July 2004. Jumonji's photographs have appeared in Zoom and Stern.
Kazuyoshi Nomachi (野町 和嘉, Nomachi Kazuyoshi; born 1946) is a Japanese photographer. He embraced Islam as his religion…Kazuyoshi Nomachi (野町 和嘉, Nomachi Kazuyoshi; born 1946) is a Japanese photographer. He embraced Islam as his religion in 1994
Man Arai (Japanese: 新井満 Arai Man; 7 May 1946 – 3 December 2021) was a Japanese writer and singer. In 1987, he won the…Man Arai (Japanese: 新井満 Arai Man; 7 May 1946 – 3 December 2021) was a Japanese writer and singer. In 1987, he won the Noma Literary New Face Prize for Vexation and Akutagawa Prize in 1988 for Tazunebito no Jikan.
Hiroh Kikai (鬼海 弘雄, Kikai Hiroo; 18 March 1945 – 19 October 2020) was a Japanese photographer best known within Japan…Hiroh Kikai (鬼海 弘雄, Kikai Hiroo; 18 March 1945 – 19 October 2020) was a Japanese photographer best known within Japan for four series of monochrome photographs: scenes of buildings in and close to Tokyo, portraits of people in the Asakusa area of Tokyo, and rural and town life in India and Turkey. He pursued each of these for over two decades, and each led to one or more book-length collections. Although previously a respected name in Japanese photography, Kikai was not widely known until 2004, when the first edition of his book Persona, a collection of Asakusa portraits, won both the Domon Ken Award and Annual Award of the PSJ. In 2009, the ICP and Steidl copublished Asakusa Portraits for an international market.
Yoshino Ōishi (大石 芳野, Ōishi Yoshino; born May 28, 1944) is a Japanese photojournalist. Ōishi was born in Suginami-ku…Yoshino Ōishi (大石 芳野, Ōishi Yoshino; born May 28, 1944) is a Japanese photojournalist. Ōishi was born in Suginami-ku, Tokyo on 28 May 1944. Seeing Melanesian art while at Nihon University had a big effect on her, as did a visit to Vietnam and Cambodia in 1966. After graduating in photography, she became a freelance photojournalist, working in west Africa, southeast Asia, and Europe. In 1971 she held an exhibition in the Nikon Salon of photographs of a Ghanaian child growing up in Nagano; she then spent three years photographing New Guinea. She worked on portraiture, and documented the effects of the Khmer Rouge in Cambodia, the effects of wartime dioxin in Vietnam, perestroika in the Soviet Union, and more. Ōishi's work on Vietnam won her the Domon Ken Award. In both 1982 and 1989 she won the Annual Award from the Photographic Society of Japan. She has taught at Tokyo Polytechnic University. Her work is in the permanent collection of the Tokyo Metropolitan Museum of Photography.
Jun Shiraoka (白岡 順, Shiraoka Jun; 1944 – 17 March 2016) was a Japanese photographer. Internationally exhibited…Jun Shiraoka (白岡 順, Shiraoka Jun; 1944 – 17 March 2016) was a Japanese photographer. Internationally exhibited photographer Shiraoka pursued his singular photographic vision largely outside his native Japan, working abroad for almost three decades.
Kiyoshi Suzuki (鈴木 清, Suzuki Kiyoshi; 1943–2000) was a Japanese photographer. He began photographing in the late 1960s…Kiyoshi Suzuki (鈴木 清, Suzuki Kiyoshi; 1943–2000) was a Japanese photographer. He began photographing in the late 1960s in Iwaki, where he was born on 30 November 1943. He worked for thirty years in relative isolation. Suzuki's way of designing his photography books, layer upon layer upon layer, became central to his art.
Ryōji Akiyama (秋山 亮二, Akiyama Ryōji; born 1942) is a Japanese photographer known for his work in Tsugaru and New York.…Ryōji Akiyama (秋山 亮二, Akiyama Ryōji; born 1942) is a Japanese photographer known for his work in Tsugaru and New York. He has also written about photography.
Hitomi Watanabe (渡辺 眸, Watanabe Hitomi; born March 23, 1939) is a Japanese photographer. Her photographs depict…Hitomi Watanabe (渡辺 眸, Watanabe Hitomi; born March 23, 1939) is a Japanese photographer. Her photographs depict speeches, state violence and the aftermath of rioting.
