Lee Eun-sang (Korean: 이은상; October 22, 1903 – September 18, 1982) was a Korean poet and historian. He was dedicated to…Lee Eun-sang (Korean: 이은상; October 22, 1903 – September 18, 1982) was a Korean poet and historian. He was dedicated to the revival and modernization of sijo, a form of Korean poetry.
Hu Feng (Chinese: 胡风; pinyin: Hú Fēng, November 2, 1902 – June 8, 1985) was a Chinese Marxist writer, poet and literary…Hu Feng (Chinese: 胡风; pinyin: Hú Fēng, November 2, 1902 – June 8, 1985) was a Chinese Marxist writer, poet and literary theorist. He was a prominent member of the League of Left-Wing Writers. After the founding of the People's Republic of China, Hu Feng became a member of the First National People's Congress of China, but was then heavily persecuted as the chief of the Hu Feng Counter-revolutionary Clique (Chinese: 胡风反革命集团). The persecution became a massive political purge. He was first rehabilitated in 1980 and fully rehabilitated, posthumously, in 1988.
Kitasono Katué (北園 克衛, Kitazono Katsue; October 29, 1902–June 6, 1978) was a Japanese poet, photographer, editor, and…Kitasono Katué (北園 克衛, Kitazono Katsue; October 29, 1902–June 6, 1978) was a Japanese poet, photographer, editor, and graphic designer associated with Dada, Surrealism, and visual poetry. He founded the VOU Club and its journal VOU in 1935, and later became especially known for his photographic "Plastic Poems" or "Plastic Poetry".
Jeong Ji-yong, often romanized in literature as Cheong Chi-yong (Korean: 정지용; 20 June 1902 – c. 1950), was a Korean…Jeong Ji-yong, often romanized in literature as Cheong Chi-yong (Korean: 정지용; 20 June 1902 – c. 1950), was a Korean poet and translator of English poetry who "opened a new horizon of poetic possibilities through chiselled expression, tempered sentiments, and precise visual imagery" according to the scholar of Korean poetry, Brother Anthony.
Tadashi Iijima (飯島 正, Iijima Tadashi; 5 March 1902 – 5 January 1996) was a Japanese film critic and screenwriter. He…Tadashi Iijima (飯島 正, Iijima Tadashi; 5 March 1902 – 5 January 1996) was a Japanese film critic and screenwriter. He has been called "a leader who established film criticism and film research in Japan".
Shigeharu Nakano (中野 重治, Nakano Shigeharu; 25 January 1902 – 24 August 1979) was a Japanese writer and Japanese…Shigeharu Nakano (中野 重治, Nakano Shigeharu; 25 January 1902 – 24 August 1979) was a Japanese writer and Japanese Communist Party (JCP) politician. Nakano was born in Maruoka, now part of Sakai, Fukui. In 1914, he enrolled in middle school in Fukui, Fukui, and attended high school in Hiratsuka, Kanagawa and Kanazawa, Ishikawa. In 1924, he entered the German literature department of the University of Tokyo. In 1931, he joined the Japanese Communist Party, for which he was arrested in 1934. Immediately after World War II, he rejoined the party and played a leading role in founding the JCP-affiliated literary society New Japanese Literature Association (Shin Nihon Bungakkai). In 1947, Nakano began a three-year term as elected representative to the government. In 1958, he was elected to the party's Central Committee, but in 1964 was expelled due to political conflicts. Nakano was one of the most prominent figures in the proletarian literary movement that dominated the Japanese literary field from mid 1920's to early 1930's. His autobiographical novels include Nami no aima (Between the Waves, 1930), Muragimo (In the Depths of the Heart, 1954), and Kō otsu hei tei (ABCD, 1965-1969). Nakano received the 1959 Yomiuri Prize for Nashi no hana. Following his arrest, he published a novella titled Shōsetsuka no kakenu shōsetsuka (The Novelist Who Can't Write a Novel, 1977) in which he offers glimpses of the authoritarian concerns surrounding deletion marks in writing. Three more of his other works, translated by Brett de Bary, include Mura no ie (The House in the Village, 1979), Goshaku no sake (Five Cups of Sake), and Hagi no monkakiya (The Crest-painter of Hagi).
