Yuki Ogura (小倉 遊亀, Ogura Yuki; 1 March 1895 – 23 July 2000) was a Japanese nihonga painter. Her maiden name was Yuki…Yuki Ogura (小倉 遊亀, Ogura Yuki; 1 March 1895 – 23 July 2000) was a Japanese nihonga painter. Her maiden name was Yuki Mizoguchi. She was known for her bijinga.
Haruko Hasegawa (Japanese: 長谷川春子; 1895 – 1967) was a Japanese painter, illustrator, and writer. She was known for Yōga…Haruko Hasegawa (Japanese: 長谷川春子; 1895 – 1967) was a Japanese painter, illustrator, and writer. She was known for Yōga (Western-style Japanese painting) war painting, and was a member of the Kokugakai arts organization. Hasegawa visited war zones in the 1930s and 1940s, to highlight Japanese armed forces and patriotism in both her illustrations and writings.
Kenji Ishihara (28 February 1895 – 11 July 1984) was a Japanese architect. His work was part of the architecture event…Kenji Ishihara (28 February 1895 – 11 July 1984) was a Japanese architect. His work was part of the architecture event in the art competition at the 1932 Summer Olympics.
Chigusa Kitani (木谷 千種, Kitani Chigusa; February 17, 1895 - January 24, 1947) was a Japanese Nihonga (日本画) painter and…Chigusa Kitani (木谷 千種, Kitani Chigusa; February 17, 1895 - January 24, 1947) was a Japanese Nihonga (日本画) painter and painting teacher in Taishō and Shōwa Japan.
Chen Cheng-po (Chinese: 陳澄波; pinyin: Chén Chéngbō; Wade–Giles: Chʻen2 Chʻeng2-po1; Pe̍h-ōe-jī: Tân Têng-pho; 2 February…Chen Cheng-po (Chinese: 陳澄波; pinyin: Chén Chéngbō; Wade–Giles: Chʻen2 Chʻeng2-po1; Pe̍h-ōe-jī: Tân Têng-pho; 2 February 1895 – 25 March 1947), was a Taiwanese painter and politician. In 1926, his oil painting Street of Chiayi was featured in the seventh Teiten (Imperial Arts Exhibition) in Japan, which was the first time a Taiwanese artist's work could be displayed at the exhibition. Chen devoted his life to education and creation, and was greatly concerned about the development of humanist culture in Taiwan. He was not only devoted to the improvement of his own painting, but also to the promotion of the aesthetic education of the Taiwanese people. He was killed as a result of the February 28 Incident, a 1947 uprising in Taiwan which was repressed by the Kuomintang (KMT).
Kanpū Ōmata (大亦 観風, Ōmata Kanpū; 9 September 1894 – 22 October 1947) was the pseudonym of Japanese Shōwa period painter…Kanpū Ōmata (大亦 観風, Ōmata Kanpū; 9 September 1894 – 22 October 1947) was the pseudonym of Japanese Shōwa period painter and Waka poet, Omata Shinjirō.
Hide Kawanishi (川西 英, Kawanishi Hide; 9 July 1894 – 20 February 1965) was a Japanese painter. His work was part of the…Hide Kawanishi (川西 英, Kawanishi Hide; 9 July 1894 – 20 February 1965) was a Japanese painter. His work was part of the painting event in the art competition at the 1932 Summer Olympics.
Takeo Takei (武井 武雄, Takei Takeo; 25 June 1894 – 7 February 1983) was a Japanese painter and puppet maker best known for…Takeo Takei (武井 武雄, Takei Takeo; 25 June 1894 – 7 February 1983) was a Japanese painter and puppet maker best known for his illustrations for children. Takeo Takei is among Japan's most influential children's illustrators of the twentieth century. He was one of the first to create high-quality illustrations for children and was an early advocate of making artwork that respected and nurtured a child's imagination. Nearly one hundred years after his work was first published, his influence in illustration, manga, animation, graphic design, computer game character and even advertising is as strong as ever.
Takanori Kinoshita (木下孝則, February 24, 1894 – March 29, 1973) was a Japanese artist known for paintings which combine…Takanori Kinoshita (木下孝則, February 24, 1894 – March 29, 1973) was a Japanese artist known for paintings which combine Western subject matter with the aesthetic qualities of the Shōwa period.
