Hosui Yamamoto (山本 芳翠, Yamamoto Hōsui; August 12, 1850 – November 15, 1906) was a Japanese artist. He is also sometimes…Hosui Yamamoto (山本 芳翠, Yamamoto Hōsui; August 12, 1850 – November 15, 1906) was a Japanese artist. He is also sometimes known as Yamamoto Tamenosuke.
Atomi Kakei (跡見 花蹊; May 10, 1840 – January 10, 1926) was a Japanese calligrapher, Maruyama school painter, scholar of…Atomi Kakei (跡見 花蹊; May 10, 1840 – January 10, 1926) was a Japanese calligrapher, Maruyama school painter, scholar of Sino-Japanese studies, and Meiji period educator. She founded the Atomi School in 1875 in Kanda, Tokyo, one of the oldest women's universities in Japan.
Okuhara Seiko (奥原 晴湖; 1837–1913) was a Literati artist in Japan in the late 19th century. She became a leading artist…Okuhara Seiko (奥原 晴湖; 1837–1913) was a Literati artist in Japan in the late 19th century. She became a leading artist in Japan founding an art school and displaying her art throughout the country. In 1891, at the age of fifty-five, Seiko decided to retire to a country village. The paintings created by Seiko following her retirement are highly regarded and considered to be some of her finest work.
Kawanabe Kyōsai (河鍋 暁斎; May 18, 1831 – April 26, 1889) was a Japanese painter and caricaturist. In the words of art…Kawanabe Kyōsai (河鍋 暁斎; May 18, 1831 – April 26, 1889) was a Japanese painter and caricaturist. In the words of art historian Timothy Clark, "an individualist and an independent, perhaps the last virtuoso in traditional Japanese painting".
Kawakami Tōgai, originally Hiroshi (Japanese:川上 冬崖; 22 July 1828, Nagano Prefecture - 3 May 1881, Atami) was a Japanese…Kawakami Tōgai, originally Hiroshi (Japanese:川上 冬崖; 22 July 1828, Nagano Prefecture - 3 May 1881, Atami) was a Japanese painter; one of the first to work in the yōga (Western) style.
Shimooka Renjō (下岡 蓮杖; March 24, 1823 – March 3, 1914) was a Japanese photographer and was one of the first…Shimooka Renjō (下岡 蓮杖; March 24, 1823 – March 3, 1914) was a Japanese photographer and was one of the first professional photographers in Japan. He opened the first commercial photography studio in Yokohama, and in Japan he is widely considered the father of Japanese photography.
Tanomura Chikuden (田能村 竹田; Japanese pronunciation: [tɕi̥.kɯꜜ.deɴ], July 14, 1777 – October 20, 1835) was an artist and…Tanomura Chikuden (田能村 竹田; Japanese pronunciation: [tɕi̥.kɯꜜ.deɴ], July 14, 1777 – October 20, 1835) was an artist and Confucian scholar of Edo period Japan.
Maruyama Ōkyo (円山 応挙; Japanese pronunciation: [ma.ɾɯ.ja.ma (|) oꜜː.kʲo, ma.ɾɯ.ja.ma (|) oː.kʲo], June 12, 1733 – August…Maruyama Ōkyo (円山 応挙; Japanese pronunciation: [ma.ɾɯ.ja.ma (|) oꜜː.kʲo, ma.ɾɯ.ja.ma (|) oː.kʲo], June 12, 1733 – August 31, 1795), born Maruyama Masataka, was a Japanese artist active in the late 18th century. He moved to Kyoto, during which he studied artworks from Chinese, Japanese and Western sources. A personal style of Western naturalism mixed with Eastern decorative design emerged, and Ōkyo founded the Maruyama school of painting. Although many of his fellow artists criticized his work as too slavishly devoted to natural representation, it proved a success with laypeople.