Hideo Oguma (小熊秀雄, Oguma Hideo; 9 September 1901 – 20 November 1940) was a Japanese poet for the Proletarian literature…Hideo Oguma (小熊秀雄, Oguma Hideo; 9 September 1901 – 20 November 1940) was a Japanese poet for the Proletarian literature movement and was noted for writing children's stories, comic books and literary criticism. A Hideo Oguma poetry prize is awarded for new poetry writers.
Shinkichi Takahashi (高橋 新吉, Takahashi Shinkichi; 1901 – 1987) was a Japanese poet. He was one of the pioneers of…Shinkichi Takahashi (高橋 新吉, Takahashi Shinkichi; 1901 – 1987) was a Japanese poet. He was one of the pioneers of Dadaism in Japan. According to Makoto Ueda, he is also the only major Zen poet of modern Japanese literature. He was born on Shikoku. His Collected Poems won the Japanese Ministry of Education Prize for Art.
Tatsuji Miyoshi (三好 達治, Miyoshi Tatsuji; 23 August 1900 – 5 April 1964) was a Japanese poet, literary critic, and…Tatsuji Miyoshi (三好 達治, Miyoshi Tatsuji; 23 August 1900 – 5 April 1964) was a Japanese poet, literary critic, and literary editor active during the Shōwa period of Japan. He is known for his lengthy free verse poetry, which often portray loneliness and isolation as part of contemporary life, but which are written in a complex, highly literary style reminiscent of classical Japanese poetry.
Fuyuhiko Kitagawa (北川 冬彦, Kitagawa Fuyuhiko) (3 July 1900 – 12 April 1990) was a Japanese poet and film critic. His…Fuyuhiko Kitagawa (北川 冬彦, Kitagawa Fuyuhiko) (3 July 1900 – 12 April 1990) was a Japanese poet and film critic. His real name was Tadahiko Taguro (田畔 忠彦, Taguro Tadahiko). While born in Shiga Prefecture, he was raised in Manchukuo in China due to his father's work on the South Manchurian Railway, and then graduated from Tokyo University. He began publishing his own poetry in Manchukuo in 1924 and his work was influenced by that colonial context. His work was praised by Riichi Yokomitsu, and he became a prominent figure in modernist poetry in Japan, pursuing especially prose poetry. Culver describes Kitagawa as instrumental in the early history of Surrealism in Japan through his Japanese translation of Andre Breton's first Manifesto of Surrealism, which appeared in 1929 in Shi to shiron (詩と詩論), nos. 4–5. Kitagawa was also a well-known film critic, one who especially praised the work of Mansaku Itami (the father of Juzo Itami), calling it a new, realistic "prose cinema" (sanbun eiga) in opposition to the old "poetic cinema" (inbun eiga) of Sadao Yamanaka, Daisuke Itō, and others. He was a champion of neorealism in the postwar era. He was a standard-bearer of the Scenario-Literature-Movement. He, Shuzo Takiguchi, Akira Asano and other members formed a group called 'Ten Scenario-Researchers'. They advocated the movement from a standpoint considering a scenario a literary genre.
Kaoru Maruyama Maruyama Kaoru (丸山 薫; June 8, 1899 – October 21, 1974) was a Japanese poet. His collected works were…Kaoru Maruyama Maruyama Kaoru (丸山 薫; June 8, 1899 – October 21, 1974) was a Japanese poet. His collected works were translated by Robert Epp. He was the professor first in Tokyo and later at Aichi University. Ten Years, Fairy Country, and Heart of flowers are his best-known books. He is sometimes called "the poet of the sea".
Fuyue Anzai (安西 冬衛, Anzai Fuyue; March 9, 1898 – August 24, 1965) was a Japanese poet from Nara Prefecture, Japan. In…Fuyue Anzai (安西 冬衛, Anzai Fuyue; March 9, 1898 – August 24, 1965) was a Japanese poet from Nara Prefecture, Japan. In 1920, he began work in Dalian, China where he developed gangrene and subsequently lost his arm. Anzai was one of the founding fathers of the magazine Shi To Shiron (or, Poetry and Poetics) and the journal Asia. He published several anthologies, including Gunkan Mari (The Battleship Mari) and Ajia no Kanko (The Asian Salt Lake). Other works by Anzai include: Dattan Kaikyô to Chô (Butterflies and the Mongolian Strait, 1947) and Zaseru Tôgyûshi (The Sitting Matador, 1949). His second son is Japanese historical psychology author Jiro Anzai (安西二郎).