Eitaro Ishigaki (石垣 栄太郎, Ishigaki Eitarō; December 1, 1893 - January 23, 1958) was a Japanese-born American painter. He…Eitaro Ishigaki (石垣 栄太郎, Ishigaki Eitarō; December 1, 1893 - January 23, 1958) was a Japanese-born American painter. He lived and worked in the United States between 1909 and 1952. Ishigaki, who came to the US as a migrant worker in the early 20th century, depicted the contradictions of American society from the perspective of a minority person. Ishigaki was also a founding member of progressive and politically active organizations, including the John Reed Clubs (JRC) in 1929 and the American Artists' Congress in 1936. Ishigaki was a committed leftist throughout his life and career, "whose canvases and murals depicted social injustices and urban life." His one of best known works, The Bonus March (1932), depicts a critical moment in WWI veterans' famous march into Washington, D.C., in 1932. Ishigaki's work is held by the Art Institute of Chicago. In 1997 and 2013, the Museum of Modern Art, Wakayama held commemorative exhibitions of his works. His work is also located in the Ishigaki Eitaro Memorial Museum in Wakayama, Japan.
Matsumoto Ichiyō (梥本 一洋; 1893–1952) was a Japanese painter active during the Taishō and Shōwa eras. He was born in…Matsumoto Ichiyō (梥本 一洋; 1893–1952) was a Japanese painter active during the Taishō and Shōwa eras. He was born in Kyoto into a family of yūzen fabric dyers. He graduated from the Kyoto Municipal Special School of Painting in 1915, and then continued his studies with Yamamoto Shunkyo (1871–1933). The Honolulu Museum of Art, the National Museum of Modern Art, Kyoto, and the National Museum of Modern Art, Tokyo are among the public collections holding his paintings.
Hōshun Yamaguchi (山口蓬春, Yamaguchi Hōshun) (1893–1971) was a Japanese Nihonga painter and designer. He received a…Hōshun Yamaguchi (山口蓬春, Yamaguchi Hōshun) (1893–1971) was a Japanese Nihonga painter and designer. He received a commission to paint a piece for the new Tokyo Imperial Palace. The piece titled “Kaede (maples)” is a large painting measuring 2.74x2.5 metres. It is located on the cedar door of the east corridor of the Seiden hall. Opposite of it on the other side is “Sakura (cherry)” by Meiji Hashimoto. The preparatory drawing for the panel at a 4:1 scale dating to 1967 is in the Yamatane Museum of Art in Tokyo. The Yamaguchi Hoshun Memorial Museum exhibits many of his works.
Ryusei Furukawa (10 June 1893 – 23 May 1968) was a Japanese painter. His work was part of the painting event in the art…Ryusei Furukawa (10 June 1893 – 23 May 1968) was a Japanese painter. His work was part of the painting event in the art competition at the 1932 Summer Olympics.
Otake Kazue (1893–1966), best known by her pen name, Otake Kokichi (尾竹紅吉), was a feminist writer and activist in early…Otake Kazue (1893–1966), best known by her pen name, Otake Kokichi (尾竹紅吉), was a feminist writer and activist in early 20th century Japan. She was an artist, and she received higher education at Japan Women's College. She joined the Japanese Bluestocking Society (青鞜社, Seitō-sha) and started contributing to the Bluestocking magazine (青鞜, Seitō) in 1911. She became a controversial member because she instigated the "Five-colored sake" and Yoshiwara incidents and because of her lesbian affair with Hiratsuka Raicho. She left the group in 1912, and after dealing with her declining mental and physical health, she went on to marry Tomimoto Kenkichi, change her name to Tomimoto Kazue, and have two children. Otake lived separately from Kenkichi for many years, and she started going by her pen name again during this time. The couple divorced following World War II because of their extreme political differences. In her writing career post-Bluestocking, she incorporated first-wave feminist, Marxist, and anti-imperialist ideas into her fiction works. While she is regarded as a pioneer for queer feminism in Japan, her extended breaks from writing to raise her children and protest the Second Sino-Japanese War led to her having a whitewashed legacy.