Yoshitaka Amano (天野 喜孝, Amano Yoshitaka; born March 26, 1952) is a Japanese visual artist, character designer…Yoshitaka Amano (天野 喜孝, Amano Yoshitaka; born March 26, 1952) is a Japanese visual artist, character designer, illustrator, scenic designer for theatre and film, and costume designer. He began his career in 1967 at Tatsunoko Production, working on anime such as Speed Racer, and later created characters for anime like Gatchaman, Tekkaman, Honeybee Hutch, and Casshern. In 1982, he went independent and became a freelance artist, finding success as an illustrator for numerous authors and working on best-selling novel series, like The Guin Saga and Vampire Hunter D. He is also known for his commissioned illustrations for the Final Fantasy video game franchise. Since the 1990s, Amano has created and exhibited paintings in galleries around the world, primarily using acrylic and automotive paint on aluminium box panels to depict his iconic retro pop icons. He is a five-time winner of the Seiun Award, and also won the 1999 Bram Stoker Award for The Sandman: The Dream Hunters, a collaboration with Neil Gaiman. Amano's influences include early Western comic books, Orientalism, Art Nouveau, and Japanese woodblock prints. In early 2010, he established Studio Devaloka, a film production company.
En Kitō (鬼頭 えん, Kitō En; born June 30) is a Japanese manga artist and illustrator. While working as a dōjin artist, she…En Kitō (鬼頭 えん, Kitō En; born June 30) is a Japanese manga artist and illustrator. While working as a dōjin artist, she was in charge of the key drawings for the adult game Heart de Network (Euphony Production) in 2000. After releasing several one-shots in commercial magazines, she began serializing two manga (written by Ryukishi07) based on the Higurashi When They Cry visual novel series, Onisarashi-hen and Utsutsukowashi-hen, in Comp Ace (Kadokawa Shoten) from 2005 to 2007. In the July 2008 issue of Comp Ace, she started work on a manga based on Valkyria Chronicles, and completed the series in the May 2010 issue. She is a big fan of the Breath of Fire (Capcom) series of role-playing games, and her dōjin activities mainly revolve around it. Since the summer of 2010, she has been publishing her original dōjin work, the Saint Foire Festival series.
He Xiangning (Chinese: 何香凝; Wade–Giles: Ho Hsiang-ning; 27 June 1878 – 1 September 1972) was a Chinese revolutionary…He Xiangning (Chinese: 何香凝; Wade–Giles: Ho Hsiang-ning; 27 June 1878 – 1 September 1972) was a Chinese revolutionary, feminist, politician, painter, and poet. Together with her husband Liao Zhongkai, she was one of the earliest members of Sun Yat-sen's revolutionary movement Tongmenghui. As Minister for Women's Affairs in Sun's Nationalist government in Guangzhou (Canton), she advocated equal rights for women and organized China's first rally for International Women's Day in 1924. After her husband's assassination in 1925 and Chiang Kai-shek's persecution of the Communists in 1927, she stayed away from party politics for two decades, but actively worked to organize resistance against the Japanese invasion of China. In 1948, she cofounded the Revolutionary Committee of the Chinese Kuomintang. She served in many high-ranking positions after the foundation of the People's Republic of China, including Vice Chairwoman of the CPPCC (1954–64), Vice Chairwoman of the National People's Congress (1959–72), Chairwoman of the Revolutionary Committee of the Chinese Kuomintang (1960–72), and Honorary Chairwoman of the All-China Women's Federation. He Xiangning was a renowned painter of the Lingnan School of Chinese art and served as Chairwoman of the China Artists Association in the 1960s. The National He Xiangning Art Museum was opened in Shenzhen in 1997, and her paintings have been featured on Chinese stamps.