Jūkichi Yagi (八木 重吉, Yagi Jūkichi; 9 February 1898 – 26 October 1927) was a Japanese poet active in the late Taishō…Jūkichi Yagi (八木 重吉, Yagi Jūkichi; 9 February 1898 – 26 October 1927) was a Japanese poet active in the late Taishō period and for the first few years of the Shōwa period, who focused on modern religious themes.
Shigeji Tsuboi (壺井繁治, Tsuboi Shigeji; October 18, 1897 – September 4, 1975) was an influential Japanese poet of the…Shigeji Tsuboi (壺井繁治, Tsuboi Shigeji; October 18, 1897 – September 4, 1975) was an influential Japanese poet of the modern era of Japanese literature. He was cofounder (with Hagiwara Kyojiro) of the Dadaist-Anarchist poetry journal Aka tokuro (Red and Black, 1923–24) and Bungei Kaiho (Literary liberation, 1927).
Kim U-jin (Korean: 김우진; 19 September 1897 – 4 August 1926) was a Korean playwright, poet, essayist, and dramatist. He…Kim U-jin (Korean: 김우진; 19 September 1897 – 4 August 1926) was a Korean playwright, poet, essayist, and dramatist. He was the first professional literary critic in the history of Korean literature. Among his works, Kim wrote five plays during his brief career, one of them being Wild Pig (1926).Along with Wild Pig (1926), Kim is well known for his poem, Theory of Life and Death (1926).
Yu Wen, better known by his courtesy name Yu Dafu (December 7, 1896 – September 17, 1945) was a modern Chinese short…Yu Wen, better known by his courtesy name Yu Dafu (December 7, 1896 – September 17, 1945) was a modern Chinese short story writer and poet. He was one of the new literary group initiators, and this new literary group was named the Creation Society. His literary masterpieces include Chenlun (沈淪, Sinking), Chunfeng chenzui de wanshang (春風沈醉的晚上, Intoxicating Spring Nights), Guoqu (過去, The Past), Chuben (出奔, Flight) and so on. Yu Dafu's literary works' writing style and main themes profoundly influenced a group of young writers and formed a spectacular romantic trend in Chinese literature in the 1920s and 1930s. He died in the Japanese-occupied Dutch East Indies, likely executed.
Kaita Murayama (村山 槐多, Murayama Kaita; September 15, 1896 – February 20, 1919) was a Japanese writer and artist. One of…Kaita Murayama (村山 槐多, Murayama Kaita; September 15, 1896 – February 20, 1919) was a Japanese writer and artist. One of his self-portraits appears in the Mie Prefectural Art Museum in Tsu Mie Prefecture, Japan (not pictured here). He trained at the Fine Arts Academy in Tokyo and was influenced by Western art styles. His work is described as being muscular and robust.
Na Hye-sŏk (Korean: 나혜석, April 28, 1896 – December 10, 1948) was a Korean feminist, poet, writer, painter, educator…Na Hye-sŏk (Korean: 나혜석, April 28, 1896 – December 10, 1948) was a Korean feminist, poet, writer, painter, educator, and journalist. Her art name was Jeongwol (정월; 晶月). She was a pioneering Korean feminist writer and painter. She was the first female professional painter and the first feminist writer in Korea. She created some of the earliest Western-style paintings in Korea, and published feminist novels and short stories. She became well known as a feminist because of her criticism of the marital institution in the early 20th century.
Mitsuharu Kaneko (金子 光晴, Kaneko Mitsuharu; 25 December 1895 – 30 June 1975) was a Japanese poet and painter. He was a…Mitsuharu Kaneko (金子 光晴, Kaneko Mitsuharu; 25 December 1895 – 30 June 1975) was a Japanese poet and painter. He was a recipient of the Yomiuri Prize.
Junzaburō Nishiwaki (西脇 順三郎, Nishiwaki Junzaburō; 20 January 1894 – 5 June 1982) was a Japanese poet and literary…Junzaburō Nishiwaki (西脇 順三郎, Nishiwaki Junzaburō; 20 January 1894 – 5 June 1982) was a Japanese poet and literary critic, active in Shōwa period Japan, specializing in modernism, Dadaism and surrealism. He was also a noted painter of watercolors. Between 1960 and 1966, Nishiwaki received 7 nominations for the Nobel Prize in Literature.