Sakubei Yamamoto (山本作兵衛, 17 May 1892 – 19 December 1984) was a Japanese coal miner and artist. His sumi-e and…Sakubei Yamamoto (山本作兵衛, 17 May 1892 – 19 December 1984) was a Japanese coal miner and artist. His sumi-e and watercolour work, which was heavily annotated, depicted the life he had experienced as a miner, and a collection of his paintings and diaries formed the first Japanese entry in the UNESCO Memory of the World Register, inscribed in 2011.
Nobushige Kusamitsu (草光 信成, Kusamitsu Nobushige; 5 April 1892 – 21 December 1970) was a Japanese painter. His work was…Nobushige Kusamitsu (草光 信成, Kusamitsu Nobushige; 5 April 1892 – 21 December 1970) was a Japanese painter. His work was part of the painting event in the art competition at the 1936 Summer Olympics.
Heihachirō Fukuda (福田平八郎, Fukuda Heihachirō; February 28, 1892 – March 22, 1974) was a Japanese Nihonga painter and…Heihachirō Fukuda (福田平八郎, Fukuda Heihachirō; February 28, 1892 – March 22, 1974) was a Japanese Nihonga painter and designer. He received a commission to decorate the Take-no-ma audience room of the Tokyo Imperial Palace, a hall that has an area of 182 square meters, or 55 tsubo. The piece “Take” depicts bamboo. The hall also features works by Tatsuaki Kuroda and Hajime Kato. His work is a part of the collection of the Menard Art Museum, the Osaka City Museum of Modern Art, and the National Museum of Modern Art, Kyoto.
Sadamichi Hirasawa (平沢 貞通, Hirasawa Sadamichi; February 18, 1892 – May 10, 1987) was a Japanese tempera painter. He was…Sadamichi Hirasawa (平沢 貞通, Hirasawa Sadamichi; February 18, 1892 – May 10, 1987) was a Japanese tempera painter. He was convicted of mass poisoning and sentenced to death. Due to strong suspicions that he was innocent, no justice minister ever signed his death warrant.
Kiyoshi Hasegawa (長谷川潔, Hasegawa Kiyoshi; December 9, 1891 – December 13, 1980) was a Japanese artist and engraver who…Kiyoshi Hasegawa (長谷川潔, Hasegawa Kiyoshi; December 9, 1891 – December 13, 1980) was a Japanese artist and engraver who spent most of his life in France and whose work is featured at the Yokohama Museum of Art.
Fujimori Shizuo (藤森 静雄; August 1, 1891 – May 28, 1943) was a Japanese woodblock artist associated with the sōsaku-hanga…Fujimori Shizuo (藤森 静雄; August 1, 1891 – May 28, 1943) was a Japanese woodblock artist associated with the sōsaku-hanga (creative prints) movement. His style was strongly influenced by Expressionism. Fujimori was born in 1891 in Kurume, Fukuoka prefecture. He studied Western-style art (yōga) with the Hakuba-kai ("White Horse Society") in 1910, and the next year enrolled in the Tokyo School of Fine Arts from where he graduated in 1916. At the school he met Onchi Kōshirō with whom he collaborated on Tsukuhae ("Moonglow"), a print and poetry magazine, producing 37 prints. He studied yōga with the Hakuba-kai ("White Horse Society") in 1910, where he met Kyokichi Tanaka, and the next year enrolled in the Tokyo School of Fine Arts from where he graduated in 1916. Fujimori also studied with the yōga painters Kuroda and Fujishima, but drew his inspiration from Aoki. In March 1916, during his formative years, he made a self-portrait in the yōga manner that shows a competent mastery of the academic style taught at the school, a figurative realism markedly different from the radical expressionist designs he was exploring alongside Onchi and Tanaka for Tsukuhae. At the school he met Kōshirō Onchi with whom he collaborated on Tsukuhae, a print and poetry magazine, producing 37 prints. In 1919 he contributed to the first exhibition of the Japan Creative Print Association (Nihon Sosaku-Hanga Kyokai). After a period teaching in Fukuoka and Taiwan, in 1922 he moved to Tokyo to pursue a career as a professional artist in the fields of painting, printmaking and illustration. He worked as editor of Shi to hanga, was a contributor to many other publications, and was a founding member of the Nihon Hanga Kyōkai in 1931. Working once more with Onchi, and with Ōtsuki Kenji, he also founded the art magazine Naizai in 1921. After a period teaching in Fukuoka and Taiwan, in 1922 he moved to Tokyo to pursue a career as a professional artist in the fields of painting, printmaking and illustration. Throughout his career Fujimori contributed to several dōjin zasshi (coterie magazines), including Shi to Hanga (1922–25), Kaze (1927–28), Bijutsu-han (1932–34), Han Geijutsu (1932–36) and Kasuri (1934–36), and was a founding member of the Nihon Hanga Kyōkai in 1931. He provided thirteen prints for the seminal sōsaku hanga series One Hundred Views of New Tokyo (Shin Tokyo hyakkei) of 1929–32, and produced his own series, Twelve Views of Great Tokyo (Dai Tokyo Junikei), in 1933–34. He returned to live in Iizuka in 1939, and died on 28 May 1943, the year after the sudden death of his eldest son.
