Toshiya Fujita (藤田 敏八, Fujita Toshiya; January 16, 1932 – August 30, 1997), also known as Shigeya Fujita (藤田繁矢, Fujita…Toshiya Fujita (藤田 敏八, Fujita Toshiya; January 16, 1932 – August 30, 1997), also known as Shigeya Fujita (藤田繁矢, Fujita Shigeya), was a Japanese film director, film actor, and screenwriter. He is well-regarded in Japan for his youth films but is best known abroad for Lady Snowblood and Lady Snowblood 2: Love Song of Vengeance, films not typical of his usual style.
Shintaro Katsu (Japanese: 勝 新太郎, Hepburn: Katsu Shintarō; 29 November 1931 – 21 June 1997) was a Japanese actor…Shintaro Katsu (Japanese: 勝 新太郎, Hepburn: Katsu Shintarō; 29 November 1931 – 21 June 1997) was a Japanese actor, singer, and filmmaker. He is known for starring in the Akumyo series, the Hoodlum Soldier series, the Hanzo the Razor series, and the Zatoichi series.
Shirō Moritani (森谷 司郎, Moritani Shirō; September 28, 1931 – December 2, 1984) was a film director and screenwriter from…Shirō Moritani (森谷 司郎, Moritani Shirō; September 28, 1931 – December 2, 1984) was a film director and screenwriter from Japan. Born in Tokyo, he debuted as an assistant director in Akira Kurosawa's 1961 film Yojimbo. His film Mount Hakkoda won the Mainichi Film Award for Excellence Film in 1978.
Yoji Yamada (山田 洋次, Yamada Yōji; born 13 September 1931) is a Japanese filmmaker best known for his film series Otoko…Yoji Yamada (山田 洋次, Yamada Yōji; born 13 September 1931) is a Japanese filmmaker best known for his film series Otoko wa Tsurai yo and the Samurai Trilogy (The Twilight Samurai, The Hidden Blade, and Love and Honor). He has directed 91 films, and is well regarded by critics around the world. His Tora-san series holds the Guinness World Record for the longest-running film series starring the same actor.
Yoshimitsu Banno (坂野 義光, Banno Yoshimitsu; March 30, 1931 – May 7, 2017) was a Japanese film director, best known for…Yoshimitsu Banno (坂野 義光, Banno Yoshimitsu; March 30, 1931 – May 7, 2017) was a Japanese film director, best known for the cult-classic Godzilla vs. Hedorah (1971), which he directed and co-wrote. Banno was a special guest at G-Fest XII in 2005. He was an executive producer on Legendary Pictures' Godzilla (2014), and has received posthumous executive producer credit for subsequent projects in the MonsterVerse. He died of a subarachnoid hemorrhage on May 7, 2017, at his home in Kawasaki at the age of 86. Godzilla: King of the Monsters (2019) was dedicated to his memory along with Haruo Nakajima's.
Mamoru Watanabe (渡辺 護, Watanabe Mamoru; March 19, 1931 – December 24, 2013) was a Japanese film director, screenwriter…Mamoru Watanabe (渡辺 護, Watanabe Mamoru; March 19, 1931 – December 24, 2013) was a Japanese film director, screenwriter and actor, known for his work in the pink film genre. Along with directors Genji Nakamura and Banmei Takahashi, Watanabe was known as one of the "Three Pillars of Pink".
Masahiro Shinoda (篠田 正浩, Shinoda Masahiro; March 9, 1931 – March 25, 2025) was a Japanese film director, whose career…Masahiro Shinoda (篠田 正浩, Shinoda Masahiro; March 9, 1931 – March 25, 2025) was a Japanese film director, whose career spanned over four decades and covered a wide range of genres and styles. He was one of the central figures of the Japanese New Wave during the 1960s and 1970s. He directed films for Shochiku Studio from 1960 to 1965, before turning to independent cinema from 1966 onward. His film style was characterized by socially marginalized characters, many of whom turn to crime or suicide, and meticulous attention to pictorial beauty. He drew on traditional Japanese fiction and theater and some of his films bear the influence of Kenji Mizoguchi, whom he admired.
Kazuo Kuroki (黒木和雄, Kuroki Kazuo) was a Japanese film director who was particularly known for his films on World War II…Kazuo Kuroki (黒木和雄, Kuroki Kazuo) was a Japanese film director who was particularly known for his films on World War II and the question of personal guilt.