Motokichi Takahashi (高橋 元吉, Takahashi Motokichi; 6 March 1893 – 28 January 1965), was a poet during the Taishō and…Motokichi Takahashi (高橋 元吉, Takahashi Motokichi; 6 March 1893 – 28 January 1965), was a poet during the Taishō and Shōwa periods of Japan. He was born in Maebashi city Gunma Prefecture.
Haruo Sato (佐藤 春夫, Satō Haruo; 9 April 1892 – 6 May 1964) was a Japanese novelist and poet active during the Taishō and…Haruo Sato (佐藤 春夫, Satō Haruo; 9 April 1892 – 6 May 1964) was a Japanese novelist and poet active during the Taishō and Shōwa periods of Japan. His works are known for their explorations of melancholy. He won the 4th Yomiuri Prize.
Yaso Saijō (Japanese: 西條八十, Hepburn: Saijō Yaso; January 15, 1892 – August 12, 1970) was a Japanese poet, lyricist, and…Yaso Saijō (Japanese: 西條八十, Hepburn: Saijō Yaso; January 15, 1892 – August 12, 1970) was a Japanese poet, lyricist, and literary scholar. Saijō, Hakushū Kitahara, and Ujō Noguchi are considered to be the three great poets and children's songwriters in Japan.
Daigaku Horiguchi (堀口 大学; 8 January 1892 – 15 March 1981) was a poet and translator of French literature in Taishō and…Daigaku Horiguchi (堀口 大学; 8 January 1892 – 15 March 1981) was a poet and translator of French literature in Taishō and Shōwa period Japan. He is credited with introducing French surrealism to Japanese poetry, and to translating the works of over 66 French authors into Japanese.
Kōshirō Onchi (恩地 孝四郎, 2 July 1891 – 3 June 1955), who is also known as Onchi Kōshirō was Tokyo-born Japanese artist…Kōshirō Onchi (恩地 孝四郎, 2 July 1891 – 3 June 1955), who is also known as Onchi Kōshirō was Tokyo-born Japanese artist who is best known for his prints. He was the father of the sōsaku-hanga movement in twentieth-century Japan, and a photographer. His work was part of the painting event in the art competition at the 1932 Summer Olympics.
Ch'oe Namsŏn (Korean: 최남선; April 26, 1890 – October 10, 1957), also known by the Japanese pronunciation of his name Sai…Ch'oe Namsŏn (Korean: 최남선; April 26, 1890 – October 10, 1957), also known by the Japanese pronunciation of his name Sai Nanzen, was a Korean historian, political activist, poet, and publisher who was best remembered as a leading member of the Korean independence movement.
Kōnosuke Hinatsu (日夏 耿之介, Hinatsu Kōnosuke; February 22, 1890 – June 13, 1971) was the pen-name of a Japanese poet…Kōnosuke Hinatsu (日夏 耿之介, Hinatsu Kōnosuke; February 22, 1890 – June 13, 1971) was the pen-name of a Japanese poet known for his romantic and gothic poetry patterned after English literature. His real name was Kunito Higuchi.
Masao Miki (Japanese: 三木 操, Hepburn: Miki Masao) (23 June 1889 – 29 December 1964), better known by his pen name Rofū…Masao Miki (Japanese: 三木 操, Hepburn: Miki Masao) (23 June 1889 – 29 December 1964), better known by his pen name Rofū Miki (三木 露風, Miki Rofū), was a Japanese poet, children's book author and essayist. He is considered a significant representative of Japanese symbolism.
Yumeno Kyūsaku (夢野 久作; 4 January 1889 – 11 March 1936) was the pen name of Sugiyama Yasumichi (杉山 泰道), an early Shōwa…Yumeno Kyūsaku (夢野 久作; 4 January 1889 – 11 March 1936) was the pen name of Sugiyama Yasumichi (杉山 泰道), an early Shōwa period Japanese author, Zen priest, post office director and sub-lieutenant. The pen name roughly means "a person who always dreams". His Dharma name was Goshin-in Gin'en Taidō-koji (悟真院吟園泰道居士). He wrote detective novels and is known for his avant-gardism and his surrealistic, wildly imaginative and fantastic, even bizarre narratives.