Kōshirō Onchi (恩地 孝四郎, 2 July 1891 – 3 June 1955), who is also known as Onchi Kōshirō was Tokyo-born Japanese artist…Kōshirō Onchi (恩地 孝四郎, 2 July 1891 – 3 June 1955), who is also known as Onchi Kōshirō was Tokyo-born Japanese artist who is best known for his prints. He was the father of the sōsaku-hanga movement in twentieth-century Japan, and a photographer. His work was part of the painting event in the art competition at the 1932 Summer Olympics.
Ryūsei Kishida (岸田 劉生, Kishida Ryūsei; June 23, 1891 – December 20, 1929) was a Japanese painter in Taishō and Shōwa…Ryūsei Kishida (岸田 劉生, Kishida Ryūsei; June 23, 1891 – December 20, 1929) was a Japanese painter in Taishō and Shōwa period Japan. He is best known for his realistic yōga-style portraiture, but also for his nihonga paintings in the 1920s.
Gorō Tsuruta (鶴田 吾郎, Tsuruta Gorō; July 8, 1890 – January 1, 1969) was a Japanese painter of the yōga (or…Gorō Tsuruta (鶴田 吾郎, Tsuruta Gorō; July 8, 1890 – January 1, 1969) was a Japanese painter of the yōga (or Western-style) movement and a member of the Japan Fine Arts Exhibition.
Gakuryō Nakamura (中村岳陵, Nakamura Gakuryō) (1890–1969) was a Japanese Nihonga painter and designer. He received a…Gakuryō Nakamura (中村岳陵, Nakamura Gakuryō) (1890–1969) was a Japanese Nihonga painter and designer. He received a commission to decorate the Hōmei-den state banquet hall of the Tokyo Imperial Palace. He designed the tapestry works for the decorations of the wall called “Toyohata-gumo (A Pretty Bank of Clouds)”. He was also commissioned to decorate the Ume-no-Ma audience room, a hall that has an area of 152 square meters or 46 tsubo. His “Kouhaku-bai” drawing is at the centre of the wall.
Hajime Ishimaru (1890–1990) was a Japanese painter. His work was part of the painting event in the art competition at…Hajime Ishimaru (1890–1990) was a Japanese painter. His work was part of the painting event in the art competition at the 1936 Summer Olympics.
Kojin Kozu (神津 港人, Kōzu Kōjin; 21 December 1889 – 7 April 1978) was a Japanese painter. His work was part of the…Kojin Kozu (神津 港人, Kōzu Kōjin; 21 December 1889 – 7 April 1978) was a Japanese painter. His work was part of the painting event in the art competition at the 1932 Summer Olympics.
Yasuo Kuniyoshi (国吉 康雄, Kuniyoshi Yasuo; September 1, 1889 – May 14, 1953) was a Japanese-American painter…Yasuo Kuniyoshi (国吉 康雄, Kuniyoshi Yasuo; September 1, 1889 – May 14, 1953) was a Japanese-American painter, photographer and printmaker.
Kagaku Murakami (村上 華岳, Murakami Kagaku; July 3, 1888 – November 11, 1939) was a Japanese painter and illustrator…Kagaku Murakami (村上 華岳, Murakami Kagaku; July 3, 1888 – November 11, 1939) was a Japanese painter and illustrator, noted for his numerous Buddhist subjects and advancement in the techniques of nihonga (Japanese-style) painting in the early 20th century.