Kinji Fukasaku (Japanese: 深作 欣二, Hepburn: Fukasaku Kinji; 3 July 1930 – 12 January 2003) was a Japanese filmmaker.…Kinji Fukasaku (Japanese: 深作 欣二, Hepburn: Fukasaku Kinji; 3 July 1930 – 12 January 2003) was a Japanese filmmaker. Known for his "broad range and innovative filmmaking", he worked in many different genres and styles, but was best known for his gritty yakuza films, typified by the Battles Without Honor and Humanity series (1973–1976). According to the Berkeley Art Museum and Pacific Film Archive, his "turbulent energy and at times extreme violence express a cynical critique of social conditions and genuine sympathy for those left out of Japan's postwar prosperity". He used a cinema verite-inspired shaky camera technique in many of his films from the early 1970s. Fukasaku wrote and directed over 60 films between 1961 and 2003. Some Western sources have associated him with the Japanese New Wave movement of the 1960s and 1970s, but this belies his commercial success. His works include the Japanese portion of the Hollywood war film Tora! Tora! Tora! (1970), jidaigeki such as Shogun's Samurai (1978), the space opera film Message from Space (1978), the science fiction film Virus (1980), the fantasy film Samurai Reincarnation (1981), and the highly influential dystopian thriller film Battle Royale (2000). Fukasaku won the Japan Academy Film Prize for Director of the Year three times from nine nominations. He served as the sixth president of the Directors Guild of Japan from 1996 until his death from prostate cancer in 2003. He received the Purple Medal of Honor from the Japanese government for his work in 1997. His films have inspired directors such as Quentin Tarantino, William Friedkin, and John Woo.
Ben Wada (和田 勉 Wada Ben), born Tsutomu Wada, (June 3, 1930 – January 14, 2011) was a producer for the Japanese TV…Ben Wada (和田 勉 Wada Ben), born Tsutomu Wada, (June 3, 1930 – January 14, 2011) was a producer for the Japanese TV channel NHK. He was the husband of the costume designer Emi Wada.
Kei Kumai (熊井 啓, Kumai Kei; 1 June 1930 – 23 May 2007) was a Japanese film director. After his studies in literature at…Kei Kumai (熊井 啓, Kumai Kei; 1 June 1930 – 23 May 2007) was a Japanese film director. After his studies in literature at Shinshu University, he began work as a director's assistant. He won the Directors Guild of Japan New Directors Award for his second film, Nihon rettō, in 1965. His 1972 film Shinobu Kawa was entered into the 8th Moscow International Film Festival. His 1973 film Rise, Fair Sun was entered into the 24th Berlin International Film Festival. Sandakan No. 8 received widespread acclaim for tackling the issue of a woman forced into prostitution in Borneo before the outbreak of World War II. Kinuyo Tanaka won the Best Actress Award at the 25th Berlin International Film Festival for her performance. The film was nominated for the Best Foreign Language Film at the 48th Academy Awards. Kumai's follow-up film was 1976's Cape of North, starring French actress Claude Jade as a Swiss nun who falls in love with a Japanese engineer on a trip from Marseilles to Yokohama. His 1986 film The Sea and Poison won the Silver Bear - Special Jury Prize at the 37th Berlin International Film Festival. In 1992, his film Luminous Moss was entered into the 42nd Berlin International Film Festival. Other works include Death of a Tea Master starring Toshirō Mifune as Sen no Rikyū (Silver Lion at the 46th Venice International Film Festival), and the 2002 film The Sea Is Watching, based on Akira Kurosawa's posthumous script. Kumai was married to the writer and researcher Akiko Kumai. He died in 2007 at age 76.
Kōsaku Yamashita (山下耕作, Yamashita Kōsaku; 10 December 1930 – 6 December 1998) was a Japanese film director who…Kōsaku Yamashita (山下耕作, Yamashita Kōsaku; 10 December 1930 – 6 December 1998) was a Japanese film director who specialized in directing Yakuza films. Yamashita was nicknamed Shōgun. His son is director Tomohiko Yamashita. In 1952, He graduated from Kyoto University and joined Toei Film. He was working an office job, but three years later, he became an assistant director under Tomu Uchida and Kōzaburō Yoshimura. Yamashita made his directorial debut with Wakatono Senryu Hada in 1961. His representative works included The Valiant Red Peony series and Kyōdai Jingi (1966).