Tadasuke Akiyama (秋山 忠右, Akiyama Tadasuke; born 17 March 1941) is a Japanese photographer. Born in Shinagawa, Tokyo, in…Tadasuke Akiyama (秋山 忠右, Akiyama Tadasuke; born 17 March 1941) is a Japanese photographer. Born in Shinagawa, Tokyo, in 1941, Akiyama studied in the Faculty of Political Science of Waseda University and then went to Tokyo College of Photography, graduating in 1964. He became an assistant to Yasuhiro Ishimoto but very quickly turned freelance. With Haruo Satō, he created Wakai gunzō (若い群像), a series of photographs of young people within crowds, taken close up with a wide-angle lens that won acclaim; it led to a series of collaborations with Satō. Akiyama traveled to east and west Europe just before the destruction of the Berlin Wall; he also photographed carnivals in the West Indies at around this time. Akiyama taught at Punjab College of Photography from 1970.
Taiji Arita (有田 泰而, Arita Taiji; 1941–2011) was a Japanese commercial photographer who exhibited non-commercial nudes…Taiji Arita (有田 泰而, Arita Taiji; 1941–2011) was a Japanese commercial photographer who exhibited non-commercial nudes and other work, and later a painter and sculptor.
Akira Fujii (藤井 旭, Fujii Akira; 12 January 1941 – 28 December 2022) was a Japanese astrophotographer and astronomer.…Akira Fujii (藤井 旭, Fujii Akira; 12 January 1941 – 28 December 2022) was a Japanese astrophotographer and astronomer. PBS has described him as "the world's foremost wide-angle astrophotographer". Fujii graduated from Tama Art University in 1961, and began working at observatories, producing a substantial bibliography of general-audience astronomy books. In 1974, Fujii began Japan's first star party, the "Invitation to Starlit Skies", which he hosted on Mount Azuma until 1984. Fujii's work is marketed by David Malin; he collaborated with Serge Brunier in the production of 2001's Great Atlas of the Stars. The main-belt asteroid 3872 Akirafujii is named in his honor. Fujii died on 28 December 2022, at the age of 81.
Kishin Shinoyama (篠山 紀信, Shinoyama Kishin; December 3, 1940 – January 4, 2024) was a Japanese photographer. He is…Kishin Shinoyama (篠山 紀信, Shinoyama Kishin; December 3, 1940 – January 4, 2024) was a Japanese photographer. He is well-known for having photographed the covers for John Lennon and Yoko Ono's albums, Double Fantasy and Milk and Honey. Before his marriage to Saori Minami in 1979, he took a majority of the photographs for her album covers with CBS/Sony.
Nobuyoshi Araki (荒木 経惟, Araki Nobuyoshi; born May 25, 1940), professionally known by the mononym Arākii (アラーキー), is a…Nobuyoshi Araki (荒木 経惟, Araki Nobuyoshi; born May 25, 1940), professionally known by the mononym Arākii (アラーキー), is a Japanese photographer and contemporary artist. Known primarily for photography that blends eroticism and bondage in a fine art context, he has published over 500 books.
Seiichi Motohashi (本橋 成一, Motohashi Seiichi; 1940 – December 20, 2025) was a Japanese photographer and film director.…Seiichi Motohashi (本橋 成一, Motohashi Seiichi; 1940 – December 20, 2025) was a Japanese photographer and film director. He died on December 20, 2025, at the age of 85.
Hajime Sawatari (沢渡 朔, Sawatari Hajime; born 1940) is a Japanese photographer. He is known for his fashion and…Hajime Sawatari (沢渡 朔, Sawatari Hajime; born 1940) is a Japanese photographer. He is known for his fashion and advertising photography as well as his nudes of girls and women. He earned his degree from Nihon University's College of Art with a major in photography.
Hiromi Tsuchida (土田ヒロミ, Tsuchida Hiromi; born 1939) is a Japanese photographer. His creative photo career is over 40…Hiromi Tsuchida (土田ヒロミ, Tsuchida Hiromi; born 1939) is a Japanese photographer. His creative photo career is over 40 years long. Tsuchida has produced several collections of photographs of the aftermath of the atomic bombing of Hiroshima. He has produced many photo books such as Zokushin, Counting Grains of Sand, New Counting Grains of Sand and The Berlin Wall. There is also a retrospective of his life's work titled, Hiromi Tsuchida's Japan. Tsuchida has received the Nobuo Ina Award and the Ken Domon Award.