Kiichi Okamoto (Japanese: 岡本 歸一, romanized: Okamoto Kiichi; 12 June 1888 – 29 December 1930) was a Japanese painter…Kiichi Okamoto (Japanese: 岡本 歸一, romanized: Okamoto Kiichi; 12 June 1888 – 29 December 1930) was a Japanese painter best known for his illustrations for children.
Ryuzaburo Umehara (梅原 龍三郎, Umehara Ryūzaburō; March 9, 1888 – January 16, 1986) was a Japanese painter who painted in…Ryuzaburo Umehara (梅原 龍三郎, Umehara Ryūzaburō; March 9, 1888 – January 16, 1986) was a Japanese painter who painted in the Yōga style. He was a founding member of the Shunyo-kai art society.
Narashige Koide (小出楢重, Koide Narashige; October 13, 1887 – February 13, 1931) was a Japanese painter and illustrator…Narashige Koide (小出楢重, Koide Narashige; October 13, 1887 – February 13, 1931) was a Japanese painter and illustrator, noted for his work in pioneering the Hanshinkan Modernism trend in yōga (Western-style) portraiture and nude painting in early 20th century Japanese painting.
Fujio Yoshida (吉田 ふじを, Yoshida Fujio; October 5, 1887 – May 1, 1987) was a Japanese artist. She was the first female…Fujio Yoshida (吉田 ふじを, Yoshida Fujio; October 5, 1887 – May 1, 1987) was a Japanese artist. She was the first female artist among the Yoshida family artists.
Irie Hakō, originally Ikujirō (Japanese:入江 波光; 26 September 1887 – 9 June 1948), was a Japanese painter in the nihonga…Irie Hakō, originally Ikujirō (Japanese:入江 波光; 26 September 1887 – 9 June 1948), was a Japanese painter in the nihonga style.
Gobara Koto (August 8, 1887 – April 6, 1965), whose real name was Horie Tōichirō, was a Japanese painter a native of…Gobara Koto (August 8, 1887 – April 6, 1965), whose real name was Horie Tōichirō, was a Japanese painter a native of Shiojiri City, Nagano Prefecture, and an art educator during the period of Japanese rule in Taiwan. Inspired by the model of the Imperial Art Exhibition (Japan Fine Arts Exhibition) held in mainland Japan, Gobara Koto collaborated with artists such as Kinichiro Ishikawa, Tōho Shiotsuki, and Kinoshita Seigai to establish the Taiwan Art Exhibition in Taiwan. He was highly dedicated to nurturing younger generations of artists, with notable students including Chen Jin (painter), Lin Aqin, Qiu Jinlian, and Zhou Hongchou, etc., who have a huge influence on Taiwan's painting circles.
Nakamura Tsune (中村彝) (3 July 1887 – 24 December 1924) was a Japanese yōga painter best known for his portraits of Sōma…Nakamura Tsune (中村彝) (3 July 1887 – 24 December 1924) was a Japanese yōga painter best known for his portraits of Sōma Toshiko, including Girl (1914).
Tsuruzo Ishii (5 June 1887 – 17 March 1973) was a Japanese painter and sculptor. His work was part of the painting…Tsuruzo Ishii (5 June 1887 – 17 March 1973) was a Japanese painter and sculptor. His work was part of the painting event in the art competition at the 1936 Summer Olympics.
Hata Teruo (Japanese: 秦 テルヲ; 20 March 1887, Hiroshima – 25 December 1945, Kyoto) was a Japanese painter and graphic…Hata Teruo (Japanese: 秦 テルヲ; 20 March 1887, Hiroshima – 25 December 1945, Kyoto) was a Japanese painter and graphic artist. In his works, he attempted to synthesize the nihonga and yōga styles. Many of his later works have Buddhist themes.
Tsuchida Bakusen (土田麦僊; February 9, 1887 – June 10, 1936) was the art-name of a Japanese painter in the Nihonga style…Tsuchida Bakusen (土田麦僊; February 9, 1887 – June 10, 1936) was the art-name of a Japanese painter in the Nihonga style, active during the Taishō and early Shōwa eras. His birth name was Tsuchida Kinji (土田金二).