Kazuo Ikehiro (池広一夫, Ikehiro Kazuo; 25 October 1929 – 15 October 2025) was a Japanese film director. He is known for…Kazuo Ikehiro (池広一夫, Ikehiro Kazuo; 25 October 1929 – 15 October 2025) was a Japanese film director. He is known for directing Zatoichi series and the highly acclaimed film Onna Gokuakuchō. In 1950, he joined the Daiei Film and started working as an assistant director under Kenji Mizoguchi etc. In 1960, he was promoted to director and debuted with Bara Daimyo. Ikehiro died of a heart attack in Tokyo, on 15 October 2025, at the age of 95.
Tetsutaro Murano (村野 鉄太郎, Murano Tetsutarō; August 18, 1929 – July 8, 2020) was a Japanese film director. In 1953, he…Tetsutaro Murano (村野 鉄太郎, Murano Tetsutarō; August 18, 1929 – July 8, 2020) was a Japanese film director. In 1953, he joined the Daiei studio and started working as an assistant director. He made his director debut with Aoi Tsubasa in 1960. Murano was born in Kagoshima on August 18, 1929, and died on July 8, 2020, at the age of 90.
Eiichi Kudo (工藤 栄一, Kudō Eiichi; 17 July 1929 – 23 September 2000) was a Japanese film director. Kudo directed 30 films…Eiichi Kudo (工藤 栄一, Kudō Eiichi; 17 July 1929 – 23 September 2000) was a Japanese film director. Kudo directed 30 films between 1956 and 1998, the most notable being 13 Assassins (1963) and The Great Killing (1964). He joined the Toei film company in 1952 and made his film director debut with Fukaku hichō in 1959. His 1982 film Yaju-deka was entered into the 33rd Berlin International Film Festival. Kudo directed many television dramas, notably more than 50 episodes of the popular television jidaigeki Hissatsu series. He died of intracerebral hemorrhage on September 23, 2000.
Giichi Nishihara (西原 儀一, Nishihara Giichi; 1929 – 16 August 2009), also known as Shirō Sekiya (関谷四郎, Sekiya Shirō), was…Giichi Nishihara (西原 儀一, Nishihara Giichi; 1929 – 16 August 2009), also known as Shirō Sekiya (関谷四郎, Sekiya Shirō), was a Japanese film director, screenwriter, producer and actor best known for his low-budget and sensationalistic pink films made for his Aoi Eiga studios in the 1960s and 1970s. He has been called both "Japan's sleaziest movie-maker," and "a cult favorite among devotees of extreme cinema."
Hideo Gosha (Japanese: 五社 英雄, Hepburn: Gosha Hideo; February 26, 1929 – August 30, 1992) was a Japanese director and…Hideo Gosha (Japanese: 五社 英雄, Hepburn: Gosha Hideo; February 26, 1929 – August 30, 1992) was a Japanese director and screenwriter. He was the first Japanese director to make the transition from television to theatrical films, and is best known for his jidaigeki and yakuza films. Beginning with Three Outlaw Samurai in 1964, Gosha directed 24 films in his career, including The Geisha (1983), which earned him the Japan Academy Film Prize for Director of the Year. His last, The Oil-Hell Murder, was released three months before his death in August 1992. His works have influenced directors such as Takashi Miike and Yoshiaki Kawajiri.
Susumu Hani (羽仁 進, Hani Susumu; born 10 October 1928) is a Japanese film director, and one of the most prominent…Susumu Hani (羽仁 進, Hani Susumu; born 10 October 1928) is a Japanese film director, and one of the most prominent representatives of the 1960s Japanese New Wave. Born in Tokyo, he has directed both documentaries and feature films. He won the Directors Guild of Japan New Directors Award for his first fiction film, Bad Boys, in 1961. His 1962 film Mitasareta seikatsu was entered into the 12th Berlin International Film Festival. His 1963 documentary film Children Hand in Hand was entered into the 4th Moscow International Film Festival winning him a Special Diploma. One of his most famous films is Nanami: The Inferno of First Love (初恋・地獄篇 - Hatsukoi Jigokuhen, 1968), which Hani co-scripted with Shūji Terayama.