Shigeo Anzai (安斎 重男, Anzai Shigeo; born 1939, died August 13th, 2020) was a Japanese photographer. A self-professed…Shigeo Anzai (安斎 重男, Anzai Shigeo; born 1939, died August 13th, 2020) was a Japanese photographer. A self-professed "art documentarist", Anzai is well-known for his prolific photographic documentation of artworks, exhibitions, and events of his time. He is also known for intimate portraits of popular modern and contemporary artists, which cast their subjects in an unexpected, unposed, and humanizing light. As Anzai noted for Artforum, he was interested in the "humanity" of his subjects, or the human being within the artist, rather than the artist within the human being. Anzai's style of portraiture stands in contrast to the popular modes of portrait photography of the time which monumentalized their subjects, as in the work of Hans Namuth. Anzai is known for his snapshots of artists such as Shuzo Takiguchi, Atsuko Tanaka, Yayoi Kusama, Tetsumi Kudo, Joseph Beuys, and Isamu Noguchi, among others.
Tadao Mitome (三留 理男, Mitome Tadao; 1938 – 22 March 2022) was a Japanese photographer and photojournalist. He was one of…Tadao Mitome (三留 理男, Mitome Tadao; 1938 – 22 March 2022) was a Japanese photographer and photojournalist. He was one of a handful of photojournalists granted a permanent United Nations ID card.
Daidō Moriyama (Japanese: 森山 大道, Hepburn: Moriyama Daidō; born October 10, 1938) is a Japanese photographer best known…Daidō Moriyama (Japanese: 森山 大道, Hepburn: Moriyama Daidō; born October 10, 1938) is a Japanese photographer best known for his black-and-white street photography and association with the avant-garde photography magazine Provoke. Moriyama began his career as an assistant to photographer Eikoh Hosoe, a co-founder of the avant-garde photo cooperative Vivo, and made his mark with his first photobook Japan: A Photo Theater, published in 1968. His formative work in the 1960s boldly captured the darker qualities of urban life in postwar Japan in rough, unfettered fashion, filtering the rawness of human experience through sharply tilted angles, grained textures, harsh contrast, and blurred movements through the photographer's wandering gaze. Many of his well-known works from the 1960s and 1970s are read through the lenses of post-war reconstruction and post-Occupation cultural upheaval. Moriyama continued to experiment with the representative possibilities offered by the camera in his 1969 Accident series, which was serialized over one year in the photo magazine Asahi Camera, in which he deployed his camera as a copying machine to reproduce existing media images. His 1972 photobook Farewell Photography, which was accompanied by an interview with his fellow Provoke photographer Takuma Nakahira, presents his radical effort to dismantle the medium. Although the photobook is a favored format of presentation among Japanese photographers, Moriyama was particularly prolific: he has produced more than 150 photobooks since 1968. His creative career has been honored by a number of solo exhibitions by major institutions, along with his two-person exhibition with William Klein at Tate Modern in 2012–13. He has received numerous accolades throughout his career, including the Hasselblad Award in 2019 and the International Center of Photography Infinity Award in 2012.
Takuma Nakahira (中平 卓馬, Nakahira Takuma; July 6, 1938 – September 1, 2015) was a Japanese photographer, critic, and…Takuma Nakahira (中平 卓馬, Nakahira Takuma; July 6, 1938 – September 1, 2015) was a Japanese photographer, critic, and theorist. He was a member of the seminal photography collective Provoke, played a central role in developing the theorization of landscape discourse (fūkei-ron), and was one of the most prominent voices in 1970s Japanese photography.
Masatoshi Naitō (内藤 正敏, Naitō Masatoshi; 18 April 1938 – 9 July 2025) was a Japanese photographer. His work is held in…Masatoshi Naitō (内藤 正敏, Naitō Masatoshi; 18 April 1938 – 9 July 2025) was a Japanese photographer. His work is held in the collection of the Museum of Modern Art in New York.
Bun'yō Ishikawa (石川 文洋, Ishikawa Bun'yō; March 10, 1938 – August 23, 2026) was a Japanese photographer. Ishikawa was…Bun'yō Ishikawa (石川 文洋, Ishikawa Bun'yō; March 10, 1938 – August 23, 2026) was a Japanese photographer. Ishikawa was stationed in Saigon and covered the Vietnam War as a photojournalist from 1964 to 1968. He worked as a staff photographer for Asahi Shimbun from 1969 to 1984. After 1984 he worked as a freelance photographer. After 1984, Ishikawa continued to photograph in conflict zones around the world but also is known for photographs of daily life, portraits, and Ryukyu Dance. In 1998, Ishikawa donated about 250 photographs with a focus on the Vietnam War to become part of a permanent exhibition at the Vietnam War Remnants Museum in Ho Chi Minh City. Ishikawa donated about 270 photographs to the Okinawa City "Material Culture after World War II" exhibition room to become a permanent exhibition. Ishikawa died from lymphoma in Nagano Prefecture on August 23, 2026, at the age of 88.