Chen Shuren (Chinese: 陳樹人; 1884–1948) was a Chinese painter. Born Chen Zhe (陳哲), he was renamed Chen Shao (陳韶) and also…Chen Shuren (Chinese: 陳樹人; 1884–1948) was a Chinese painter. Born Chen Zhe (陳哲), he was renamed Chen Shao (陳韶) and also known by the art names De'an Laoren (得安老人), Jiawai Yuzi (葭外漁子), and Ershan Shanqiao (二山山樵), among others. Born in Mingjing, Panyu, Guangdong, in 1884, Chen studied under painter Ju Lian. In 1903, Chen and two brothers, Gao Jianfu and Gao Qifeng, co-founded the Guangdong Daily. Together, the trio, known collectively by their surnames "Two Gous and one Chan" or as "The three greats of Lingnan", became leaders of the Lingnan school of painting, credited with popularizing the nihonga art style in China. Chen joined the Tongmenghui upon its establishment in 1905. In 1906, he left to attend art school in Kyoto (Kyoto City School of Arts and Crafts), returning to China in 1912 after accepting a teaching position in Guangdong. He went back to Japan in 1913, enrolling at Rikkyo University. Upon completing his studies, Chen remained overseas, serving as secretary general of the Canadian branch of the Kuomintang. He became active in the Guangdong Kuomintang chapter in 1922, the same year he arrived in China. Chen became allied with Wang Jingwei between 1928 and 1931. From 1932 to 1947, Chen led the Overseas Chinese Affairs Commission. He withdrew politically from Wang, who led a Japan-friendly collaborationist government from 1940 to 1944.
Kinoshita Seigai (Japanese: 木下 靜涯; 1887-1988), whose real name was Kinoshita Genjuro (Japanese: 木下 源重郎), with his pen…Kinoshita Seigai (Japanese: 木下 靜涯; 1887-1988), whose real name was Kinoshita Genjuro (Japanese: 木下 源重郎), with his pen name being Seigai, was born in Komagane, Nagano Prefecture . He was a painter of Japanese paintings of the Kyoto school. He resided and created his works in Tamsui County, Taihaku Prefecture (now Tamsui, New Taipei City) during the Japanese rule of Taiwan for more than 20 years.
Toshio Aoki or Tershui Aoki (青木年雄 Aoki Toshio, born 1854, in Yokohama, Japan – 1912, in San Diego, California) was a…Toshio Aoki or Tershui Aoki (青木年雄 Aoki Toshio, born 1854, in Yokohama, Japan – 1912, in San Diego, California) was a Japanese American artist and painter who lived and worked in California at the turn of the 20th century. Aoki found significant success among the American upper class and was known for hosting social events. Guests of his are alleged to have included John D. Rockefeller and J. P. Morgan. Aoki was born in Yokohama, Japan in 1854. He emigrated to San Francisco in 1880 at the invitation of a department store owner. Upon his arrival, he began work as a commercial artist for the Deakin Brothers of San Francisco. He also worked as a cartoon illustrator for a San Francisco newspaper. Eventually, he became one of the preeminent Japanese artists working in the United States. He later relocated to Pasadena, California, where he received commissions to decorate the interiors of Arts and Crafts houses whose architecture, such as the famed residences by Greene and Greene, often reflected Japanese aesthetics. During this time, he was also featured in an article by the Los Angeles Herald, entitled "To See Yourselves As Aoki Sees You" which indicated that he had already gained prominence. He was active until 1910 and died in San Diego on April 26, 1912. Aoki painted portraits and murals in the homes of prominent people and became very successful. His works were handled by George T. Marsh & Company. He exhibited at the World’s Columbian Exposition in Chicago in 1893, and the Art Institute of Chicago gave him a showing in 1924. The Fine Arts Gallery of San Francisco State University said of him: "Much of Aoki's early life in Japan is speculation, ranging from artistic pursuits (student of acting, or street artist) to the grand and spectacular (a Samurai opposed to the new Japanese government). . . . [he painted] 'spontaneous seki'e ('on the spot' or 'before the viewers' eyes'). He built a reputation as a storyteller, sketching comical figures and eventually landing an illustrating job with the San Francisco Call." After moving to Pasadena, Aoki "worked hard to shed his reputation as an amusing character and storyteller and to be taken seriously as an artist. He began to work on 'Oriental receptions,' creating an atmosphere of a Japanese masquerade ball." Not much is known about Aoki's personal life and marriage; however, he is known to have adopted a 7-year-old girl named Tsuru, who later became an actress. While he was based in Pasadena, Aoki also maintained a studio in San Francisco where he first met Tsuru and her original guardians. He died on June 26, 1912.