Yoshiyuki Kuroda (Japanese: 黒田 義之, Hepburn: Kuroda Yoshiyuki; March 4, 1928 – January 22, 2015) was a Japanese…Yoshiyuki Kuroda (Japanese: 黒田 義之, Hepburn: Kuroda Yoshiyuki; March 4, 1928 – January 22, 2015) was a Japanese filmmaker and special effects director responsible for many Japanese science-fiction films and television shows.
Toshio Masuda (舛田 利雄, Masuda Toshio; October 5, 1927 – August 26, 2026) was a Japanese film director, screenwriter and…Toshio Masuda (舛田 利雄, Masuda Toshio; October 5, 1927 – August 26, 2026) was a Japanese film director, screenwriter and cinematographer. He developed a reputation as a consistent box office hit-maker. Over the course of five decades, 16 of his films made the yearly top ten lists at the Japanese box office—a second place record in the industry. Between 1958 and 1968 he directed 52 films for the Nikkatsu Company. Masuda was their top director of action films and worked with the company's top stars, including Yujiro Ishihara with whom he made 25 films. After the breakdown of the studio system, he moved on to a succession of big-budget movies including the American-Japanese co-production Tora! Tora! Tora! (1970) and the disaster epic Prophecies of Nostradamus (1974). He worked on such anime productions as the Space Battleship Yamato series. His corporate drama Company Funeral (1989) earned him a Japanese Academy Award nomination and wins at the Blue Ribbon Awards and Mainichi Film Awards. In Japan, his films are well-remembered by fans and called genre landmarks by critics. He remains little known abroad save for rare exceptions of his post-Nikkatsu work such as Tora! Tora! Tora!. However, a number of his films were screened in a 2005 Nikkatsu Action Cinema retrospective in Italy, and a few have since made their way to the United States. In 2009, he helped produce Space Battleship Yamato: Resurrection.
Koreyoshi Kurahara (蔵原惟繕, Kurahara Koreyoshi) (31 May 1927 – 28 December 2002) was a Japanese screenwriter and…Koreyoshi Kurahara (蔵原惟繕, Kurahara Koreyoshi) (31 May 1927 – 28 December 2002) was a Japanese screenwriter and director. He is perhaps best known for directing Antarctica (1983), which won several awards and was entered into the 34th Berlin International Film Festival. He also co-directed Hiroshima (1995) with Roger Spottiswoode, which was nominated for the Primetime Emmy Award for Outstanding Miniseries.
Takashi Nomura (野村孝) (February 18, 1927 – May 5, 2015) was a Japanese film director for studios including Nikkatsu. The…Takashi Nomura (野村孝) (February 18, 1927 – May 5, 2015) was a Japanese film director for studios including Nikkatsu. The Criterion Collection described him as a "prominent, stylistically daring director". In 1955, he joined Nikkatsu Film company and he made his director debut with Tokusōhan Gogō in 1960. Nomura directed such films as Itsudemo Yume wo and Quick Draw Joe (1961). He is perhaps best known for A Colt Is My Passport (1967), influenced by French New Wave filmmakers such as Jean-Pierre Melville, and by Sergio Leone-style Westerns. Nomura's use of still shots in the opening sequence has been compared to manga art techniques.
Michiyoshi Doi (土居通芳) (December 9, 1926 – March 16, 1975) was a Japanese film director. He directed films from the…Michiyoshi Doi (土居通芳) (December 9, 1926 – March 16, 1975) was a Japanese film director. He directed films from the 1950s to the 1970s. Doi is known for Chiheisen ga giragira (1961).
Shōhei Imamura (今村昌平, Imamura Shōhei; 15 September 1926 – 30 May 2006) was a Japanese film director. His main interest…Shōhei Imamura (今村昌平, Imamura Shōhei; 15 September 1926 – 30 May 2006) was a Japanese film director. His main interest as a filmmaker lay in the depiction of the lower strata of Japanese society. A key figure in the Japanese New Wave, who continued working into the 21st century, Imamura is the only director from Japan to win two Palme d'Or awards, doing so with The Ballad of Narayama (1983) and The Eel (1997).
Tadashi Sawashima (沢島 忠, Sawashima Tadashi) (19 May 1926 – 27 January 2018) was a Japanese film director and theatre…Tadashi Sawashima (沢島 忠, Sawashima Tadashi) (19 May 1926 – 27 January 2018) was a Japanese film director and theatre director . He worked as a film director from the 1950s to the 1970s. He died on 27 January 2018 at the age of 91 from multiple organ failure.