Hanayo Ikuta (14 October 1888 – 8 December 1970) (in Japanese, 生田 花世), born Nishizaki Hanayo, was a Japanese feminist…Hanayo Ikuta (14 October 1888 – 8 December 1970) (in Japanese, 生田 花世), born Nishizaki Hanayo, was a Japanese feminist writer, editor, and educator.
Ryuko Kawaji (川路 柳虹, Kawaji Ryūkō; 1 October 1888 - 9 June 1959) was the pen-name of Kawaki Makoto, a Japanese poet and…Ryuko Kawaji (川路 柳虹, Kawaji Ryūkō; 1 October 1888 - 9 June 1959) was the pen-name of Kawaki Makoto, a Japanese poet and literary critic active during the Shōwa period of Japan. His Dharma name was Onyōin Metsuyo Chitoku Ryūkō Daikoji (温容院滅与知徳柳虹大居士).
Senge Motomaro (千家 元麿; 8 June 1888 – 14 March 1948) was a Japanese poet active during the Taishō and Shōwa periods of…Senge Motomaro (千家 元麿; 8 June 1888 – 14 March 1948) was a Japanese poet active during the Taishō and Shōwa periods of Japan.
Shinobu Orikuchi (折口 信夫, Orikuchi Shinobu; 11 February 1887–3 September 1953), also known as Chōkū Shaku (釋 迢空, Shaku…Shinobu Orikuchi (折口 信夫, Orikuchi Shinobu; 11 February 1887–3 September 1953), also known as Chōkū Shaku (釋 迢空, Shaku Chōkū), was a Japanese ethnologist, linguist, folklorist, novelist, and poet. As a disciple of Kunio Yanagita, he established an original academic field named "Orikuchiism" (折口学, Orikuchigaku), which is a mixture of Japanese folklore, Japanese classics, and Shintō. He produced many works in a diversity of fields covering the history of literature, folkloric performing arts, folklore itself, Japanese language, the classics study, Shintōology, ancient study, and so on. Yukio Mishima once called him the "Japanese Walter Pater".
Sakutarō Hagiwara (萩原 朔太郎, Hagiwara Sakutarō; 1 November 1886 – 11 May 1942) was a Japanese writer of free verse…Sakutarō Hagiwara (萩原 朔太郎, Hagiwara Sakutarō; 1 November 1886 – 11 May 1942) was a Japanese writer of free verse, active in the Taishō and early Shōwa periods of Japan. He liberated Japanese free verse from the grip of traditional rules, and he is considered the "father of modern colloquial poetry in Japan". He published many volumes of essays, literary and cultural criticism, and aphorisms over his long career. His unique style of verse expressed his doubts about existence, and his fears, ennui, and anger through the use of dark images and unambiguous wording. He died from pneumonia aged 55.
Takuboku Ishikawa (石川 啄木, Ishikawa Takuboku; Japanese pronunciation: [ì.ɕi̥.kä́.β̞ä́ | tä̀.kɯ̈́.bó̞.kɯ̈́, -β̞ä́ tä́-]…Takuboku Ishikawa (石川 啄木, Ishikawa Takuboku; Japanese pronunciation: [ì.ɕi̥.kä́.β̞ä́ | tä̀.kɯ̈́.bó̞.kɯ̈́, -β̞ä́ tä́-], born Hajime Ishikawa (石川 一); February 20, 1886 – April 13, 1912) was a Japanese poet. Well known as both a tanka and "modern-style" (新体詩, shintaishi) or "free-style" (自由詩, jiyūshi) poet, he began as a member of the Myōjō group of naturalist poets but later joined the "socialistic" group of Japanese poets and renounced naturalism. He died of tuberculosis.
Mokutarō Kinoshita (木下 杢太郎, Kinoshita Mokutarō; August 1, 1885 – October 15, 1945) was the pen-name of a Japanese…Mokutarō Kinoshita (木下 杢太郎, Kinoshita Mokutarō; August 1, 1885 – October 15, 1945) was the pen-name of a Japanese author, dramaturge, poet, art historian and literary critic, as well as a licensed doctor specializing in dermatology during Taishō and early Shōwa period Japan. His other pen names included Hori Kason (堀花村), Chika Isshakusei (地下一尺生), Sōnan (葱南) and others. As professor of dermatology and a noted leprosy researcher, he served at four universities (South Manchuria Medical College, Aichi Medical College, Tohoku Imperial University, Tokyo Imperial University).