Shimizu Toshi (清水 登之; 1 January 1887, Tochigi Prefecture – 7 December 1945, Tochigi Prefecture) was a Japanese painter…Shimizu Toshi (清水 登之; 1 January 1887, Tochigi Prefecture – 7 December 1945, Tochigi Prefecture) was a Japanese painter in the yōga style.
Léonard Tsuguharu Foujita (藤田 嗣治, Fujita Tsuguharu; 27 November 1886 – 29 January 1968) was a Japanese-French painter.…Léonard Tsuguharu Foujita (藤田 嗣治, Fujita Tsuguharu; 27 November 1886 – 29 January 1968) was a Japanese-French painter. After studying Western-style painting in Japan, Foujita travelled to Paris, where he encountered the international modern art scene of the Montparnasse neighbourhood and developed an eclectic style that borrowed from both Japanese and European artistic traditions. With his unusual fashion and distinctive figurative style, Foujita reached the height of his fame in 1920s Paris. His watercolour and oil works of nudes, still lifes, and self-portraits were a commercial success and he became a notable figure in the Parisian art scene. Foujita spent three years traveling through South and North America before returning to Japan in 1933, documenting his observations in sketches and paintings. Upon his return home, Foujita became an official war artist during World War II, illustrating battle scenes to raise the morale of the Japanese troops and citizens. His oil paintings won him acclaim during the war, but public perception of him became mixed following the Japanese defeat. Without significant prospects in the post-war Japanese art scene, Foujita returned to France in 1950, where he would spend the rest of his life. He received French nationality in 1955 and converted to Catholicism in 1959. His latter years were spent working on the frescoes for a small, Romanesque chapel in Reims that he had constructed. He died in 1968, shortly after the chapel officially opened. In France, Foujita is remembered as part of the années folles of the 1920s, but public opinion of him in Japan remains mixed due to his monumental depictions of the war. Retrospective exhibitions organized since 2006 in Japan have sought to establish Foujita's place in Japanese twentieth-century art history.
Kyohei Inukai (1886–1954) was a Japanese-American artist who painted portraits and watercolors during the early part of…Kyohei Inukai (1886–1954) was a Japanese-American artist who painted portraits and watercolors during the early part of the twentieth century.
Go Hui-dong (Korean: 고희동; 1886–1965), also known by the pen name Chun-gok, born in Seoul, was the first Korean painter…Go Hui-dong (Korean: 고희동; 1886–1965), also known by the pen name Chun-gok, born in Seoul, was the first Korean painter to adopt Western styles. He spent most of his life in Seoul. He studied French there from 1899 to 1903 and briefly took a post with the Korean government. Leaving the post in 1905, he studied Korean painting for several years and then traveled to Japan, where he studied Western-style painting under Kuroda Seiki from 1909 to 1915. He returned to Korea in 1915 and sought to fuse traditional and Korean styles. Currently his house located in Bukchon Village is open to public.
Hitoshi Ikebe (池部 鈞, Ikebe Hitoshi; 3 March 1886 – 17 December 1969) was a Japanese painter. His work was part of the…Hitoshi Ikebe (池部 鈞, Ikebe Hitoshi; 3 March 1886 – 17 December 1969) was a Japanese painter. His work was part of the painting event in the art competition at the 1932 Summer Olympics.
Tōho Shiotsuki (塩月桃甫, Shiotsuki Tōho, February 27, 1886 – January 30, 1954), also known by his birth name Zenkichi…Tōho Shiotsuki (塩月桃甫, Shiotsuki Tōho, February 27, 1886 – January 30, 1954), also known by his birth name Zenkichi Nagano, was a Japanese painter from Miyazaki. From 1921 to 1946, he taught art in Taiwan, and his surviving works and images depict and show a great deal of concern for Taiwan’s indigenous peoples.
Shunsen Natori (名取春仙, Natori Shunsen; February 7, 1886 – March 30, 1960) was a Japanese woodblock printer, considered…Shunsen Natori (名取春仙, Natori Shunsen; February 7, 1886 – March 30, 1960) was a Japanese woodblock printer, considered by many to be the last master in the art of kabuki yakusha-e "actor pictures".