Sumiko Haneda (Japanese: 羽田澄子; born 3 January 1926) is a Japanese film director.She is one of the prominent post-war…Sumiko Haneda (Japanese: 羽田澄子; born 3 January 1926) is a Japanese film director.She is one of the prominent post-war documentary filmmakers in Japan who speaks for women and their roles in society through the portrayal of these themes in her films.Haneda also played a role in the establishment of the Tokyo International Women’s Film Festival (1985-2012), the first event of its kind in Japan.
Zenzō Matsuyama (松山 善三, Matsuyama Zenzō; 3 April 1925 – 27 August 2016) was a Japanese screenwriter and film director.…Zenzō Matsuyama (松山 善三, Matsuyama Zenzō; 3 April 1925 – 27 August 2016) was a Japanese screenwriter and film director. He was born in Kobe and grew up in Yokohama. After leaving school, he began training to become a doctor but dropped out of medical school to take up a career in films. In 1948 he became an assistant director at Shochiku studios. With the support of Keisuke Kinoshita, he also began writing film scripts. His first filmed script was Kojo no tsuki, based on the song "Kōjō no Tsuki", filmed in 1954. In 1955 he married actress Hideko Takamine. He made his debut as a director with a film called Na mo naku mazushiku utsukushiku in 1961. He continued to work as a scriptwriter for films like Proof of the Man as well as a director. He also wrote the lyrics for a song "Ippon no enpitsu" for Hibari Misora.
Masashige Narusawa (Japanese: 成沢昌茂, Narusawa Masashige; 29 January 1925 – 13 February 2021) was a Japanese screenwriter…Masashige Narusawa (Japanese: 成沢昌茂, Narusawa Masashige; 29 January 1925 – 13 February 2021) was a Japanese screenwriter and director.
Buichi Saitō (斎藤武市, Saitō Buichi; 27 January 1925 – January 2011) was a Japanese film director from Saitama Prefecture.…Buichi Saitō (斎藤武市, Saitō Buichi; 27 January 1925 – January 2011) was a Japanese film director from Saitama Prefecture. His representative works included Wataridori series starring Akira Kobayashi, Farewell to Southern Tosa(1959) and Gazing at Love and Death(1964). Saitō often worked with Akira Kobayashi, Joe Shishido and Sayuri Yoshinaga. After graduating Waseda University, he joined Shochiku Film and started working as an assistant director under Yasujirō Ozu and Kōzaburō Yoshimura etc. In 1954, he transferred to Nikkatsu Film and made his director debut in the 1956 film Anesan no Oyomeiri.
Kihachi Okamoto (岡本 喜八, Okamoto Kihachi; February 17, 1924 – February 19, 2005) was a Japanese film director who worked…Kihachi Okamoto (岡本 喜八, Okamoto Kihachi; February 17, 1924 – February 19, 2005) was a Japanese film director who worked in several different genres.
Teruo Ishii (石井輝男, Ishii Teruo; January 1, 1924 – August 12, 2005) was a Japanese film director best known in the West…Teruo Ishii (石井輝男, Ishii Teruo; January 1, 1924 – August 12, 2005) was a Japanese film director best known in the West for his early films in the Super Giant series, and for his films in the ero guro ("erotic-grotesque") subgenre of sexploitation such as Shogun's Joy of Torture (1968). He also directed the 1965 film Abashiri Prison, which helped to make Ken Takakura a major star in Japan. Referred to in Japan as "The King of Cult", Ishii had a much more prolific and eclectic career than was generally known in the West during his lifetime.
Yonesaburo Tsukiji (Japanese: 築地 米三郎, Hepburn: Tsukiji Yonesaburō; September 5, 1923 – March 30, 2012) was a Japanese…Yonesaburo Tsukiji (Japanese: 築地 米三郎, Hepburn: Tsukiji Yonesaburō; September 5, 1923 – March 30, 2012) was a Japanese special effects director who worked on eleven films in a career spanning twenty-one years. Tsukiji co-designed Gamera with Masao Yagi, Noriaki Yuasa, and Akira Inoue.