Kansuke Naka (中 勘助, Naka Kansuke; 22 May 1885 – 3 May 1965) was a Japanese novelist and essayist. Naka was born in…Kansuke Naka (中 勘助, Naka Kansuke; 22 May 1885 – 3 May 1965) was a Japanese novelist and essayist. Naka was born in Tokyo. He lived in Hiratsuka from 1926 to 1932, and he was evacuated to Shizuoka Prefecture during World War II, but otherwise he spent most of his life in Tokyo. He married Kazuko Shimada in 1942. Naka was one of the students taught by Natsume Sōseki at the University of Tokyo before Sōseki gave up teaching to write for the newspaper Asahi Shimbun. It was Sōseki who arranged the serial publication in that paper of Naka's first novel Gin no saji ("The Silver Spoon"), a nostalgic depiction of his childhood and teens. The novel was published from 1911 to 1913 and translated in 1976 by Etsuko Terasaki. It is popular in Japan and is an account of life in Tokyo at the beginning of the 20th century during the Meiji era, replete with historical details as well as a contemporary sense of isolation; it follows Naka's psychological journey from childhood to adulthood. Naka also wrote Inu ("The Dog", 1922) and Rōkan (a collection of poems, 1935). Naka was praised by Tetsurō Watsuji, a leading critic, and also by Zhou Zuoren, for his rare willingness to criticize Japanese nationalists.
Hideo Nagata (長田 秀雄, Nagata Hideo) (13 May 1885 – 5 May 1949) was a poet and playwright in Shōwa period Japan. He also…Hideo Nagata (長田 秀雄, Nagata Hideo) (13 May 1885 – 5 May 1949) was a poet and playwright in Shōwa period Japan. He also was a scriptwriter. Born in Tokyo, Nagata was the son of a Shinto priest at the Kikuchi Jinja. Interested in literature and poetry from an early age, he developed his own style of modern poetry and was ranked alongside Kitahara Hakushu and Kinoshita Mokutaro by the literary magazine Myōjō ("Bright Star"). He later turned his creative talents to the modern theater, and then to the relatively new medium of cinema. He died in 1949, and his grave is at the Somei Cemetery in Sugamo, Tokyo.
Saneatsu Mushanokōji (武者小路 実篤(實篤), Mushanokōji Saneatsu; 12 May 1885 – 9 April 1976) was a Japanese novelist…Saneatsu Mushanokōji (武者小路 実篤(實篤), Mushanokōji Saneatsu; 12 May 1885 – 9 April 1976) was a Japanese novelist, playwright, poet, artist, and philosopher active during the late Taishō and Shōwa periods of Japan. Later on in life he requested that the pronunciation of his surname (as far as was concerned) be changed from the usual Mushanokōji, to Mushakōji, but without much success. He was nicknamed Musha and Futo-o by his colleagues.
Hakushū Kitahara (北原 白秋, Kitahara Hakushū; 25 January 1885 – 2 November 1942) is the pen-name of Kitahara Ryūkichi (北原…Hakushū Kitahara (北原 白秋, Kitahara Hakushū; 25 January 1885 – 2 November 1942) is the pen-name of Kitahara Ryūkichi (北原 隆吉), a Japanese tanka poet active during the Taishō and Shōwa periods of Japan. He is regarded as one of the most popular and important poets in modern Japanese literature.
Yumeji Takehisa (Japanese: 竹久 夢二, Hepburn: Takehisa Yumeji; born Mojirō Takehisa (竹久 茂次郎, Takehisa Mojirō), 16…Yumeji Takehisa (Japanese: 竹久 夢二, Hepburn: Takehisa Yumeji; born Mojirō Takehisa (竹久 茂次郎, Takehisa Mojirō), 16 September 1884 – 1 September 1934) was a Japanese poet and painter. He is known foremost for his Nihonga illustrations of bijin, beautiful women and girls, though he also produced a wide variety of works including book covers, serial newspaper illustrations, furoshiki, postcards, and patterned washi paper.