Yasuo Higa (比嘉 康雄, Higa Yasuo; 1938-2000) was an Okinawan photographer, ethnologist and anthropologist. He served ten…Yasuo Higa (比嘉 康雄, Higa Yasuo; 1938-2000) was an Okinawan photographer, ethnologist and anthropologist. He served ten years as a police officer near a US military base before becoming a photographer, with much of his early work centered on life in postwar Okinawa. Higa is most known for his research on ancient rituals and shamanesses from the Ryukyu Islands, mainland Japan, and Asia, conducted over the span of nearly 40 years. Through his photographs and extensive notes, Higa has preserved critical documentation on maternal rituals that have been effectively rendered extinct in areas such as Kudaka and Miyakojima. From the 1990s onwards, Higa was also active as an educator of folklore studies, having served as an affiliate lecturer at Meiji Gakuin University and the Research Institute of Okinawa Prefectural University of Arts, and as a panelist at numerous symposiums.
Jun Morinaga (森永 純, Morinaga Jun; 1937 – 5 April 2018) is a Japanese photographer. Morinaga worked as an assistant to…Jun Morinaga (森永 純, Morinaga Jun; 1937 – 5 April 2018) is a Japanese photographer. Morinaga worked as an assistant to W. Eugene Smith. Work by Morinaga is held in the permanent collection of the Tokyo Metropolitan Museum of Photography.
Shisei Kuwabara (桑原 史成, Kuwabara Shisei; born 7 October 1936) is a photojournalist best known for his depiction of the…Shisei Kuwabara (桑原 史成, Kuwabara Shisei; born 7 October 1936) is a photojournalist best known for his depiction of the effects of mercury poisoning on people in and near Minamata over a period of some forty years. Kuwabara was born — as Fumiaki Kuwabara (桑原史成, Kuwabara Fumiaki) — in the village of Kibe (now part of Tsuwano), Shimane Prefecture, Japan. In 1960 he graduated from the Tokyo University of Agriculture and Tokyo Photo School (later Tokyo College of Photography). In the same year Kuwabara started work as a freelance photographer. With a letter of introduction from a journalist with Shūkan Asahi magazine, he visited the director of Minamata Municipal Hospital, Dr Noboru Ōhashi, in July, to ask for permission to photograph. Ōhashi gave him permission for long-term coverage. Kuwabara's photographs of Minamata were shown in his first solo exhibition, Minamata-byō (Minamata disease), at the Fuji Photo Salon in Tokyo in September 1962. This won the newcomers' award of the Japan Photo Critics Association. Kuwabara's works have also won an award from Kodansha in 1965, the Photographic Society of Japan's Annual Award in 1971, and the Ina Nobuo Award in 1982. Since 1997, Tsuwano has had a gallery largely devoted to Kuwabara's work. Until March 2004, this was called the Tsuwano Documentary Photograph Gallery; it was then renamed the Shisei Kuwabara Photographics Museum.
Akira Kinoshita (木之下 晃, Kinoshita Akira) (16 July 1936 – 12 January 2015) was a Japanese photographer who specialized…Akira Kinoshita (木之下 晃, Kinoshita Akira) (16 July 1936 – 12 January 2015) was a Japanese photographer who specialized in photographing musicians. Kinoshita was born in Suwa, Nagano, on 16 July 1936. He graduated from Nihon Fukushi University, and then worked for Chūnichi Shinbun and Hakuhodo. From the 1970s, he has published collections of photographs of musicians and other music-related photobooks. Kinoshita's work is held in the permanent collection of the Tokyo Metropolitan Museum of Photography.
Kyōichi Sawada (沢田 教一, Sawada Kyōichi; February 22, 1936 – October 28, 1970) was a Japanese photographer with United…Kyōichi Sawada (沢田 教一, Sawada Kyōichi; February 22, 1936 – October 28, 1970) was a Japanese photographer with United Press International who received a Pulitzer Prize for war photography.