Umetsugu Inoue (井上 梅次, Inoue Umetsugu; May 31, 1923 – February 11, 2010) was a Japanese film director and scriptwriter.…Umetsugu Inoue (井上 梅次, Inoue Umetsugu; May 31, 1923 – February 11, 2010) was a Japanese film director and scriptwriter. He directed 115 movies, wrote 101 screenplays, and is credited with the original story for five films. In addition, he worked with all six major Japanese film production companies. His film work extended to Hong Kong, and he provided technical guidance for movies there from 1966 to 1970. He was married to the actress Yumeji Tsukioka from 1957 until his death. On 11 February 2010, Inoue died from a cerebral hemorrhage at a hospital in Minato, Tokyo.
Seijun Suzuki (鈴木 清順, Suzuki Seijun), born Seitaro Suzuki (鈴木 清太郎, Suzuki Seitarō) (24 May 1923 – 13 February 2017)…Seijun Suzuki (鈴木 清順, Suzuki Seijun), born Seitaro Suzuki (鈴木 清太郎, Suzuki Seitarō) (24 May 1923 – 13 February 2017), was a Japanese filmmaker, actor, and screenwriter. His films are known for their florid visual style, absurd humour, and a playful rejection of traditional film grammar. He made 40 predominately B-movies for the Nikkatsu Company between 1956 and 1967, working most prolifically in the yakuza genre. His increasingly surreal style began to draw the ire of the studio in 1963 and culminated in his ultimate dismissal for what is now regarded as his magnum opus, Branded to Kill (1967), starring notable collaborator Joe Shishido. Suzuki successfully sued the studio for wrongful dismissal, but he was blacklisted for 10 years after that. As an independent filmmaker, he won critical acclaim and a Japanese Academy Award for his Taishō trilogy, Zigeunerweisen (1980), Kagero-za (1981) and Yumeji (1991). His films remained widely unknown outside Japan until a series of theatrical retrospectives beginning in the mid-1980s, home video releases of key films such as Branded to Kill and Tokyo Drifter in the late 1990s and tributes by such acclaimed filmmakers as Jim Jarmusch, Takeshi Kitano, Wong Kar-wai and Quentin Tarantino signaled his international discovery. Suzuki continued making films, albeit sporadically, until the early 2000s.
Jun Fukuda (Japanese: 福田 純, Hepburn: Fukuda Jun; February 17, 1923 – December 3, 2000) was a Japanese film director…Jun Fukuda (Japanese: 福田 純, Hepburn: Fukuda Jun; February 17, 1923 – December 3, 2000) was a Japanese film director, screenwriter, and producer. He is best known for directing five entries in the Godzilla series for Toho starting with Ebirah, Horror of the Deep (1966) as well as the spy films Ironfinger (1965) and Golden Eyes (1968) starring Akira Takarada. Son of Godzilla (1967) has received particular attention from Godzilla fans. His next features with Godzilla vs. Gigan (1972) and Godzilla vs. Megalon (1973) were constrained with the extensive use of stock footage. His last Godzilla film Godzilla vs. Mechagodzilla (1974) was the first of numerous ones to feature the character of Mechagodzilla, which he co-wrote the screenplay for. While he did not particularly enjoy the five Godzilla films he made for Toho, he understood the appreciation the films had in some circles, particularly among children.
Rentarō Mikuni (Japanese: 三國連太郎, Hepburn: Mikuni Rentarō; 20 January 1923 – 14 April 2013) was a Japanese actor and…Rentarō Mikuni (Japanese: 三國連太郎, Hepburn: Mikuni Rentarō; 20 January 1923 – 14 April 2013) was a Japanese actor and film director. He starred in several films of Keisuke Kinoshita, Mikio Naruse, Tadashi Imai, Shōhei Imamura, Tomu Uchida and many others. Mikuni received numerous awards for his performances and was awarded the Jury Prize at the 1987 Cannes Film Festival for his film Shinran: Path to Purity, which he wrote and directed.
Shigehiro Ozawa (小沢 茂弘, Ozawa Shigehiro; 29 August 1922 – 12 October 2004) was a Japanese film director and…Shigehiro Ozawa (小沢 茂弘, Ozawa Shigehiro; 29 August 1922 – 12 October 2004) was a Japanese film director and screenwriter. He is best known for his film The Street Fighter. He directed over 110 films between 1954 and 1976.