Harukichi Shimoi (下位 春吉, Shimoi Harukichi; October 20, 1883 – December 1, 1954) was a Japanese poet, translator and…Harukichi Shimoi (下位 春吉, Shimoi Harukichi; October 20, 1883 – December 1, 1954) was a Japanese poet, translator and writer. Shimoi lived in Italy for many years and was an important promoter of cultural exchange between Japan and Italy. Shimoi translated works from Yosano Akiko and Matsuo Bashō into Italian, and conversely translated Dante into Japanese. Shimoi was close friends with Gabriele D'Annunzio and translated several of his works. He accompanied the poet on his Fiume endeavour. He was influential in introducing the haiku to Italian futurist poets, organizing the Tokyo-Rome flight with Arturo Ferrarin, his early involvement in the Calpis soft drink, and promoting Karate and Judo to Italians.
Ujaku Akita (秋田 雨雀, Akita Ujaku; 30 January 1883 – 12 May 1962) was the pseudonym of Tokuzō Akita (秋田 徳三, Akita…Ujaku Akita (秋田 雨雀, Akita Ujaku; 30 January 1883 – 12 May 1962) was the pseudonym of Tokuzō Akita (秋田 徳三, Akita Tokuzō), a Japanese author and Esperantist. He is best known for his plays, books, and short stories for children.
Ujō Noguchi (野口 雨情, Noguchi Ujō; May 29, 1882 – January 27, 1945) was a Japanese poet and lyricist of children's songs…Ujō Noguchi (野口 雨情, Noguchi Ujō; May 29, 1882 – January 27, 1945) was a Japanese poet and lyricist of children's songs and traditional Min'yō folk music. He wrote some of the most beloved and familiar pieces for children and youth choirs, such as "Akai Kutsu (Red Shoes)". He, along with Hakushū Kitahara, and Yaso Saijō are considered to be the three great poets and children's songwriters in Japan.
Kaoru Osanai (小山内 薫, Osanai Kaoru; July 26, 1881 – December 25, 1928), was a Japanese theater director, playwright, and…Kaoru Osanai (小山内 薫, Osanai Kaoru; July 26, 1881 – December 25, 1928), was a Japanese theater director, playwright, and actor central in the development of modern Japanese theater.
Hong Yi (23 October 1880 – 13 October 1942; Chinese: 弘一; pinyin: Hóngyī; Pe̍h-ōe-jī: Hông-it, also romanized Hong-it)…Hong Yi (23 October 1880 – 13 October 1942; Chinese: 弘一; pinyin: Hóngyī; Pe̍h-ōe-jī: Hông-it, also romanized Hong-it), or Yan Yin (Chinese: 演音; pinyin: Yǎnyīn; Pe̍h-ōe-jī: Ián-im) was a Chinese Buddhist monk of the Nanshan Vinaya school. He was also an artist, and a musician. Born Li Shutong (李叔同 and 李漱筒), he was known by the names Wen Tao, Guang Hou, and Shu Tong, but was most commonly known by his Buddhist name, Hong Yi (Hokkien Hong-it). Master Hongyi was a highly influential figure in both the modern Chinese cultural movement and the Buddhist revival during the Republic of China period. Initially renowned for his diverse artistic talents in poetry, music, painting, and calligraphy, he underwent a significant transformation, ordaining as a Buddhist monk in 1918 at Hupao Temple in Hangzhou. From that point until his death in 1942, he dedicated his life to the study and dissemination of Chinese Buddhism. He is widely recognized as one of the four eminent monks of the Republic of China, alongside Masters Taixu, Yinguang, and Xuyun. Within the Chinese Buddhist tradition, Master Hongyi is primarily known and respected as the eleventh patriarch of the Nanshan Vinaya school, a title reflecting his critical role in revitalizing the Vinaya tradition in modern China.
Seihaku Irako (伊良子清白, Irako Seihaku; 1877–1946) was a Japanese physician and poet, known mainly for his poems in the…Seihaku Irako (伊良子清白, Irako Seihaku; 1877–1946) was a Japanese physician and poet, known mainly for his poems in the modern waka style. Irako was born in Tottori Prefecture. His collection Kujaku-bune (The Peacock Boat), published in 1906 and 1929, is his best-known work.
Saishū Onoe (尾上 柴舟, Onoe Saishū) (20 August 1876 – 1, January, 1957) was the pen name of Hachirō Onoe (尾上 八郎, Onoe…Saishū Onoe (尾上 柴舟, Onoe Saishū) (20 August 1876 – 1, January, 1957) was the pen name of Hachirō Onoe (尾上 八郎, Onoe Hachirō), a Japanese tanka poet, educator, and calligrapher.